Alicia I love this movie so much

LouHomey From my favorite movies..

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Paul Magne Haakonsen "Tokyo Zombie" is exactly what you would expect from a zombie movie from Japan; being cheesy, Japanese people painted ashen-gray, and an overall exaggeration of everything.The story in "Tokyo Zombie" was actually alright. We follow the two very odd, both in appearance and personality, friends Fujio (played by Tadanobu Asano) and Mitsuo (played by Shô Aikawa), working at a fire-extinguisher factory. The people of Tokyo are burying their trash and their dead at Black Fuji, a black mountain of garbage. Toxic waste starts to reanimate the dead buried there, and the zombies start shambling stiffly about, looking for human flesh to devour. And soon after, Tokyo is in a lot of trouble...The acting in this movie was as you'd expect, adequate and silly. Lots of overacting here and the zombies were just hilarious. You need to approach this movie with no sense of an actual serious zombie movie. This is a zombie comedy spoof, and it have so many elements that seen to be making fun of a lot of Romero's movies. So think of a Japanese version of an extreme version of "Shaun of the Dead", then you will have a rough idea of what "Tokyo Zombie" is like."Tokyo Zombie" is extreme in so many ways, but it works out well enough, because it is extreme in a hilarious way. I believe that "Tokyo Zombie" is either a movie that you will love or hate, I don't see any in-between here. I found "Tokyo Zombie" to be a fun movie to watch, it was a nice spoof of a zombie movie, in the way that only the Japanese can manage to bolster up.

Scarecrow-88 In the last twenty years, the "zom-com" has had a burgeoning rise throughout the world. A major proponent in this rise as of late is SHAUN OF THE DEAD. Films take the zombie genre and twist it into all sorts of bizarre directions. Sakichi Satô's TOKYO ZOMBIE is no different. It's essentially a buddy comedy immersed in the apocalyptic environs of Tokyo where a zombie plague(..caused by the polluted industrial waste buried in a rubbish heap containing the buried dead, murdered by others using this area to escape crime conviction)rises from a mountain of trash nicknamed "Black Fuji". Two working class Japanese men, older bald Mitsuo(Sho Aikawa)and his "Jujitsu student", Fujio(Tadanobu Asano) must bury their disgruntled boss after accidentally killing him after a clunk over the noggin with a fire extinguisher. They bury him in Black Fuji, encounter the dead, and must find a way out of Tokyo with designs of tripping to Russia so Fujio can "become a man"(..because Russia is a "tough country"). Mitsuo reveals to his protégé that he's dying of stomach cancer and soon, after Fujio forgets to grab a toothbrush and cigarettes when taking food from an abandoned grocery store, they discover a young women, Yoko(Erika Okuda), who expresses firmly her resistance towards joining up with them. Yet, Mitsuo insists and loads her in their van against her will, getting bit in the process(..the bite is an amusing gag, revealed at the end of the film). Soon, the van is stolen by another bald guy, Mitsuo leaps off a bridge presumably to his death, with Fujio and Yoko left to squabble endlessly slapping each other around before diving off a bridge to escape zombies coming towards them. Soon, Tokyo falls to ruin, a massive wall is constructed around a giant pyramid with the poor and zombies used as slaves for the rich(..which seem to be mostly loud, demanding women), & Fujio takes the fighting lessons taught to him by his mentor into a ring where he battles zombies for an audience who voices their criticism when his matches end early.The character of Fujio is run through the ringer. His only means of resolve comes from his dedication to Mitsuo, who his fights are won for in the respect of Jujitsu. He is burdened by the shackles of a marriage to the insufferable Yoko, his daughter is mute(..and adorable), his boss(..the ring announcer)wants to have sexual relations(..always coming from behind Fujio, attempting to engage in carnal activity, socked by kicks for his trouble), his best friend is seemingly gone forever, and he must endure the hardships of poverty, dealing with constant combat against foes whose bite can kill, and deal with the constant angered boos of a despicable audience. The poor guy barely hangs in there. Before all this misery, the film seemed to work as a confined story about two men against the backdrop of a fallen city, which I think works rather well since both actors have good chemistry with each other. Jujitsu is a major part of their relationship as Mitsuo uses this skill as a means to prepare him for a harsh world. When Yoko is introduced, Mitsuo leaves the film for a while, and we enter the last leg of Fujio's story, the film became a bit of a trial for me. There's a dark, perverted sense of humor(..pedophilia gags galore, and a group of children attempt to hold up an office worker with a knife)and the expected zombie gore is present(..the violence is so over-the-top, it becomes a parody of the zombie films that came before). Lots of unusual images through the use of CGI and plenty of histrionics by the cast who have animated faces and reactions towards each other(..particularly when characters assault each other). The Black Fuji sequence, at the on-set, is simply bizarre.

lastliberal Fujio (Tadanobu Asano) and Mitsuo (Sho Aikawa) spend their free time wrestling. Their boss interrupts one day and starts yelling at them. After an apparent heart attack, them dump him on the Black Fuji, a mountain of trash that contains everything - including bodies.The chemicals in the mountain cause the dead to rise, and now Tokyo has some real problems.You might think that writer/director Sakichi Satô would give us another Ichi the Killer, but you would be wrong. The blood is minimal. This is a comedy. There are a lot of people losing their heads, but no little gore.The good thing is that they are real zombies, and you can outrun them.After five years, Tokyo is completely zombified. Fujio is stuck with Yoko (Erika Okuda), a girl Mitsuo saved before he was bitten, and those that are not zombies are slaves for the rich.Things do get really funny at the end, and a little crazy, too.I just wish they wouldn't have repeatedly used the "R" word.

Minty Sandwich From the first minute to the end of the credits, this movie is a zombie movie lover's fantasy. Imagine crossing Shaun of the Dead and Kung Fu Hustle and you'll have a small idea of what kind of movie you're in for when you watch Tokyo Zombie.I scour the world of film to find movies that stand out to me as being worthy of owning. I'm very picky when it comes to movies, and I've seen many films that fall into the "zombie" category which end up being nothing short of wasted time in my life once I reach the ending. I am a fan of Shaun of the Dead simply because it not only is a comedy, but it mocks the entire genre of horror movies and zombie flicks. Tokyo Zombie is much the same in the way that you try to open your mind to it and wonder how long it will be before you can accept it's another zombie movie, before you realize that you're laughing hysterically aloud at flying heads and spurting blood.Don't think that you've EVER seen effects like these before. The movie opens to two men practicing Ju-Jitsu, one of them, Micchan (whom believes he has cancer after he forces his doctor to tell him that's what it is after the doc insists it's just a stomach ulcer) and he dedicates his life to helping his friend, Fujio, learn Ju-Jitsu, so once zombies start sprouting from the graves, why not practice on them?The two men accidentally kill their boss, Ujimoto, and decide to bury his body on Black Fuji, a big mountain of ash which there are apparently hundreds of people burying things from satellite dishes to refrigerators to, in a funny scene, the mother of a wimp-like guy who's up to her head and yelling at the young guy's girl who is threatening him with loss of sex if he doesn't bury his mom, but well she's up to her head in the ash and the girl gets tired of hearing this woman's rantings so she punts the woman's head and it flies off the mountain at about 50 miles per hour screaming at her son "Darrrliiinnnnnggggggg!!!!" in Japanese as it flies off to the horizon. I pretty much lost it at that point, laughing hysterically at the comedy of it all. Usually in a movie like this you'll get a 5-10 min break before there's more humor, but no, they keep it going with a school teacher burying the body of one of his male students who he had killed while apparently spanking in school... Well, he was also the teacher of Fujio, and he'd spanked him quite a bit before in the past so Fujio goes down to him and beats the crap out of him with a shovel, and it's pretty funny how he does it. The teacher, you'd think, dies then, but no he gets up a few minutes later to find his pants missing, but is happy to see a young woman come out of the ground who's eyeing his exposed penis with a hungry smile, so he decides to let her enjoy it, and she does, with zombie-like abandon... Immediately following this, the two Ju-Jitsu buddies drive over the wandering body of the boy who's mother's head was booted off into the sunset because they're arguing as to whether or not the teacher had his way with Fujio in the past or not.All of this happens within the first 15 minutes of the movie, well by 14 minutes and 11 seconds to be exact. The movie's script is well done, the acting is quite nice, the graphics and especially the zombies are very well done. I, personally, will end up recommending this movie to many of my friends, and I'm sure that it will become one of my new favorites in not only Asian cinema, but also in the realm of true horror-comedy.If you have the chance to see this movie, don't pass on it, I'm sure you'll enjoy watching it, none of the scenes are over-the-top, and none of the acting seems forced. It's a well-balanced flick which I will keep in my mind's database of A+ movies and I'm sure I'll reference it whenever I try to explain how some Asian movies are well worth watching.I hope this review and my comments have helped you make your decision about this movie.