Veer

2010
4.6| 2h40m| en
Details

A Pindari Prince goes to England to study military tactics so that he can avenge his people, but while there, he falls in love.

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Reviews

GrimPrecise I'll tell you why so serious
Pluskylang Great Film overall
Moustroll Good movie but grossly overrated
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
aaronbir This movie was brilliant and entertaining and storyline good movie and storyline enjoyable and storyline great and storyline good movie movie and storyline great and storyline good movie movie and entertaining movie and movie movie stars for sure as the storyline villain and was the storyline villain of character roles character character is superb editing Storyline is good screenplay is good editing is good direction is good Songs are excellent Salman khan was excellent zarine khan does well in her debut performance Sohail khan was funny mithun was fine Jackie was always remarkable 8/10
MovieInspector This film focuses on British rule in India and British alliances with Indian royalty. I'll start of with the performances. Salman Khan does his bit with typical macho swagger - his role is perfect for him. Newcomer Zarine Khan is good in her role, but I think that she could do a little better should she get a role allowing her to do so in the future. Mithun Chakraborty is good along with Sohail Khan in supporting roles, as is Jackie Shroff in his negative role. The story of the film is good and Salman Khan deserves credit for writing it. The story keeps you engaged and you may feel an unusual feeling once it is finished since you were absorbed in the goings on in the movie for just over 2 hours and a half. The music is great. Sajid-Wajid have done a great job. The two tracks that stand out are 'salaam aaya' and 'taali'. The action is also great.Overall: definitely watch it. I give it 8/10.
Jan van Steenbergen (ijzeren_jan) Five things about Veer are actually good, even very good: Jackie Shroff, Mithun Chakraborthy, the music, the visuals, and the basic idea. And that's about where it ends. I won't even start listing those things that are bad...Apparently, Veer was meant to become The Salman Khan Movie To End All Salman Khan Movies. Salman himself is responsible for the story, which supposedly took him no less than twenty years. The result proves that whatever one may think about Sallu, story-writing is definitely Not His Thing. It should be said, the first 30 minutes of the movie are promising and evoke high expectations, but all the rest is just one big and rather tasteless ego-trip. To such a degree that you can't even say this movie is about Veer at all... no, it is about Salman: Salman dressed up as a Pindari, Salman dressed up as an English gentleman, Salman dressed up as a gladiator, Salman dressed up as Highlander, Salman dressed up as an Indian prince, and of course, Salman in his trademark outfit, his naked muscled chest. The story appears to be completely subordinated to Salman, his poses and his costumes.The role of princess Yashodhara was obviously meant to be played by Salman's fiancée, but because Katrina had other obligations, he had to find replacement. And so he picked a débutante as his heroine, whose only asset appears to be a certain physical similarity to La Kaif. Mistake number 2, because "Zatrina" quite clearly lacks the talent, the acting skills and the charisma to pull off this one. Her screen presence irritates from the first to the last scene, even though the role wasn't a particularly challenging one anyway. In fact, the film would have been a lot better off without the whole obligatory love story, annoying even for Bollywood standards.Watching this movie, I got the impression that Salman hoped to create his own "Jodhaa Akbar" or "The Rising". But all he managed was creating his own "Dharam Veer" - without Dharam to that! Manmohan Desai's "Dharam Veer" is at least funny and absurd, however, Salman's Veer is not funny at all. If he would at least have added some humor the Veer character, things might have turned out differently, because Salman happens to a good comedian from time to time. But instead, he left the comedy bits to his brother Sohail who, although not a bad actor himself, is notoriously bad at comedy. And thus, the movie that was supposed to showcase all Salman's abilities as an actor, turns out more successful at showcasing his limitations. The feeling that remains is that this movie deserved to become something much better than it actually became: a major disappointment.
sumanbarthakursmailbox Veer suffers from formulaic overkill. There is just so much contrived jabber-jabber you can take about defending your honour, about duty versus love, and about drinking the blood of the British. The film's director, Anil Sharma, may have touched a chord with a similarly jingoistic approach in his Sunny Deol-starrer Gadar: Ek Prem Katha, but in Veer the chest-thumping melodrama appears mechanical and excessive. The film, then is watchable for Salman Khan's arresting screen presence, his charming romantic overtures, and a degree of involvement from him that you haven't seen before. Unfortunately, what lets Veer down in the end is the fact that it overstays its welcome. At almost two hours and forty minutes, it's way more than you can handle on an evening out. It doesn't help that key parts are filled by weak actors like Sohail Khan, Puru Raaj Kumar and Aryan Vaid who rob the film of any shred of credibility it might have otherwise earned.Watch it if you're a die-hard Salman fan. It's an epic-sized period film with tacky special effects. Unacceptable in these times. From Cameron's Pandora to Anil Sharma's Pindhari, we've come a long way. The film's action is visceral with several blood-splattered slaughter scenes, but often runs the risk of coming off as ridiculous. A Gladiator-style duel ends with Salman literally twisting a man's head 360 degrees around, and there's another one in which he yanks out a rival's insides with his bare hands.The film also suffers on account of too many songs that don't take the narrative forward, including one in which Neena Gupta jiggles and wiggles and heaves her bosom suggestively at the entire Pindhari clan including her grown-up sons who dance along merrily.Much of the film's first half holds up because there's conviction even in the stupidity. You may find it hard to believe that one man can single-handedly fight an armed gang, but Salman and his director dive into the most preposterous scenes unblinkingly.

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