The Music Room

1963
7.9| 1h40m| NR| en
Details

A wealthy landlord lives a decadent life with his wife and son. His passion – his wife would calls it his addiction – is music, and he spends a great deal of his fortune on concerts held for the locals in his magnificent music room. He feels threatened by his neighbour, a commoner who has attained riches through business dealings. His passion for music and quest for social respect are his undoing, as he sacrifices his family and wealth trying to retain it.

Director

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Arora

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Trailers & Clips

Also starring Chhabi Biswas

Also starring Gangapada Basu

Also starring Padmadevi

Reviews

TinsHeadline Touches You
Unlimitedia Sick Product of a Sick System
Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Karl Ericsson If you are not from India and find the cast system an insult to humanity and if you can tell music from noise or hypnotic sounds, then you will probably, as I, have a more sensible view on this film and its virtues than an inbred Indian of the Brahman cast (the most privileged cast). Actually, you cannot really say that this film is a defense of the cast system but it is also not an attack on it. To attack the music in this film and call it noise is, I admit, to put your chin out. Real music is a mystery not something that you dance to. The mystery is how music can make a better human being of somebody, who, through the music, reaches feelings, so overwhelmed by goodness and humility, that they sweep all that is evil out of a person as far as that person allows it and, indeed, experience the music.For sure (and that is why it is always provoking to attack any noise calling itself music) the mystery is not solved, so that you can tell why this music makes you feel and why this other music does not make you feel. The part that has to do with memories can easily be sorted out and leave the mystery intact. This does not mean that the mystery cannot be solved or, if it is solved, is solved in such a way that it ceases to be a mystery, which is expected by any solution of a mystery. We may understand a lot about why music makes us feel what we feel and still not be able to invent new music after some kind of formula. The kind of music that is done after formula will maybe make us dance but will not make us touch God.When judging music, I judge the feelings awoken by it. People may call themselves music lovers and, for sure, have a music library that in quantity is most impressive but when they talk about music it is obvious that they understand something quite different to what those understand who cry to music because it is so moving. Maybe that is the most evident sign of a music lover, crying to music because being deeply moved, but it is, by no means, a sure sign, because swines can also cry when they are not allowed to be as swinish as they want to be. On the whole though, you can start your investigations with those who cry to music to come closer to understand the mystery of music.The music (noise) presented in this film is not something you cry to unless you have childhood memories connected to the music. It is a music however, that easily puts you in a hypnotic state in which some interesting experiences are possible as, for instance, a deeper understanding of Indian way of life. But, unless this way of life makes you cry per se, you will not cry to this kind of music and only to its lyrics, if these are touching enough.In all honesty, I would now have to name music that has touched me to tears (so that I can be attacked in turn). I will have to choose music without lyrics because that is what all this is about. Therefore it will be classical music.The Unfinished Symphony by Schubert. The Fifth Piano Concerto by Beethoven (not all movements). The Sixth Symphony by Beethoven (not all movements) Interlude from Cavalleria Rusticana by Mascagni Nessun Dorma (I don't know Italian so I put it here in spite of lyrics) … and much more but not more than 20 hours of music at the most through out the history of man. Allowing lyrics to the music, the number of hours is, of course, much larger.Back to the film. Well, it left me rather cold, i'm afraid. I have no sympathy for the rich.
jmbwithcats Music and passion without those to share it with is without value, dried leaves rustling along the ground and pettiness to win burns them...It's Indian, but I wouldn't call it Bollywood, it's more like Ingmar Bergman in its depth. The story is about a wealthy man whose life is music and putting on parties for friends, but he doesn't really enjoy the music he just does it to one up his neighbors who he feels in competition with... his wife and son go out in a storm and die not to return, and he becomes a recluse in his castle, and at the end of his life he puts on one more final concert. What I glean from it, is a cautionary tale about how we live our lives, to have passion, and to share it openly with our loved ones and not to neglect them for pettiness. The film is amazing as a cautionary tale, but I felt it could have shown some form of redemption in the end, rather than racing out to regain something, out of fear for his own mortality, more so a sense of humility and love for his family he lost, neglected all that time... I don't feel we see that in the film.
Boba_Fett1138 Besides of all of the well known, familiar, typical Bollywood type of movies, India was also capable of delivering some genuinely good, little movies.What makes this movie a good one is that it's being a rather simplistic and little drama, that actually works out more effective because of that. It focuses mainly one main character, that is slowly starting to realize he is loosing everything because of the changing times. It's a movie that works on a dramatic level with its main character and makes all of his emotions and feeling come across very realistic and almost sensible.Of course the movie is not as stylized and perfectly put together as a big Hollywood movie from around the same time period but nevertheless "Jalsaghar" still is one fine put together movie, by director Satyajit Ray. You can really tell he is a director that progressed over the years, as he gained more and more experience, recognition and money to work with.Really visually this movie is being great. I really liked the black & white cinematography by Subrata Mitra, who started out his movie career along with Satyajit Ray. It's a movie with an heavy Indian atmosphere over it, so the lovers of its culture will definitely be able to appreciate this movie, all the more.Simply one fine, effective little drama.8/10http://bobafett1138.blogspot.com/
Richard Evans Some of the Bollywood movies are excellent, but others are of little interest to anyone but India natives or language speakers.This subtitled film (ESPECIALLY this one) is not one I would have wanted to see, and didn't deserve the 8.2 rating is had on May 12, 2007, but maybe it does to someone from India.The the film is grainy and the topic is "corny" to me (a 'murrican).I suggest that the ratings of Bollywood films be taken with a "grain of salt" until you have viewed several of them.I would like to see ratings marked "subtitled version" or "original language version".