GamerTab That was an excellent one.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

lasttimeisaw Don Siegel and Clint Eastwood's second collaboration jocousely teams Eastwood's Leone-sque soldier-of-fortune Hogan (scarcely changing his apparel and paraphernalia from Leone's Dollars Trilogy) with Shirley MacLaine's sister Sara against an extensive western landscape, to fight for a good cause, aiding Mexico's Juarista rebels to assail the colonial French army during 1860s. Let's just turn a blind eye on the self-conscious revisionist stance about colonialism, the movie's appeal is right on its game when conjuring up the odd pairing of a devout nun and a cynical atheist, from a skin-baring introduction of Sara, on the point of being gang-raped, to the reveal of her votary attire which amusingly takes Hogan aback, until they soften their discrepancy and clearly Hogan is swept off his feet by her prim but valiant defiance. And the cunning machination to keep a lid on the real identity of a heart-of-gold Sara is well-wrought through her unfeigned piety and devotion (including a Christian burial for her assaulters), but Siegel slyly leaves small clues to insinuate there is something iffy in train - Sara's secretive cigar-smoking and she apparently makes no bones about uttering one particular profane word - to keep audience intrigued, and Ms. MacLaine makes Sara a ballsy heroine through and through, she will soon proactively return the favor to save Eastwood's perpetually squinting Hogan, not once but twice, and successfully pulls the wool over his (and our) eyes as a hardened, trestle-climbing partisan who is off-limits to no man but God himself. Alas, what the film (predictably yet regretfully) fails to make right is the ill-treatment of the Mexican counterpart, it is a story happening in their land, but the movie never for one second, delves into their mindset, Col, Beltrán (Fábregas) is a one-note cipher and his army is a bunch of rabbles, not to mention that the climatic garrison-sallying action pieces are starkly rinky-dink and finish in abruptness, but a grace note is maestro Morricone's lilting and clanging accompaniments, ever so pervasive in a boisterous, above-average Hollywood fluff.

slightlymad22 Two Mules For Sister Sara (1970)Plot In A Paragraph: Nun Sara (Shirley MacLaine) is saved from certain rape from cowboys by Hogan (Clint Eastwood) who is preparing for a future mission to capture a French fort. The pair become riding buddies and eventually friends.For some reason this doesn't seem to be remembered by many, and I'm not sure why!! Clint retreaming with Don Siegel in a western, with an Ennio Morricone's score. Maybe it's because it was sandwiched between bigger more memorable movies. It follows Where Eagles Dare and Paint Your Wagon and proceeds Kelly's Heroes and Dirty Harry, and is a more modest movie. Outside of Eastwood/western fans it's hard pressed to find anyone who remembers this.The movie is a treat from start to finish and despite the light hearted nature of the movie, Hogan is as deadly as any Eastwood cowboy. In fact I think it's his best performance at this point!! He is confident in his ability and it shows, he is more chatty than your usual Eastwood cowboy, and he exchanged some witty dialogue with MacLaine. Shirley MacLaine gets top billing in the film's credits (though my DVD and all the art work bills Clint top) This was the last time Clint Eastwood received second billing (or anything less than first) until A Perfect World, and the only time his leading lady was played by an A-list star until The Bridges of Madison County. Two Mules For Sister Sara grossed only $4 million at the domestic box office, but it did earn back its budget in the United States alone.

Rainey Dawn I am not a fan of Western films - generally speaking - but Two Mules for Sister Sara is a outstanding story. This movie really did get my attention from the beginning and held it until the very end. It is not a typical shot-them-up Western flick - yet it does have some gun-slinging action in it.This is one of those films I do not want to talk about too much because I don't want to give it away - instead I will tell you to simply watch it because it is good! I can say it is a very interesting concept: The gunslinger helping a nun and vice versa - just watch the film and see how they meet and it plays out you will not be disappointed.9/10

farcryfolk This movie was a pleasant surprise. I was expecting perhaps a spaghetti western comedy, but what I got was an exciting plot that moved right along, with good performances from the two leads, some nice scenery, good dialogue and a great buildup to a nice climax. Shirley Mcclaine was perfectly cast, and boy did she look absolutely splendid. The scene where Clint questions her morals as a nun who shuns the physical feelings is deft and wonderfully written and acted, it was my favorite scene. The action goes from entertaining to more entertaining. Clint is simply wonderful, this was one of his best movies I thought. The chemistry between them is great. I like how the romance develops replete with some twists that you may or may not see coming. Don Siegel is such a talented director, he always seems to make movies that not only movie right along but manages to get good performances from everyone involved. We need more directors like Siegel in this day and age. The music was trademark Ennio Morricone cowboy music, he is always spot on. This is the kind of movie that they just don't make anymore, perfect entertainment for a weekend on the couch. Catch it if you can.