Patagonia

2010
6.6| 1h59m| en
Details

Patagonia narrates the journeys of two women - one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.

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Reviews

Artivels Undescribable Perfection
Moustroll Good movie but grossly overrated
Acensbart Excellent but underrated film
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Lee Eisenberg Marc Evans's "Patagonia" is one of the many movies that focuses on cultures that we don't usually see. In this case, it's Argentina's Welsh community. The movie contains two parallel stories: one is a Welsh couple that goes to Argentina to photograph the Welsh chapel in Patagonia, the other is an elderly Argentine woman who goes to Wales to see her ancestral farm. Both sets of people will have quite the experience.This is one of only two movies that I've seen in which Welsh gets spoken; the other is "Hedd Wyn", about a noted Welsh poet (both movies were the United Kingdom's submission to the Academy Awards for Best Foreign Language Film). Both movies cast a perceptive eye on the Welsh culture. And in this one, we get to see both the Argentine plains and the Welsh countryside. You'll probably want to go to both countries after seeing it. Outstanding movie.
dipesh parmar 'Patagonia' is a film directed by Marc Evans, providing a unique insight into two cultures that you wouldn't have ever considered to co-exist. I wasn't aware that Patagonia is a Welsh settlement in Argentina, since the mid 19th century where Welsh citizens were invited by the Argentine government to come to live in Patagonia. Miraculously, Patagonia still retains its Welsh community and is still thriving.The film is anchored by two stories, one spoken in Welsh and the other in Spanish, where both sets of people are searching for their identities. Rhys (Matthew Gravelle) is a photographer assigned with capturing the essence of Patagonia, and takes his girlfriend Gwen (Nia Roberts) for a working holiday. Travelling in the opposite direction is the elderly Argentinian Cerys (Marta Lubos) who wants to trace her ancestors before she dies, and misleads the unwitting teenage Alejandro (Nahaul Perez Biscayart) to come with her. The photography is stunning, with some wonderful scenes of the contrasts between the lush green hills of Northern Wales and the dusty deserts of the Patagonian landscapes. Both sets of couples experience various states of discomfort and joy in trying to find themselves, providing a nice balance between them which makes the film work. 'Patagonia' may often be cliché-ridden, sentimental and implausible but there is a warmth to the characters, especially Cerys and Alejandro, which is often very touching. Its one of those films which tugs on your emotions more than your imagination, and forces you to sit down and just enjoy watching an interesting sequence of events.
jhenchard Watched this on its Welsh TV premiere as I now live in Wales (although I am not a Welsh speaker). The film was a pleasure to watch compared to much of the Hollywood fare that is served up and is certainly worth watching.However, I have to agree with the previous reviewer that the film was ruined for my by the ridiculous endings to both stories particularly after the Grandmother died in Wales. It was completely ludicrous and ruined what could have been a much better film.On the positive side listen out for Duffy (who appears in the film) singing a Spanish version of Hope There's Someone the beautiful Antony and The Johnsons track at the very end of the film.
gymnast_01 If you are sick and tired of contrived Hollywood productions with cliché plots and badly written lines, then Patagonia is the perfect antidote which will restore your faith in the power and beauty of cinema. The fact that this film was produced by S4C in collaboration with smaller independent production companies means that it has the freedom to explore the themes without using a stale Hollywood formula. We follow two different couples on their journey from Wales to Argentina and vice versa: the Welsh Gwen and Rhys who go to Patagonia and the odd couple Cerys and Alejandro who go in search of Cerys' mother's farm 'Nant Briallu' in Wales. I'm not sure if it is fair to classify this as a 'road trip' movie - but it is certainly the best road trip movie ever made. The theme about displacement and dislocation is beautifully executed in this film – the characters in Argentina speak only in Welsh and the characters in Wales speak mostly in Spanish. Even singer Duffy makes a valiant and commendable effort to speak Spanish as Sissy – the Spanish- speaking local love interest of Alejandro. This all relates to the fact that Cerys' mother sent in exile to Argentina to hide the face that she was an unwed mother. For those of you who are sick and tired of American films which are so afraid of any subtitles because the American audience doesn't like to read subtitles (which often results in the most unlikely characters speaking English with a ridiculous foreign accent) – you can breathe a sigh of relief when you come to see Patagonia. The Welsh people tend to speak Welsh and very little English and the English are forced to read the subtitles. The two couples never meet, their paths never cross - the way you'd expect things to be conveniently tied up at the end of a Hollywood movie; and the movie is better off for that. One is treated to amazing cinematography which benefits from Patagonia's amazing desolate landscape and Wales' green rolling hills. There is great humour in the movie - but most of all, the magic of the movie as carried by the odd couple Cerys and Alejandro who grow closer together as they journey through Wales and there is a genuine warmth to their relationship. Argentinian actress Marta Lubos stole the show as the somewhat batty but still utterly lovable Cerys - tough, resilient, stubborn yet charming all at the same time, she is the grandmother everyone would love to have. The film takes you on an emotional journey – but having said that, I think I ended up caring more about Cerys and Alejandro on their quest to find Nant Briallu; after all, it seemed pretty clear what was going to happen to Rhys and Gwen from the moment they landed in Patagonia. Nonetheless, what the Argentinian plot lacked in substance, it more than made up in sheer beauty. If you watch this film, you will leave the cinema wanting to improve your Spanish, learn Welsh (if you do not already speak Welsh) and most of all, you will desire to travel to Wales and Patagonia. Few films will leave you with such a strong yearning – and both the Welsh and Patagonian tourist boards own the makers of this film a big cheque for the amount of visitors as a direct result of this film. In short, go see this film – it'll probably be the best film you would see in 2011. No 3D glasses, no special effects, no Hollywood big stars – just an incredibly compelling and touching story of human emotion. This is what the magic of cinema is all about. Who needs 3D glasses?