Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Karl Self This documentary was the talk about town for a while in my corner of the world, so I was quite keen to see it. It turned out the be the type of movie which would have thrown me into the thralls of delicious juvenile mal de vivre when I was still juvenile; nowadays I see it less benevolently as subtle manipulation on part of the filmmaker. Basically the movie delivers a pastiche of interesting images and statements, and then juxtaposes them in an unnerving way. We see large soy bean plantations being cut into the Brazilian rainforest (or is it just Brazilian forest?), some talking head says that the ground there is totally unsuitable for soy bean production (whatever that means), there is a text insert stating that an enormous amount of Brazilian rainforest has been cut down (although it doesn't say whether this was for soy bean production), then we see images of desperately poor Brazilians who don't have enough food to eat or access to clean water -- all this with images of tons of slightly stale bread being dumped in Vienna still lingering in the viewer's mind from the opening scene. OK, what do we make of this, apart from the fact that the world is an imperfect place? How do we get those loaves of bread from Vienna to the Brazilian wastelands? The movie has no intention of telling you, it contents itself with subtly upsetting its viewers -- it leaves you in no doubt that something is wrong in the state of Denmark, but doesn't tell you exactly what it is or how to fix it. Maybe one way to help those peasants would be to give them work on the soy bean plantation, but then the movie is against the global food trade -- so no dice. It is also against farm subsidies and protectionism, and suggests that food is generally too cheap and that local farmers should earn more, while the multinationals are making far too much money -- all of which is certainly well-intentioned, but also contradictory. If you have smartened up and turned away from buying the cheapest and most processed foodstuffs, if you try to buy regionally and seasonally, and are paying more attention at taste rather than looks, then you are already past this movie. However if you are a less discerning consumer then this movie is probably a good starter.

C DA Shallowness refers to contents, I don't have any special request for the presentation, this is a documentary meant to inform, not to impress.Sad thing: I am old enough to remember how things were, at least in Romania, and we're actually not doing better. On the contrary, from the quality of food to the quality of beliefs and life itself, we lost a lot and we're bound to continue losing. Under the cover of getting rid of communism, we're actually getting rid of a lot more. But who cares, as long as there's cheap stuff to put in our mouths... As for the human right to water, I believe that the Nestle CEO aims to sell to us air in the next decade, and we're stupid and lazy enough to let him and others like him do exactly that. The only thing that's effortless on this planet is stupidity.It looks that I'm rather tempted to comment the information released in the movie than the movie itself, and IMDb is not the place for that. I will then say only that sometimes more means less, in the end.

James McNally I saw this film at the 2005 Toronto International Film Festival. I would call this film a Mondovino for food. By which I mean it is an examination of how globalization and the growth of the power of corporations has affected the production of food. The director dispassionately takes us to farms in Romania and Brazil, a fishing boat in Brittany, a greenhouse in southern Spain, and a chicken processing plant in Austria.In all these places, we see traditional practices being abandoned in favour of giant factory operations. In each place, someone on camera asserts that flavour is not as important as price or appearance. So we see hothouse tomatoes being driven 2500 kilometres to be sold, we see rain forest cleared to grow soybeans, even though the soil is unsuitable, and we see the entire eight-week life cycle of thousands of chickens, raised to supply the incessant demands of the world for cheap food. Watching factory-farmed chickens being "processed" might be enough to turn some people into vegetarians. Except for the fact that our vegetables are really no better.There is some interesting information about GM (genetically modified) crops which are resistant to herbicides like Monsanto's Roundup and the growing use of hybrid seed. Unlike regular seed, which farmers used to save from year to year, hybrid seed cannot be used to raise a second crop, forcing farmers to keep buying seed from large seed firms like Pioneer. This raises all kinds of issues, and I really think the film could have spent more time here.The film ends with an interview with the CEO of Nestlé, the largest food manufacturer in the world, who muses on "attaching a value" to water, and calls the position of the NGOs, that access to clean water is a human right, "extreme". After bragging how many jobs his corporation is creating, and how many families it is supporting, he glances at an informational video of one of Nestlé's Japanese factories, and marvels how it is so roboticized. "Hardly any people," he crows.The only significant weakness to this documentary was its unrelenting gloom. I would have liked to have been given some ammunition or to have seen some success stories, or at least some rebellion. But there wasn't any. Since I have an interest in this area, I can point you to the Slow Food organization, which is trying to encourage more consumption of local products and the preservation of disappearing foodstuffs. But I really wish the director had done it instead.

Richard I saw this film at the 2005 Toronto International Film Festival.We Feed the World, by filmmaker Erwin Wagenhofer, had its world premiere at the festival. The film, two years in the making, takes a look at the production of food and the effects on it from globalization and commercialization.The film is divided up into sections, each of which focuses on a different part of the industry. It jumps from fishermen in Brittany, to massive greenhouse operations in Spain, to the use of hybrid seeds in eastern Europe, to the production of soya in Brazil, to chicken production in Europe, and finally to Switzerland, the home of Nestle, the biggest food corporation in the world. Each section talks about the challenges facing people and the impact felt around the world. There is no narration; the people interviewed in the film simply tell their stories and give their opinions.There is the fisherman in Brittany, talking about the effect of European Union regulations on his livelihood. There is the senior manager with agriculture giant Pioneer, who gives his own personal views at odds with the company line. And then there is the CEO of Nestle, who matter-of-factly states his own opinions about food which may seem shocking to many. Interspersed are interviews with a food expert from the UN who provides insight into how the things shown in the film are affecting, often adversely, people around the world.The movie is not overly didactic, but it does cause you to think about how the food you eat is produced and how so many people in the world can be starving when so much food is produced and wasted in the industrialized world.Erwin Wagenhofer attended the screening and did a Q&A after the movie: - When asked about how or what we should even eat, Wagenhofer said you should think about where your food comes from and how it is produced, and buy locally-produced food.Asked how he managed to secure the interviews, especially with people who might not normally participate in such a documentary, Wagenhofer said the first time he approaches someone, he never brings a camera. In fact, he doesn't for the first 4 or 5 times, by which time people see he is not out to make fun of them, and they eventually agree to be filmed.When asked about the comments the head of Nestle, Peter Brabeck-Letmathe, makes, Wagenhofer said that he believes those are Brabeck's actual feelings about the subject, and that he probably would not be upset about the film in any way.Why food? Wagenhofer said that food is something close to everyone, that everyone has to eat every day.On his next project, Wagenhofer couldn't say what it is, other than it is a step forward from this film.The film was finished only one month ago.When asked what we should take from this film, Wagenhofer said the film is called "We Feed the World", not "They Feed the World," meaning that we are all part of the system, and that it is up to "us" to change it, as "they" have no desire to.