The Sea Chase

1955 "JOHN WAYNE - a skipper sworn never to be taken! LANA TURNER - the fuse of his floating time-bomb!"
6.4| 1h57m| NR| en
Details

As the Second World War breaks out, German freighter captain Karl Ehrlich is about to leave Sydney, Australia with his vessel, the Ergenstrasse. Ehrlich, an anti-Nazi but proud German, hopes to outrun or out-maneuver the British warship pursuing him. Aboard his vessel is Elsa Keller, a woman Ehrlich has been ordered to return to Germany safely along with whatever secrets she carries. When Ehrlich's fiercely Nazi chief officer Kirchner commits an atrocity, the British pursuit becomes deadly.

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Warner Bros. Pictures

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Scanialara You won't be disappointed!
Micitype Pretty Good
Intcatinfo A Masterpiece!
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
ma-cortes Exciting flick on the danger waters of the Pacific with Wayne as a seasoned Captain undertaking several adventures and risks . As the Second World War breaks out , -1939- German freighter captain Karl Ehrlich (John Wayne) is about to leave Sydney , Australia , with his his boat , the Ergenstrasse (it was portrayed by the real HMCS New Glascow , a Prestonian-class frigate) , as he is determined to steer his vessel back to Germany . But a suspicious beauty is aboard as the British Commander Jeff Napier's (David Farrar who narrates the tale by voice-in-off) girlfriend , she's called Elsa Keller (Lana Turner) . As Elsa , a mysterious woman , is on board , that's why Ehrlich has been ordered to return to Germany safely along with whatever secrets she carries . Then the brave skipper sails despite an English blockade , being pursued by British and German navies as he abandons Down Under . As Karl must smuggle throughout enemy Oceans plenty of warships and cruisers . When Ehrlich's fiercely Nazi chief officer Kirchner (Lyle Bettger) commits an atrocity , the British chase becomes deadly . As Ehrlich tries to get his ship back to Germany across the Pacific , Atlantic Oceans and through a gauntlet of Allied warships .This enjoyable picture packs thrills , drama , action , sea pursuits , it results to be pretty entertaining and appear as supporting players a lot of prestigious actors ; however , being overlong . John Wayne's good vehicle , though miscast as an obstinate Prussian skipper . The plot is plain and simple , as World War II begins , at its violent outbreak , a renegade as well as stubborn German freighter captain named Karl Ehrlich escapes from Sidney and must transport a mysterious passenger and arrive in his destination , Germany . Interesting and stirring script from James Warner Bella , John Ford's regular screenwriter , and John Twist based on a novel written by Andrew Geer . This ¨Sea chase¨ or ¨La Cacería¨ bears certain resemblance with "Blood Alley¨ (55) by William A. Wellman , also with a skipper Wayne , along with Lauren Bacall , pursued and surrounded by enemy ships and attempting to escape . The Wayne-Turner combination ignite the sparks you'd expect . Nice acting by the great John Wayne , here he takes an unusual character as Ehrlich , an anti-Nazi but proud German who hopes to outrun or out-maneuver the British warship pursuing him . A German Wayne rivaled only by his infamous Genghis Khan in ¨The Conqueror¨ film directed by Dick Powell , for strange role selection . And aboard his ship is the gorgeous and elegant Lana Turner who sings a wonderful song accompanied by the seamen . However , star Lana Turner and filmmaker John Farrow did not get along well during production , she felt Farrow gave her no direction at all and that he was unpleasant with her and her co-stars . There is a colorful secondary cast that includes Lyle Bettger as second-in-command officer , David Farrar as the British Commander , Tab Hunter as a young cadet , the veteran Paul Fix , the ordinary Alan Hale Jr , Richard ¨Dick¨ Davalos , John Qualen as chief machinist and John Doucette . Furthermore , two notorious support actors : Claude Akins , -Claude' normally dark hair was bleached blond for this character- and Gunsmoke's James Arness ; Akins later appeared on ten episodes of "Gunsmoke". Evocative cinematography in Cinemascope and WarnerColor by William H. Clothier , John Ford's customary cameraman . And thrilling and moving musical score by Roy Webb. The motion picture was well directed by John Farrow . At his beginning he wrote short stories and plays during his four-year career in the navy ; in fact John was injured while serving as a Lieutenant Commander in the Royal Navy in World War II . In the late 1920s Farrow came to Hollywood as a technical adviser for a film about Marines and stayed as a screenwriter , from ¨A Sailor's Sweetheart¨ (1927). He began directing in 1937 ¨Men in Exile¨ and ¨West of Shanghai¨ (1937). He married Tarzan's Jane , Maureen O'Sullivan , in 1936 and being Mia Farrow's father . John collaborated in the writing of several of his movies and shared the Academy Award for ¨Around the world in Eighty days¨ (56) . John was a good craftsman who directed all kinds of genres as Western : ¨Copper Canyon¨(50) , ¨Hondo¨ (53) with Wayne , ¨A bullet is waiting¨(54) ; Adventure : ¨Five come back¨(39) , ¨Two years before the mast¨(46) , ¨Botany Bay¨ (59) , ¨Back from eternity¨(56) ; Noir : ¨The Saint strikes back¨(39) , ¨The Criminal Court¨(46) , ¨The Big Clock¨(48) ; Crime drama : ¨Unholy wife¨(57) , ¨His kind of woman¨(51) , Historical : ¨John Paul Jones¨ (59) and Warfare : ¨Commandos strike at dawn¨(43) and this ¨Sea chase¨ (55) .
Edgar Allan Pooh " . . . A liar, and a coward!" Warner Bros. calls out "Karl," as its thinly-disguised stand-in for America's self-appointed Real Life Snitch-in-Chief, John Wayne, cleverly cast as--who else?--"Il Duce" himself, John Wayne. No one ever accused Mr. Wayne as being the sharpest thorn in the Forehead, so Warner Bros. was able to fool him into playing himself by casting Lana Turner to represent his Real Life Henchwoman\Crime Partner, Hedda Hopper. Lana's "Elsa" and Wayne's "Karl" are made for each other here, as were John and Hedda in Real Life (please see TRUMBO). Early on in THE SEA CHASE, Karl rattles off a list of his four ship captain "friends" whom Nazi Master Spy Elsa has destroyed and driven to suicide. Any normal man would not be able to kiss the lips of the wench who offed so many buddies, especially AFTER telling her that hanging's too good for her. (This would be like seeing Samuel L. Jackson necking with Jennifer Jason Leigh in THE HATEFUL EIGHT.) But for closet sadist Wayne, this wasn't even acting--it was Second Nature. Along with REAP THE WILD WIND (on the set of which Wayne and Hopper hatched their Plot against the U.S. Constitution), THE SEA CHASE bookends a Full Confession by Wayne to his Fascist Crimes Against Humanity. It's no wonder that Il Duce hated screenwriters, after his drinking buddies saw these films and told him how he'd gotten hoodwinked into showing his True Colors.
utgard14 It's the outbreak of World War II and John Wayne plays a German (!) freighter captain trying to get his ship from Australia back to Germany with the British in pursuit. On board he has a sexy spy, played by Lana Turner. This is an odd role for Duke that I'm surprised he took. His character is anti-Nazi but still he's playing a German fleeing the British and trying to take his ship back to Nazi Germany. And he does have at least one Nazi on board. Perhaps he really wanted to work with Lana Turner. Can't say I blame any man for that. But that part of the film falls flat as the two have poor chemistry. Lana's beautiful, though, with her platinum blonde hair looking perfect at all times. The supporting cast is full of familiar faces with Paul Fix and Dick Davalos giving standout performances. The biggest flaw is that it's not a terribly exciting film. For a movie centered around a chase, it's awfully slow.
blanche-2 Decent war film starring John Wayne, Lana Turner, Lyle Bettger, Tab Hunter, James Arness, John Qualen and Paul Fix. Wayne plays a German ship captain, Karl Ehrlich, who, because he's not a Nazi and opposed to them, has been stripped of his command and given an old ship, the Ergenstrasse. Now, short on fuel and food, he's trying to get it from Australia back to Germany. Before they leave, he's asked by the German consulate to take an intelligence agent, who is about to be arrested, on the ship. It's a woman, Elsa Keller, the fiancé of his old Royal Navy friend (David Farrar). She was given the assignment of marrying into a British Navy family.Once on the ship, though initially they dislike each other, Ehrlich and Elsa are drawn to one another, and Chief Officer Kirchner (David Farrar) who is on board ship under protest, wants her for himself. When Kirchner is sent aboard to get supplies in Auckland, he kills four unarmed fishermen. He tells Ehrlich that the men are fine and well-provisioned. Meanwhile, the Royal Navy intends to capture the ship and hang everyone on it for the murders. On the Ergenstrasse, Ehrlich, determined to get home, drives his men hard as they break up wood for fuel.John Farrow, an experienced director, oversaw this film but apparently he was distracted. Okay, no one on the German ship and no other Germans speak with a German accent because obviously, they would be speaking German, not English with a German accent. Perfectly correct. But why, oh why, did John Wayne's butchering of "auf wiedersehen" get past the director? It was the only German he spoke! Instead of saying wiedersehen with a soft "v", he pronounces the beginning of the word like he's saying wiener. It is such a glaring error and sounds ridiculous. Later, when Ehrlich is writing a report, the camera focuses on what he is writing, and it is clearly written "Ehrlick" and not "Ehrlich." Sloppy.Wayne is masculine and authoritative as Ehrlich, and the soft-spoken, sexy Lana is appealing as Elsa. Wayne here is about 48, and Turner 35 (according to Maureen O'Hara, Turner took a year off and was actually born in 1920). They're both too old for their roles.A young Tab Hunter has a small role in this, as does a blond James Arness. "The Sea Chase" looks to be a big-budget color film for the wide screen. If only someone had paid attention to the dailies.