GurlyIamBeach Instant Favorite.

Smartorhypo Highly Overrated But Still Good

Claysaba Excellent, Without a doubt!!

Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

mark.waltz This is a great find, a sleeper of the B western genre where a moral judgment is passed on supposed law abiding folk who play God and pay the price for judging their fellow man. "Dallas's" Jim Davis is separated from his wife and living "in sin" with a native American woman. The horrified townsfolk take it upon themselves to turn moral judgment into legal action, and the unfortunate legal eagle who must do their dirty work is accidentally killed. It's up to local sheriff Forrest Tucker to get Davis into protective custody, but violence begats violence, leading to more brutal homicides and a trial with the town supporting the wrong-doers over the protector of justice.Quite surprised and delighted by this discovery, I compare it to other great films that warn of the dangers of gossip and sticking your nose in your neighbor's private business that harms no one. The one that comes to mind instantly is the Jane Wyman/Rock Hudson soap opera "All That Heaven Allows", and this really gives a parallel by putting the issue of judgmentalism into a violent, western setting. Lee Van Cleef is the film's main heavy, with Mara Corday the judged mistress who seems to have been n set up for other crimes as well. Thwys where the film gets a bit off track. But the conclusion provides a very important moral, with judge Everett Glass gives it good to the perpetrators of the sinister activities, condemning the non-violent to a private jail of their own karma. Now that's what I call justice.

Robert J. Maxwell The eminent, mad Swiss psychiatrist Carl Jung wrote of UFOs that there was something out there, but what it was, was a mystery. As such they permitted us to project our own thoughts and emotions onto them. They provided us with a kind of Rorschach ink blot test. We could interpret them according to our social values.Many routine Westerns provided us with the same opportunities. The Westerns generally stuck with the conventions -- a clip on the jaw and the recipient is unconscious for as long as the plot requires. But within that framework we could explore our problems in model form. It's like playing around with a toy instead of facing the real thing.For instance, it might not be such a hot idea to deal directly with racism. Why bleed the box office returns from the traditional South? But, hey, Indians can serve as stand-ins for African-Americans, as in "The Searchers" (1956). Movies designed for audiences with the Great Depression fresh in mind could use "big business" as the heavy. We could even win the Vietnam war with Rambo. This movie, "The Quiet Gun" (a generic title if there ever was one) explores social issues common to the late 1950s -- divorce, adultery, prudery, racism, lynching, conformity, gossip, and the impartiality of the justice system. No African-Americans, though, just a "half-breed" Indian.It's not a bad little film, though it does seem almost flamboyantly dated now. (Living in sin?) Forrest Tucker is a professional and competent actor and it shows. Lee Van Cleef, of the ophidian eyes, is what he is. Jim Davis plays a somewhat sympathetic victim for a change. Some of the minor parts are just terrible. What were the town fathers in real life -- the producers' uncles or something? It's inexpensively shot on a ranch set. No spectacular vistas here. And it's in black and white, which isn't necessarily bad. If the script lacks sparkle, and if Hank Worden replays his goofy dumb role yet again, the movie still is watchable and has something to offer us, as if it had been recently exhumed from a time capsule.Not at all terrible.

padutchland-1 This commentary is made in December 2006 and I see all the others so far were made in 2004. Having just watched this movie on cable's Western Channel, I guess it hasn't had much viewing since then. It is definitely a step above many Westerns of the era. We can credit not only good acting, but good writing as well. This story is from a novel by Lauran Paine who also wrote the novel used in 2003's Open Range with Robert Duvall and Kevin Costner. Norden and Lyon writes Quiet Gun (Law Man) to the screen. Since other commentaries provide the details of Quiet Gun, I'll just touch upon it lightly to say it is the story of a Sheriff (Tucker) who is friendly to a rancher (Jim Davis) whose wife (Kathleen Crowley) he has a "hankerin'for." However, the sheriff is an honorable man and tried to help Davis when he is accused of murder as he attempts to escape along with his half-breed Indian girlfriend, played by the ever lovely Mara Corday. I won't give away the rest, but it is an engaging story with all actresses and actors putting in fine performances. Both Kathleen Crowley and Mara Corday were there for more than their good looks. Hank Worden was always a favorite character actor for me since I saw him as Mose Harper in The Searchers. In fact he was in 14 movies with John Wayne. Although he often played an empty-headed part, he actually studied engineering at Stanford and Univ of Nevada before moving into entertainment. His presence added something special as he did in other films. The acting is a big part of the quality of this Western when you consider Corday, Crowley and "old Mose" Worden along with three top actors like Tucker, Davis and Lee Van Cleef. The rest of the cast filled out their parts as well. I'm not sure why this movie didn't become better known. If you like Westerns - see this one when you get the chance.

Thomas Barnes Far from simple minded, this film raises some moral questions in an intelligent way. Actually, fairly relevant for today. Oh, and there's a bit of unobtrusive humor, as well. The plot makes sense. The film moves along at a good pace and is neither too long or too short.Nicely acted in an understated way - particularly Forrest Tucker (far removed from his later "F-Troop" days). Old stand-by Hank Worden plays his usual eccentric character. The ominous Lee Van Cleef is also present. Definitely worth 80 minutes of your time.