CrawlerChunky
In truth, there is barely enough story here to make a film.
Kaelan Mccaffrey
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
moonspinner55
"Grease" fans in 1978 probably had little-to-no idea that co-star and pop songstress Olivia Newton-John had acted in a film eight years prior--and, at the time, she herself was probably relieved that nobody knew about it. "Toomorrow", produced in the UK (and shown theatrically there for just one week), boasts an impressive pedigree and some decent synth-based bubblegum rock, but the movie vanished almost without a trace (it was released in Japan but not until 1980, to coincide with Newton-John's "Xanadu"; there was never any interest from US distributors). Unlikely production partners Don Kirshner, the man responsible for The Monkees' early musical output, and Harry Saltzman, a co-producer of the 007 franchise, apparently had a falling out during the course of filming "Toomorrow", causing Kirshner to wash his hands of the whole debacle. Newton-John is pretty much cast as herself, a college student and vocalist named Olivia who performs in a struggling rock group based in London; her three bandmates, all randy yet clean-cut males, allow Livvy to be their mother-hen while keeping their hands to themselves (she's a good girl of the Annette Funicello school: flirt but don't touch). The band has attracted the attention of other-worldly aliens, who abduct the quartet (and their instruments!) in order to save their dying population. Comic-book nonsense looks a bit like the Disney films of the early 1960s (with the exception of a few 'naughty' bits). It's harmless and brainless and puerile, but it isn't the embarrassment Kirshner painted it as. A curiosity item and footnote in Newton-John's career; she was never much of an actress, although for her part she looks attractive here, pressed and crisp like a budding pop star, and sings in her clear, pearly voice. *1/2 from ****
Thorsten-Krings
Val Guest was an extremely busy director who first of all made a lot of films and secondly produced a surprisingly large number of good films. This, however, is not one of them. It is a very commercial publicity stunt for a band derived from a casting. The band is mediocre (except for goddess Olivia of course) and the film is...well...calculated. The story is odd: aliens hear the sound of the band Toomorrow and discover that they need those vibes to survive. Friendly alien kidnaps them and they save the aliens' world. Sounds pretty stupid? It is. There's some nice and funny stuff about student life in the 60s/70s but essentially the film is an excuse for showing the band and...Olivia's legs. In fact The legs of Olivia would have been a far better title as that's what the film really is about. And they alone make it worth watching. Essentially the film is silly-funny entertainment and at least you can smile about it. But I felt a bit disappointed after having hunted high and low for the film for years.
shark-43
This thing is a mess but a fun mess. A strange hybrid of sci-fi aliens, lame rock music and counter culture message film. Yes, a very young and darling Olivia Newton-John stars as the lone girl in a band called Toomorrow and they play the softest, non-threatening "rock" you've ever heard and yet the hippies and the stoners go crazy for them like they are hearing Hendrix at Monterey. The "special" effects are ridiculous and the movie really is entertaining for all the wrong reasons - jaw dropping dialogue (like when the band is zapped aboard an alien UFO "Hey man, I don't dig space!") and lame attempts to inject Beatles/Monkees type comedy with a few of them sharing bathwater and changing clothes in the car on their way to a big gig. So of it's time, so dated and yet real fun. Hard to find - the DVD we got had Japan subtitles and as someone else mentioned - when the movie ended - it also had Olivia appearing on Johnny Carson as a big new singing sensation in America (no mention of Toomorrow though - hmmmm). The whole script has that feeling of fifty year old writers typing away what they think "the long hairs" are saying and doing. Laff riot.
Keith C. Bradbury (MANSTARUK)
One of the first films I went to see on my own (in 1970), at the tender age of 14. Well into the synth music of the time, a short piece on TV pushed me to go and see it.I understood RCA had a number of legal problems with it and thought it would never see the light of day again. However, I managed to obtain a copy of the sound track some 25 years later, but would still love to see the original film again.
