Cathardincu Surprisingly incoherent and boring

Claysaba Excellent, Without a doubt!!

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

malcolmgsw When I saw a bearded Ben Gunn come running across the beach towards Jim Hawkins,I thought he would utter the immortal lines"and now for something completely different".Followed by Carol Cleveland and Eric Idle on the organ.My biggest problem with this was the miscast Orson Welles.He is awful,not a patch on dear old Robert Mewton.This does the impossible and makes the story boring

zardoz-13 The Internet Movie Database lists three directors for the 1972 version of "Treasure Island: Andrea Bianchi of "Strip Nude for Your Killer," John Hough of "The Watcher in the Woods," and Antonio Margheriti of "Seven Dead in the Cat's Eye." Out of all three, only Margheriti helped to pen the screenplay. I don't think that there is any way to distinguish precisely who did what, but this cinematic adaptation of Robert Louis Stevenson's classic adventure novel is extremely faithful to its source material. Orson Well es steps into the role immortalized by Robert Newton, but Welles doesn't chew the scenery with the same gusto as Newton did in the Disney version. Instead, Welles plays Long John Silver as a realistic but cunning dastard. The remainder of the cast doesn't fit their roles like a glove, but Spaghetti western star Rik Battaglia makes a reasonable facsimile of Captain Smollett who has the helm of the ship. Reasonably successful, too, are Lionel Stander as Billy Bones and Walter Slezak as Squire Trelawney. Clearly, several other cast members have been dubbed, and the film was lensed in Carboneras, Almería, Andalucía, Spain as well as Monte Gelato Falls, Treja River, Lazio, Italy. Prolific cinematographer Cecilio Paniagua of "100 Rifles" did a splendid job of photographing this sea-going saga and camera operator Silvano Mancini pulls some fantastic zooms. There are moments of memorable beauty when Paniagua's cinematography is captures a scene whether aboard ship or on land. One of the best things about this version is its apparent realism. Miniatures were eschewed in favor of the genuine article, particularly the ship. Despite its physical authenticity and some good performances, "Treasure Island" follows most of what Stevenson wrote, but the filmmakers have changed a few things. First, after our heroes flee from the ship, Jim Hawkins made his way back aboard the ship and runs it aground. This scene is missing, while some of the secondary villains don't stand out as much as they did in the novel. Second, Captain Smollett doesn't get wounded during the stockade stand-off. Otherwise, on the whole, this rendition of "Treasure Island" is worth watching.

mmka1 So far as I've seen, this is the most commendable of all interpretations of Robert Lewis Stevenson's stirring book; yet, still a great disappointment.Most of the cast did well enough in their rolls, with the exception of, believe it or not, Orson Welles. Mr. Welles so severely under played the part of Long John Silver he made the character completely uninteresting; that and his unintelligible mumbling fatally scuttles what should have been a great and memorable film.The music of Natale Massara, another problem, while expertly orchestrated, is derivative of other works and does nothing to convey the feeling of a thrilling tale of the sea. It would have been better suited to an episode of "Little House On The Prairie" with it's ocean of grass.I certainly won't say that it is a waste of time to watch this version, but if it were not for Wolf Mankowitz writing the screenplay, this might well have been a complete failure.For a real treat, go see "Muppet Treasure Island". You won't be sorry! More information at http://www.imdb.com/title/tt0117110/ .

MARIO GAUCI In my childhood, this was a perennial on Italian TV over Christmas - but, somehow, I never got to watch it! It's surely the least of the three most renowned film versions of the R.L. Stevenson classic but, in itself, is decent enough...if still mainly interesting for the contribution (both as actor and writer) of Orson Welles.Welles' presence alone elevates any film he appears in - though he's quite restrained here (certainly in comparison to Robert Newton) and, unwisely, adopts perhaps the silliest accent since THE LADY FROM SHANGHAI (1948)! As for his script - co-written, under the pseudonym O.W. Jeeves, with Wolf Mankowitz - it's reasonably faithful to both the spirit and letter of Stevenson's original. However, the low-budget hurts the overall effort (Welles must have identified with such a predicament, as his own films were too often plagued by compromise!) and the 'modern' score composed by Natale Massara is quite inappropriate.Still, despite a good cast - including Kim Burfield (unexceptional but not bad as Jim Hawkins), Walter Slezak (as Squire Trelawney), Lionel Stander (as Billy Bones), Paul Muller (as Blind Pew) and Maria Rohm (as Mrs. Hawkins) - it's essentially a 'kiddie' film and is, therefore, in sharp contrast with most of producer Harry Alan Towers' output (particularly his collaborations with Jess Franco)!