wes-connors
In sparkling 1912 Scotland, an orange tabby named "Thomasina" explains how she came to live with little Karen Dotrice (as Mary), her stern veterinarian father Patrick McGoohan (as Andrew McDhui), and housekeeper Jean Anderson (as Mrs. MacKenzie). The cat amusingly states the family originally named her "Thomas" until they "
got to know me better." At this moment, you know you're going to like this animal. We also learn the cat, speaking marvelously through Elspeth March, has been murdered. This extraordinary opening perfectly introduces the cat's personality, and prepares you for its death.The opening theme song, written by folk singer Terry Gilkyson, is purrfectly infectious.The story intensifies when "Thomasina" is crushed under an avalanche of crates, while prowling a fish market. With her young friends' help, Ms. Dotrice finds the cat, and brings "Thomasina" to her father. You'd think Mr. McGoohan, a veterinarian, would do everything possible to save his daughter's pet, which he promises to do - but, McGoohan is saving the life of a blind man's seeing eye dog, and orders "Thomasina" put to sleep. Before this, we've seen him make this decision about other animals, and wonder if his decisions are being made in haste. Later, we learn he suffers from guilt regarding his wife's death.McGoohan thinks he can simply replace "Thomasina" with another cat, and cannot understand why Dotrice is taking the death so hard. Dotrice's friends, Vincent Winter (as Hughie), Denis Gilmore (as Jamie), and "Mary Poppins" co-star Matthew Garber (as Geordie), give "Thomasina" a child-like funeral, which is interrupted by a woman they both admire and fear - spooky Susan Hampshire (as Lori MacGregor), the superstitious town's resident "witch". Ms. Hampshire takes the animal, which, we learn, is NOT dead. But, before this, it has what could be described as a "near-death experience." Or, is it "Cat Heaven?" It's all cleverly plotted, from Paul Gallico's original novel, with enough room to support differing interpretations.Dotrice's depression worsens. She will have nothing more do with McGoohan, telling others, "My father's dead," and, "My daddy's dead. I killed him." Her young friends successfully plot to end McGoohan's veterinary practice. "Thomasina" recovers, but with amnesia; she stays with the witch, aware something is wrong with her life. When his daughter falls deathly ill, "man of science" McGoohan tries to reconnect with his Christian faith, lamenting, "I've forgotten how to pray." He also begins to connect with Hampshire, which leads to the most unimaginative part of the story. Still, this is an excellent, underrated film.******** The Three Lives of Thomasina (12/11/63) Don Chaffey ~ Patrick McGoohan, Karen Dotrice, Susan Hampshire, Elspeth March
Bloom6000
I don't see what is the fuss over this dull forgettable movie. It's not cheery as with Karen Dotrice's next film Mary Poppins. There are far too many soppy moments in this film for kids, and even some adults, to handle.Things bound to get people too emotional is the death of a cute cat (although she comes back to life) and after that death, the rejection of so many cute, adorable puppies and kittens looking for a home only to be rejected by a miserable girl.That aside, it's also a very boring film. I hope people would put this one aside and focus on 1964's superior Disney feature Mary Poppins and not even acknowledged that anyone from the Mary Poppins casts was involved in this dark, morbid, sordid piece of forgettable slop.
moonspinner55
Superb, sentimental live-action drama from Walt Disney concerns a young Scottish girl's love and devotion to her sickly pet cat, who gets a new lease on life from a "magical" mountain woman whom the townspeople believe is a witch. The screenplay, from Paul Gallico's book, tries packing too much plot into its 100 minutes and, as a result, the midsection of the movie doesn't feel fully played-out. Still, the majority of the film is captivating, beautifully shot, and the characters are engaging and believable. Karen Dotrice (best known as Jane from "Mary Poppins") is quite the little thespian here, and her tears and youthful anger are convincing; she's as good a child actress as I have ever seen (Walt must've had a soft spot for wholesome British lasses, Dotrice and Hayley Mills seem sprung from the same boarding school). The production is plush and Thomasina is one gorgeous feline. *** from ****