The Night Evelyn Came Out of the Grave

1972 "The Worms are Waiting!"
5.8| 1h42m| R| en
Details

A rich, mentally-unstable man—with a penchant for playing deadly S&M games with women who resemble his dead wife—sparks off a chain of bizarre events after getting remarried.

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Reviews

Wordiezett So much average
Moustroll Good movie but grossly overrated
GazerRise Fantastic!
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
acidburn-10 'The Night Evelyn Came out Of the Grave' is a fantastically atmospheric Giallo film directed by Emilio Miraglia and is drenched in perversion and sadistic to boot and focuses on the arc types of the genre such as sex, murder and mystery. The film follows the sordid life of Lord Alan Cunningham whose not only rich and handsome but also a raving lunatic whose just been released from the psychiatric hospital seemingly cured after the death of his wife Evelyn who was also having many affairs and driven to madness of her betrayal he murders young women. But eventually he meets a captivating young woman named Gladys who serves to temper his wild sickness but for how long.Suspicion, greed and a hefty inheritance all comes into play once he marries Gladys or is there something more to what's actually going on and that is the beauty of the whole thing is that you think you know what's going on, only to have the rug pulled out from underneath you again and be completely surprised whist jarring at the same time. You have absolutely no idea of what's gonna happen next either which was an aspect that I truly enjoyed. Okay for much of the runtime it is pretty sluggish, but when it gets to the last act, then it becomes manic and you question everything you've seen so far.Not only a Giallo but it also mixes in a supernatural thriller into the narrative which really fits in well with its Gothic setting and along with a score by Bruno Nicolai which is just majestic as well as captivating and sets the tone to the movie perfectly, as well as the beautiful scenery and art direction and set pieces which makes this a well and truly beautiful movie to look at.Anthony Steffen takes on the tortured role of Lord Cunningham the well to do psycho who only wants to find love, romantically demented Anthony Steffen makes the role his very own as he puts an equal amount of effort into being sympathetic as well as sadistic and therefore bringing a hefty duality to the character and pulling it off beautifully making you feel disgusted as well as understanding him battling his madness, as well as carrying the entire film on his shoulders with such ease. Then there's Marina Malfatti as the newlywed Mrs Cunningham, extremely beautiful and sympathetic, she brings a lot to this role and often almost steals the show from the male lead and completely breath taking with her intense screen presence as you find yourself rooting for her as she delves deeper into the mystery of the estate and Alan and you are left fearing for her life.All in all 'The Night Evelyn Came Out Of The Grave' may not be one of the most graphic entries in the Giallo genre, but it does have an intriguing plot and enough mystery and suspense to keep horror fans happy and plus it is one of the stronger and original entries you will find in this genre.
Mr_Ectoplasma "The Night Evelyn Came Out of the Grave" focuses on an English aristocrat who has dealt with the death of his unfaithful wife, Evelyn, by engaging in BDSM with local prostitutes at his remote estate before killing them. He soon after decides to marry a local ex-stripper, but their marriage is plagued by unusual events on the property, many of which are centered around the dilapidated tomb where Evelyn's body lay.Oft noted for its unique blend of Italian giallo and Gothic horror, "The Night Evelyn Came Out of the Grave" is one of the more under-appreciated films among its peers. Its mixture of two distinct genres does make it stand out from the pack, as it oscillates between seventies kitsch to Euro-Gothic throughout, though the Gothic overtones of the picture seem to be the ones that prevail, and that make it most memorable. Not only does it look the part, but it also is rife with themes and concepts unique to Gothic literature (psychological instability, family feuds, the supernatural).Die-hard fans of giallos and your everyday horror-goer alike will find something to enjoy here, as there is a bit of everything across the board: a chilling atmosphere, fantastic twists and turns in a surprisingly elaborate plot, some fairly disturbing gore, and a couple of jump scares even. It's a beautifully-shot film, featuring some borderline-surrealist flashback sequences, and some frankly terrifying images of the ghostly Evelyn lurking in the crypt. The film is at times legitimately creepy, even today. The sets at times evoke those of a Hammer picture, and the film is also steeped in color that would make Argento or Bava proud.Anthony Steffen plays the unstable Lord Cunningham quite well, toeing the line between despicable and horrendous, while Marina Malfatti plays his newlywed wife living in the shadow of Evelyn. Erika Blanc has a memorable role as a stripper-turned-almost-victim of Cunningham, and plays a vital role in the proceedings. It's remarkable how the film toys with its viewers emotions in regard to the characters, as it reveals more and more information as it shifts character perspectives. The only real issue I have with the film is that it ends too abruptly; it's as though the writers didn't know where to end it, and it ultimately feels like a lost opportunity.Overall, "The Night Evelyn Came Out of the Grave" is an overlooked gem. It operates on both fronts of giallo and ghost story, and director Emilio Miraglia keeps a fine balance that is completely engrossing. The eerie setting combined with the clever plot twists and some unforgettable imagery make this a top- notch Gothic chiller. Bar the abrupt conclusion, "Evelyn" scares, thrills, and titillates in equal measure. 9/10.
gridoon2018 "The Night Evelyn Came Out Of The Grave" is, in some ways, a quintessential giallo - it has nearly everything the genre is known for: a colorful title, poor English dubbing, lots of nudity, a decidedly chauvinistic / anti-feminist bent, a ludicrously convoluted plot, a series of murders, and a pervading sense of trashiness (a corpse is fed to a cage full of foxes in this one!). However, "Evelyn" lacks the artiness with which the better films of the genre bring together all those elements; there is a reason why you are familiar with the names of Dario Argento or Lucio Fulci, but not with that of Emilio Miraglia. For the first hour or so, nothing really happens in the plot of this movie except two murders; the twist at the end almost redeems the film, but then there is another, and another: you begin to get the impression that Miraglia threw in everything but the kitchen sink, without really knowing what he's doing. *1/2 out of 4.
jadavix A deranged aristocrat lures women to his mansion so that he can murder them. He is only interested in red heads because his late wife, Evelyn, was one. He caught her cheating prior to her death so now wants to punish all red headed women.Then all hell breaks lose. This is a giallo, so of course nothing is as it seems. "Lord Alan" apparently really is a murderer, but he isn't the only one. He's wealthy and he's crazy, so there is an elaborate scheme afoot with people making plans to separate him from his sanity and his money, whichever comes first.The plot is just far too complicated, and the movie far too boring, to be bothered keeping up with. The idea of an aristocrat taking babes back to his villa to toy with before killing seems to have promise, but there's not a single memorable scene in this boring movie.