ShangLuda Admirable film.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Kimball Exactly the movie you think it is, but not the movie you want it to be.

bkoganbing The concept of our lives somehow being recorded by some celestial camera and ready for viewing at Judgment Day is an old one. What distinguishes Illusion is that there is no judgment except the one in your own mind as life on this plane ends. That's what is happening to legendary film director Kirk Douglas as his life ends. During some dream he's visited by the ghost of a former film editor passed away long ago. And they go to the movies and see a life of his estranged son played by film creator Michael Goorjian and his pursuit of the love of his life Karen Tucker.In the end Douglas asks for a different ending to the film and some heavenly editing.Illusions is an ambitious undertaking and while it doesn't totally succeed there's enough there for us to enjoy and appreciate life. God knows we all look back at things we might have done differently, would we could edit out portions of our lives. In fact I'm not sure of an autobiography exists where the author is 100% truthful.Goorjian and Douglas give wonderful performances. And Kirk did come back to do one more. But I think in many ways this is an epitaph film for him.

steve-2576 Are the highlights of our lives inscribed in a great "Book of Life?" What kind of impact do our actions (and inactions) have on others' lives? Can we redeem the past with good works in the present? Can a movie that takes on these deep questions be captivating, entertaining and inspiring … all at once? In his new film, Illusion, director/writer/co-star Michael Goorjian answers these questions with an emphatic yes! Illusion is a love story pairing Christopher Baines (Goorjian) with Isabelle (Karen Tucker) in a dance of thwarted intentions. But it's Christopher's father, Donald, played by the legendary Kirk Douglas in a luminous performance, who may hold the key to their future. Donald, on his deathbed, regrets having forgone love in his life for the sake of his career, his biggest regret being the abandonment of Christopher, his illegitimate son, 30 years earlier. With some "magical" help from Stan (Ron Marasco), a long- deceased favorite film editor, Donald is shown three films -- three visions -- each representing a different period of Christopher's life, each reflecting the impact of his abandonment. In a romantic homage to Capra's classic It's A Wonderful Life, Goorjian masterfully leads us through the yearnings, the dangers and pathos, and the possibilities for redemption that we all face. This is terrific storytelling, a drama of life, love and death, with a tone and texture that lead us all to question, how real and immutable is this life we lead, and how much of it is just a fable, a dream, an Illusion? A treat for heart and soul.

Richard_Doyon This film is wonderfully moving and beautifully crafted. Kirk Douglas's performance was near perfect as the hard-headed businessman producer, a man's man, who has an experience that penetrates to the depth of his vulnerabilities. The scenes between Douglas and Ron Marasco as Stan are wonderful with captivating and moving performances on both sides. Writer/director Michael Goorjian was nicely understated in his role as Douglas's son and Karen Tucker was charming as Isabelle.We need more of this type of film. It has an uplifting message that leaves one smiling. It could have easily become saccharine and sentimental but does not. It made me smile.We saw it paired with the short, "The 100% Perfect Girl" by Greg Boudreau, a marvelous combination.

mgroder I was privileged to see this film. Centered on the balcony scene from Romeo and Juliet, showing the poignancy of love held at a distance by circumstance, choice and fate, Baines [KD] and his son Christopher [MG] are trapped in a perfect play all taking place in one afternoon; a lifetime taking place in a canned film tragedy. Nonetheless, the other filmic choice, comedy, is also refused. No one ends as a clown, fool, nor failure. The film maker holds us in a limnal [threshold] space between tragedy and ultimate loss and comedy and a happy ending by allowing the healing connection to release one hero [KD] into Death and one [MG] into Life and Love. Although, this is a film about a film maker, the actors live their parts, rather then play them, so as Renee says, bring tissues. This film is a guy weepie that speaks to the painful gulf between fathers and sons, and also, the gulf men create when they cannot find their way in the world and find love at the same time. Yet, Love finds all. See it.