Lovesusti The Worst Film Ever

CommentsXp Best movie ever!

Mandeep Tyson The acting in this movie is really good.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

arsportsltd Kim Novak was a Columbia star and went from a supporting role in Jack Lemmon's great Phfft to co star in Bell Book and Candle to lead and top billed over Jack Lemmon in this wickedly funny comedy mystery directed by Richard Quine. This was the last movie Kim Novak made at Columbia and ended a legendary relationship between studio and star where Kim made Picnic, Pal Joey, Bell Book and Candle, Strangers When We Meet among others and her declared favorite film Middle Of The Night. Looking at times like the fabled Jean Harlow Ms. Novak reaches the top of the stardom ladder in this film. To me Kim Novak was what a movie star looked like!

jimakros This movie is not bad at all,not one of Lemmon's best by any stretch of the imagination but it has some funny situations and its likable for the most part.Near the ending it gets completely out of hand and instead of comedy-mystery which is the most part,it becomes mad slapstick for no apparent reason.Is like someone told the scriptwriter that a Lemmon movie should be crazier than what they had up to that point.Anyway,its kinda weird this way from that point on but you get to smile and the stars are all likable.Novak is at her sexiest, even in B&W!!Funny role for Astaire who was at his second career by that time,plays a manipulating official at the American Embassy in London with an eye for Novak.

Zipper69 Lemmon gives his usual sterling performance, although rather closer to the wisecracking, raffish roles that someone like, say, Tony Curtis would normally appear in, Novak shows that hourglass figure in a series of body hugging outfits, her strange Harlow-like eyebrows look out of place in a 60's film. Astaire shows immaculate timing and a nice line is self deprecation, letting Lemmon bounce the laughs off of him.What undoes the film is the desperately phony "foggy London", the sets sprinkle British telephone boxes and black cabs for effect, then undo it by introducing a Cockney flower seller (with obligatory straw hat) and filling the streets with British sports cars and limousines (since they were the most common exports to the US; Since this same cheapo trick was used for so many years in long running TV series such as "Columbo" and "Murder She Wrote", it's clear that US producers realise that US audiences can be conned at low cost).At heart the film is a strange, unworkable melange of comedy, romance and melodrama and fails to hit the mark on any of them. Screwball comedies blossomed and died in the 30's and 40's, this attempt to resurrect them does not succeed.

suelyon For a '62 film, it's a great parady of detective films,as well as the great wheelchair scene at the end.Great mystery,Kim Novak and Jack Lemmon had paired before and did well.