Vibrator

2003
6.9| 1h34m| en
Details

Rei is a freelance writer embattled by personal demons. She hears voices in her head, and has sleeping problems, eating disorders and drinks excessively. On Valentine's Day, she meets truck driver Takatoshi. She joins him on a journey in his bumpy and shaky truck - which vibrates in tune with her uneasy soul.

Director

Producted By

Nippan Group Holdings

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Reviews

Moustroll Good movie but grossly overrated
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
brownralphshort One of the best films of the year (released 2003 although I saw it at the International Film Festival in San Francisco). Meditative, intelligent, intimate, the film addresses, realistically, I felt, what it feels like to feel lost. The sexual encounters, the truck driving sequences, the breakdown episodes, the scattered moments of shared and nearly unexplainable joy and/or release all feel real. Great, great film. Highly recommended.In response to the first reviewer of this film, I can only say that some people like fast-paced movies and some like slow-paced movies and some like both. If you only like faster paced movies, this probably isn't for you. If you like to have a movie that is a little crunchy, a little gritty, then see it. Not for those who are easily offended or bored.
krvmshow Vibrator is a movie I'd like to forget. A movie where the fake-outs and plot twists get faked-out and twisted-over so you're right back where you started. A movie that transfers, seamlessly, from grotesquely silent anal sex sequences to intricately technical discussions over the innermost workings of CB radio.There are shots in this film that make you wonder if the projectionist accidentally spliced in thousands upon thousands of identical frames. Characters sit, silently eating soup, for up to and including ten minutes at a time. It's like watching paint dry, only at some point in the course of the first act, the paint is already dry, and you just sit around watching paint for two hours!Vibrator is truly remarkable in its refusal to tell a story, to grab your attention, or event to through in a shred of music every now and then! For a movie with practically two speaking parts, you might figure it to be a characters study, but that would involve actually wiggling some effort in the way of character development.Vibrator never surmounts to anything. The cinematography, flashy at best, is reminiscent of a Mitsubishi commercial, sans-techno. The main players do fine, but are given virtually no material to play to an audience with. Characters cry, and you just watch them. You don't feel them.I walked out of the late-night screening of Vibrator from the LA Film Festival feeling drastically cheated.
BICHOLUCA I recently saw this movie at the Barcelona Asian Film Festival 2004, I really was astonished. I think that it deals with the self confidence and the self opinion of people in a very delicate way. It also went deep inside myself. This surely is not universal but I highly recommend this movie. The person I was with didn't like it. I guess it's a question of identification. Either you get identified with the character or not. This is a radical (but delicate movie). Cannot think of a better way to deal with this themes Also a perfect example to learn how to shoot a digital low cost high quality movie.
sararosspa I made the mistake of being sucked in by glowing reviews and saw this film at the Philadelphia film festival a few days ago. It was apparently reviewed as THE BEST Japanese film of the year by a few Japanese film critics. Moreover the Philadelphia Film Festival review touted it as a "must see" for those interested in modern Japanese cinema. This movie was truly horrible. I'm foreign film fanatic and usually enjoy the relatively slow pace of most foreign films vis-a-vis the A.D.D-ness of Hollywood films, but this film was painful. Character development was nonexistent. There were minutes and minutes of filler scenes of a truck driving across Japan. The dialog was banal and the use of voice overs annoying. If this is the best that Japanese cinema has to offer (and I know it isn't!) this would be the last Japanese film I'd see ever. Horrible, horrible, horrible.