Console best movie i've ever seen.

Sexyloutak Absolutely the worst movie.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Woodyanders Weapons expert Richard Jennings (a creepy portrayal by writer/director Michael Findlay) catches his faithless wife Claudia (voluptuous eyeful Angelique) in bed with another man. Jennings blows a mental gasket and embarks on a vicious misogynistic killing spree in which he tortures and murders all women that he deems to be irredeemable scarlet harlots. The almighty sleaze cinema duo of Michael and Roberta Findlay come through with an on the money unremittingly harsh and scummy aesthetic: Plentiful tasty distaff nudity, steamy soft-core sex, buxom go-go gals shaking their stuff on stage (cue the fantastic R&B tune "(I Got) The Right Kind of Love"), lots of great footage of 60's New York City in all its seedy splendor (the scenes at the Port Authority Bus Terminal in particular are absolute gold; bet that stuff was shot sans permits!), a dazzling array of trashy underwear, and jolting moments of sadistic violence that pack one hell of a wicked punch (a beheading by buzz saw rates as a definite brutal highlight). The stark black and white cinematography provides a cool noir look. The deliberate pacing proves to be oddly hypnotic. Noted soft-core auteur Joe Sarno's fetching brunette wife Peggy Steffans is memorably sexy as a hooker victim. Best of all, the whole rough'n'ready upfront style of this fabulously fetid flick gives it an extra seamy (and discomfiting) edge. Essential viewing for hardcore grindhouse movie aficionados.

Michael_Elliott Touch of Her Flesh, The (1967) * (out of 4) Richard Jennings (Michael Findlay) catches his wife in bed with another guy so he runs out of the house only to be hit by a car. Now, confined to a wheelchair, he decides to take revenge on any hooker/stripper he comes across. One of the first "slashers", this NYC cheapie might be one of the first of its kind but that doesn't make it a good movie. Like most of these films, the biggest problem is the fact that we've got 20-minutes worth of story and then 50-minutes worth of pointless and boring strip scenes. To me, that's why short films are often a lot better than trying to push something that isn't there into the feature category. Wall to wall nudity can't save this one. The first film in the "Flesh" trilogy. Curse of Her Flesh, The (1968) ** (out of 4) Second in the "Flesh Trilogy" has Richard Jennings (Michael Findlay) returning, stalking the streets for more women to kill. The bigger budget adds some better production values and the cinematography is pretty good here. The jazz music score helps move things along and Findlay does a better job with the story structure. However, there's still way too much dead space to be fully entertaining.Kiss of Her Flesh, The (1968) * 1/2 (out of 4) Thankfully the final film in director Michael Findlay's Flesh trilogy. Once again the psycho killer stalks the streets looking for women to kill. Boring on all accounts, as is the entire trilogy. These three films could have been edited down and together into a twenty minute movie and they'd still be slow and dull.

Vince-5 Possible minor spoilers.First came the nudies--harmless fluff flicks with the cast bouncing around in various stages of undress. Then came the roughies--rape, dominations, whippings, BD/SM. And then...there were the ghoulies. And no one did the ghoulies better than Michael and Roberta Findlay, the all-time king and queen of the New York grindhouse circuit. I must say that this Flesh surprised me. I expected some shaky, cheap-thrill blood-guts-and-boobs epic...and I got a surprisingly professional, highly personal endeavor that comes dangerously close to the realm of Art. I am not kidding!Michael is Richard Jennings, a middle-class man with the archetypal Madonna-whore complex. When his wife turns out to be the latter, crippled Richard seeks vengeance against the sex industry and the women who populate it; viewed today, it eerily predicts how Bully Boy would destroy much of the vibrant, seedy world that allowed for the creation of this film. In a fantastic psychedelic discotheque sequence, a cute black go-go girl receives a poison rose and after some lengthy topless gyrations (go-go fans take note), drops dead in mid-freakout. A stripper slithers around in what turns out to be her last show. But the ultimate target is unfaithful wife Claudia (Claudia Jennings? Is this where the drive-in queen got her inspiration?), a busty blonde dubbed in Roberta's distinctive New Yawk tones.This is a steamy, seamy walk on the wild side from the people who did it best. Michael (as Robert West) turns in an excellent performance as the star psycho. The dialogue is minimal and dubbed (quite well in Richard's case); some of it is very funny--"My dear Claudia! Let me see those breasts of yours! Those breasts that he was fondling!" With a little gore, plenty of female skin, and an atmosphere thick with gritty vitality. Sadly, the film is a time capsule of a by-gone era. The Findlays are gone now (Michael has passed on, may he rest in peace; Roberta has disappeared from sight); the seedy vitality of Times Square has been replaced by soulless corporate fiberglass. If your mindset is outside the mainstream...if you think that sleaze is not necessarily a bad thing...you owe it to yourself to see this hour of monochrome madness. We miss you, Mike.

Jens-28 Roberta and Michael Findlay are mostly known for the infamous "Snuff" (with fake snuff scenes). "Touch.." is the first in the Flesh triology and it's kinda hard to describe. Richard (Michael Findlay) discovers that his wife is cheatin' on him, he then gets run over by a car and becomes a psychokiller who goes on a rampage murdering strippers etc. with different kinds of tools. The film's "plot" is women getting naked and then being killed. It's a bit better than your average Doris Wishman-movie and is kinda of fascinating in a twisted sort of way but defintely not for everyone. The other films in the series follow the same "ideas". On the positive side, there some goodlooking naked women and some good soul/R&B tunes. Something Weird Video carries all three b/w Flesh "epics" ("Curse of...", "Kiss of...").