Michael Ledo
Dr. Michael Slovak (John Speredakos) runs an institute in Rhode Island to study telekinesis. He recruits people who have this power and experiments on them. Zach Connors (Graham Skipper) and his girl friend Rachel Meadows (Lauren Ashley Carter) are the strongest of the two. They are kept drugged up, have spinal fluid extracted and injected into Dr. Slovak. Not to hard to figure out where this goes.This is a low budget, "Scanners" type of film. The film had a lot of decent gore effects such a head explosions and head splitting, kudos Melissa Asci and whoever else was involved. For some reason they opted to make the film stupid. First they used a demonic voice distorter for Dr. Slovak which didn't come across too well. If you are going to shoot people a few times, either have them die, or hobble around. Don't bring them back like nothing happened. And was was with the grimace contests that were gong on all the time. It looked like the stars could have used a decent stool softener. I was confused why Zach allowed guys to live who were trying to kill him and I didn't understand the vein distortion side effect.Now it did win "Best Director" at the Austin Fantastic Fest 2015 against some good competition so maybe its just me. Minus 1 star for the voice distorter. Sometimes less is more.Guide: F-word. Brief sex and male butt nudity.
manuelasaez
As a child of the 80's, I grew up with these kinds of films; films about people with special powers and government cover-ups. This film does a great job of evoking that same feeling, with a decent script and a pretty decent SFX budget. The acting, however, was beyond hacky, and really marred the integrity of the film. Almost everyone involved in this movie was just awful, with overacting and poor delivery abundant in every scene. It was like watching a student film at times, with people who have no business being in front of a camera. With a more talented cast, this would have been a worthy addition to 80's horror films. As it stands, it is a decent film with some really bad talent attached to it. Watch it for the carnage and gore, but be advised, you will be rolling your eyes every time someone attempts to deliver their lines with a straight face.
S. Soma
Telekinesis, from just a relatively minor plot element all the way up to being the entire subject matter of a movie, has been around in cinema for quite some time. Many famous and notable actors have either wielded The Great Power directly or have been closely involved with those who did: John Travolta, Julie Andrews, Chevy Chase, Sissy Spacek, Kirk Douglas, John Cassavetes, to name just a few, have all lent their names and reputations to flicks involving telekinesis. Heck fire, even two Knights of the Realm, Sir Alec Guinness and Sir Richard Burton, were quite capable of throwing things around without lifting a finger.All of which would tend to suggest, to me at least, that telekinesis is reasonably legitimate as source material for a movie, and that good movies with decent acting and imaginative plot lines can be made about it.But you certainly wouldn't know it from "The Mind's Eye". Wow, what a stinker. Even terrible movies usually have SOME redeemable characteristic or element that prevent them from being COMPLETELY horrible. "Plan 9 from Outer Space", widely reputed to be the worst movie ever made, achieved a sort of so-bad-it's-art status. But not this dog.I am extremely forgiving of movies involving science fiction, psychic phenomena, magic, horror, fantasy, fairy tales and so on. I'll willingly and voluntarily watch movies that would make most people's eyes bleed and work to find something worthwhile in them. But I couldn't even watch this one through to the end. When a movie makes you profoundly aware that you're wasting precious minutes out of your too-short life, it's a very bad sign.Sociopathic scientist wants to steal telekinetic powers for himself and is willing to torture and/or kill anyone to get them. That's it. That's the plot. So not even trying there.You would think that having telekinetic powers would give a person a decided advantage in a conflict, but no. Every time the good guys gain the advantage in some fracas, they run away. They often have the bad guys, and sometimes even the primary antagonist, completely at their mercy and they just run away, every time. Because if they didn't the movie would mercifully be over, and we can't have that. The good guys know, beyond a shadow of a doubt, that the bad guys will keep coming NO MATTER WHAT and will stop at nothing to achieve their evil objective, but they keep letting the bad guys go to keep stopping at nothing again and again and again. Meanwhile the bad guys leave a trail of dead bodies and bloody pieces a mile wide. That's it… That's the whole movie.When this "strategy" eventually results in the father of the primary protagonist having his brains splattered against a wall (meaning, of course, that the main protagonist is entirely responsible for the death of his own father), it doesn't change the primary protagonist's behavior not one whit.The primary protagonist's girlfriend, also a telekinetic, seems to understand the reality of the situation and moves to finish off the bad guys fairly early on, but the primary protagonist actually STOPS her.Only when our 87 minute run time winds down does the protagonist do what he should've done in the first 10 minutes: kill the primary antagonist with telekinesis.The writer here clearly doesn't understand the notion of willing suspension of disbelief. Either that or he just doesn't care. Audiences can readily accept incredible premises like telekinesis. But they CAN'T accept characters behaving in ridiculous and inexplicable ways given the premises.Directorial High Point: in the Final Showdown, the protagonist and the antagonist face-off in a telekinetic grudge match. Bear in mind that the primary antagonist has managed to acquire much more powerful telekinetic powers than the primary protagonist by this point. The director could've done something dull and unimaginative like, oh, have the protagonist and antagonist stare at each other, virtually immobile, for 2 or 3 minutes while yelling "ahhhhhhhhh!" until the antagonist suddenly explodes. But that would've been stupid. So he made the antagonist float about 8 feet in the air while the two of them stare at each other, virtually immobile, for 2 or 3 minutes while yelling "ahhhhhhhh!" until the antagonist suddenly explodes. Oh, yes. Much better.The acting is atrocious, the writing is absolutely appalling, the special effects are abysmal, the music is canned and repetitive.Some people are comparing this movie to "Scanners" and, from a science fiction standpoint, that would be completely off-base. "The Mind's Eye" is, as far as I can tell, completely about telekinesis. It doesn't have anything to do with any other psychic powers such as telepathy, mind control and etc. Additionally, "Scanners" DOESN'T share many of the plot elements within "the Mind's Eye" such as the romantic involvement, the death of the primary protagonist in protection of the love interest and so on. The correlation with "The Fury" I would argue is much closer. Even the ultimate end of the primary antagonist is identical.Larry Fessenden is in this movie, clearly just doing the Actor Trying to Make a Living thing. He mostly plays typecast bad guy character roles (as far as I remember) and he does a decent job with the 2 or 3 minutes he gets and goes as far as he can with the thin writing.There was one plot point that I did get a kick out of: know how you, a mere mortal, get the drop on a telekinetic who could theoretically squash you like a grape? You sneak up on them and put a bag over their head.Yep. That's how it's done.
