The Way West

1967 "Cracking Like a Whip From Here to Excitement!"
6.2| 2h2m| NR| en
Details

In the mid-19th century, Senator William J. Tadlock leads a group of settlers overland in a quest to start a new settlement in the Western US. Tadlock is a highly principled and demanding taskmaster who is as hard on himself as he is on those who have joined his wagon train. He clashes with one of the new settlers, Lije Evans, who doesn't quite appreciate Tadlock's ways. Along the way, the families must face death and heartbreak and a sampling of frontier justice when one of them accidentally kills a young Indian boy.

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Reviews

Tockinit not horrible nor great
Beanbioca As Good As It Gets
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
James Hitchcock "The Way West" is a grand epic western with something in common with "How the West Was Won" from a few years earlier. Both films deal with the opening up of the American West, although "The Way West" takes place over a much shorter timeline than the earlier film, which followed the history of a single family over several generations. It tells the story of a group of pioneers making their way overland to Oregon by wagon train in 1843. There are several interlocking plot lines. One concerns the rivalry between the group's leader, Senator William Tadlock, and a farmer named Lije Evans. Evans resents the Senator's autocratic attitudes and what he sees as Tadlock's attentions to his attractive wife Rebecca. Another storyline concerns the romance between Evans's teenage son Brownie and a girl named Mercy McBee, and another the troubled relationship between young married couple Johnnie and Amanda Mack.The film includes three established big-name stars in the shape of Kirk Douglas as Tadlock, Robert Mitchum as Dick Summers, the expedition's hired guide, and Richard Widmark as Evans. Sally Field, in the early part of her career better known as a television actress but later to become a major Hollywood star herself, also appears in her first big film role as Mercy. Douglas rarely played an outright villain, but his characters were not always outright heroes either; he was also capable of playing conflicted or morally ambiguous individuals. Examples include Midge Kelly in "Champion" and Jonathan Shields in "The Bad and the Beautiful", and Tadlock is another. This is not Douglas's greatest performance- certainly not as good as the two just mentioned- but it does show his ability to create characters who are flawed but not wholly unsympathetic. Tadlock is an idealist with a vision of America's destiny to open up the vast expanses of the West, but is also abrupt, autocratic and apt to alienate people. He can also be devious, as when he manufactures a smallpox scare in order to prevent his followers from accepting a British offer to settle down short of their goal. (At this period the Oregon Territory was jointly ruled by the United States and Great Britain). There are, however, also times when we feel for him, especially when his young son is killed in an accident. Another difficult moment comes when Johnnie Mack shoots and kills an Indian boy. The killing was an accident- Johnnie thought he was shooting at a wolf- but because the boy was the son of a chief the Indians demand justice. The senator is reluctantly forced to hang the young man, knowing that if he does not the entire wagon train is likely to be massacred. In doing so, however, he makes an implacable enemy of Amanda. Like "How the West Was Won", this film is probably best seen on the big screen, but until my local cinema decides to run a season of lesser- known Westerns from the sixties- which will doubtless be "never"- I will have to content myself with seeing it on television. Like many Westerns from the fifties and sixties it features some striking photography of the magnificent scenery of the American West; like some other films about east-to-west journeys across the continent (such as "The Far Horizons") it concentrates more on the passage through the Rocky Mountains than on the crossing of the less conventionally picturesque Great Plains. There is one particularly striking sequence where the pioneers lower their wagons, their livestock and themselves over a cliff with ropes in order to avoid a lengthy detour before winter sets in. "The Way West" is never, in my opinion at least, likely to rank among the really great Westerns. Yes, the photography is good, but photography alone is not normally enough to qualify a Western, or any other film, for greatness. ("Days of Heaven" may be an exception to that last statement). Despite all those big names in the cast, there is no really outstanding acting performance, and the film lacks the strength of characterisation and the moral depth of something like "The Naked Spur", "The Big Country", "The Shootist" or "Lonely Are the Brave", possibly Douglas's best Western. It is a good film, but falls some way short of classic status. 7/10
FightingWesterner Hard-driving Kirk Douglas organizes a wagon train to Oregon, hiring mountain man Robert Mitchum to lead the way and squaring off with Indians, the elements, and hostility among the settlers, particularly hard-headed farmer Richard Widmark.Almost universally panned and patronized as director Andrew V. McLaglen's attempt to ape the style of his mentor John Ford, it's actually an innocuous, inoffensive adventure saga in the mold of How The West Was Won or Raoul Walsh's The Big Trail, though not as good as those films. It's still fairly watchable, except for the endless, obnoxious subplots featuring teenage Sally Field and her deflowering by a married, frustrated loser!Douglas and especially Mitchum are excellent, as usual. However, Widmark falls a little short, thanks to a less than interesting character, though he's always a welcome presence in anything he's involved in.
Neil Welch Westerns and musicals were the staples of cinema from the late 30s through to the late 60s. Then tastes changed, and both genres went out of fashion. Before they did so, The Way West appeared on the screen.It is an absolutely traditional western in the old style, telling the story of a wagon train carrying a mixed batch of settlers to a new life, with the story being a mixture of the trials and tribulations they encounter on the way, and the soapy goings on among the people travelling. Among the former are Indians, crossing a deep canyon etc., and among the latter are the power struggles between those in charge (Kirk Douglas, Richard Widmark, Robert Mitchum - similar to the battle for top billing, one imagines), and the saucy antics of little Mercy McBee (Sally Field in her first credited movie role, putting in a performance which manages to be winsome and slutty all at the same time).This movie looks great - the landscape photography is wonderful - but is otherwise a completely routine western of the old school.
moonspinner55 In 1843 Missouri, hot-headed senator Kirk Douglas leads a large group of chosen people across rugged terrain to start "a new Jerusalem" in Oregon; he picks a half-blind pioneer scout (mourning the death of his Indian wife!) to help lead them, but immediately clashes with a family man over incidental matters; meanwhile, a sex-starved teenage girl has a fling with a married man, resulting in personal tragedy and an Indian attack (don't ask). A small pox outbreak is falsely reported, there's a wedding, a frigid woman goes insane, and the trail comes to an end at the Grand Canyon. A.B. Guthrie, Jr.'s book becomes somewhat besotted western epic with star-names, mixing vulgar jokes and inanities with ripe old clichés. A voice-over narration and a patriotic song come clean out of nowhere, while snarling Douglas blames himself for a death and asks a servant to whip him. It's cheap and low-brow all the way, but most viewers in the mood for a picture such as this probably won't be disappointed. There are some solid elements worth mentioning: William H. Clothier's outdoor cinematography is fine in the old-fashioned sense; and, although Bronislau Kaper whips up a dusty frenzy with his ridiculous score, the pacing is jaunty throughout and the wagons roll along at a fast clip. Douglas and Richard Widmark manage to retain their movie star allure, though Robert Mitchum was looking haggard by this time (and his performance is intentionally forgettable--he cancels out all his interest in the proceedings with one heavy sigh). Sally Field makes an inauspicious movie debut which I'm fairly certain she'd rather forget, but Lola Albright has a pleasing smile and Michael Witney does well as the handsome married man who can't get his wife to submit...but why does he shoot blindly into a rustling bush at night when it could have been his wife spying on him? Perhaps he was hoping it was! **1/2 from ****