Actuakers One of my all time favorites.

Listonixio Fresh and Exciting

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

gary-1070 I only watched the first few minutes of this film before discarding it so you might want to read some of the other reviews before taking much notice of this. The accent of the Parachute Regiment Captain was unrecognisable. They call the film the last drop but were in a glider. On their way to Arnhem (Market Garden) before diverting for another operation without any pre briefing to those involved. I may be mistaken but I don't believe any members of the Paras were delivered by glider and in the glider there was a motley collection on different badges. I considered if they could get so much wrong in the first few minutes there would be plenty of opportunity to get loads more wrong and I have taken the pledge not to rant at the TV any more....shame, because done properly with the modicum of research this could have been good.

zardoz-13 This marginal World War II thriller takes place late in 1944 against the historic setting of the disastrous Allied mission code-named Operation Market Garden in the Nazi-occupied Netherlands as various elements find themselves contending with each other for horde of Danish treasure that the Gestapo have stored in a booby-trapped barn. A group of British troops have been diverted from Operation Market Garden for another mission code-named Operation Matchbox, but things take a predictable turn for the worst when their C-47 is struck by enemy flak and they crash far from their landing zone. The British commander dies when German troops cut them to pieces on the ground, but the stout-hearted Brits reassemble and wipe out the Germans. Sean Pertwee of "Event Horizon" plays a rugged British sergeant who is wounded in the leg, and Billy Zane of "Titanic" fame is a Canadian glider pilot. Meanwhile, the Nazis are preparing to move the loot when a couple of renegade Germans show up and the Americans, led by Colonel J.T. Colt (Michael Madsen of "Reservoir Dogs") have just captured a bridge without firing a shot. Director Colin Teague, who helmed episodes from the new 2007 "Dr. Who" and "The Sarah Jane Adventures," has put together a shoddy, low-budget "Kelly's Heroes" knockoff that lacks either a shred of authenticity or charisma. Virtually everything from the uniforms to the equipment is wrong. For example, when the gliders are towed off the runways of England they are hitched to four-engined Wellington bombers, but when we see them over enemy country they are being towed by U.S. C-47 Dakota transports. Men on both sides masquerade as their respective enemy as the action boils down to a fiery climax."The Last Drop" gets off on the right foot with a exciting little battle between the Brits and the Jerries, but afterward the screenplay by Gary Young and Teague degenerates into a series of incidents as everybody tries to steal the loot. There is an amusing scene near the beginning when two Dutch woman prepare a tasty pot of hot soup for their Nazi oppressors and season it with their own urine. One S.S. officer raves about how delicious the soup is. It is difficult to tell whether the filmmakers are trying to treat World War II as an adventure or just a mediocre melodrama. The final quarter-hour is spent with everybody blasting away at everybody else as the Canadian pilot and other steal the seaplane. They save the loot, well, part of it anyway. Colonel Colt snatches the Mona Lisa and the renegade Germans break into the museum where the treasure is stashed after the war and rob it. Sloppy, half-hearted direction mars what could have been an interesting thriller in the vein of a Jack Higgins style World War II actioneer. The CGI of hundreds of planes towing gliders to Holland is visually arresting, but the remainder of this lackluster war picture fails to measure up. This is an amoral W.W. II movie where comrades on each side try to kill their own. Only World War II buffs will enjoy this and that is stretching the truth. Let us say that only World War II buffs will want to see it and then be depressed by what they have seen. One interesting scene shows a British soldier dripping morphine onto a cigarette and smoking it. There is no nudity and the dialogue is bland.

johnnyboyz Did the British really need to produce a loose clone of Kelly's Heroes and Three Kings but with a smattering of 'what's-his-name' acting talent and ex-professional footballers to boot? Perhaps not, but in The Last Drop we've done exactly that and in a bizarre, surreal twist; it actually sort of works out. The film is nothing more than a good-looking B-movie; a chase film-come-war flick that somewhat undercooks the harsh realities of war itself with chases and unrealistic gunfights under a faux banner of heroism and 'upstanding-ness' but pulls through. By the time the finale had arrived, I was surprised by how much I'd gotten involved with some of the characters and was eager to see how it would all play out.I think you watch The Last Drop with a knowing smile. Any film that proudly boasts, at the end of its opening credits, that it has a "special appearance by Michael Madsen" has to be taken in a certain manner; almost as if the piece is embarrassed Madsen is in it. If Madsen ever got round to watching it, he might've have been embarrassed to have been in it himself. Similalrly, the casting of David Ginola as a crack-Nazi sniper is a post-modern masterstroke; there's an instance in which Nick Moran's character catches the guy off guard and marches him out of a hiding spot – at no point does anyone get up and shout "Hold on! That's Ed from Lock, Stock decked out as a Second World War soldier holding up ex-footballer David Ginola!" But what can you do? As mentioned, it's World War Two and during all the trouble and strife in Nazi occupied Europe........some Dutch artwork goes missing – oh, woe is them. Those dastardly Nazis are swiping the loot and taking it back to Berlin. "Oh no! Not on my watch!" a brave and optimistic allied higher-up exclaims; only, he doesn't, because it's Jack Dee and he, like, you know, like -just hands over a mission in a folder in a dimmed room in that typical manner he does. The mission is code-named Operation Matchbox and the plan is to drop some allied forces into rural Netherlands to try and figure out what the deal is with the swag.On a very, very basic level; The Last Drop works as a rapid but pretty well grounded chase thriller as separate parties aim to reach the aforementioned MacGuffin. The film is a war-set comic book; a collection of colourful creations, easily distinguishable heroes and villains as well as a collection of caricatures and clichés. The group is made up of, but not limited to, a certain Private Ives (Moran); a Sergeant McMillian (Pertwee) and, pretty much in it solely in it for the American market so that distribution is made easier, a certain Flight Sergeant Oats, as portrayed by Billy Zane. One man knows the whereabouts of the item: a slightly overweight, balding and weak individual whom gets slapped about a bit by the enemy but wants in on the treasure all the same. He is Gustav Hansfeldt (Speirs).If anyone is familiar with those old 'Warlord' comics from the 1970s and 80s, then a blast is to be had out of The Last Drop; a film that has its Germans so typically, typically evil; most of its Brits talk with a cockney lilt and its Americans chomp down on cigars as they attempt to hold bridges – all without shame and all with its tongue firmly entrenched within its cheek. I wouldn't go so far as to call The Last Drop cheap or exploitative: we enjoy the clichés; the action sequences; the scenes of chase and those in which, on the bridge with Madsen and his Americans for instance, certain characters must bluff their way through in order to survive. But that doesn't mean we enjoy warfare, as there are certain sequences in which the Second World War makes itself known; be it either confined to a woodland area as an enemy machine gun opens up and you feel the characters are in danger; or another scene in which the characters must flee to the sanctuary of another wooded area to avoid an on-coming enemy place. The scenes work well and there's a sense these guys might get hurt.I think this shift in atmosphere and content works; the split down the middle between what constitutes as exciting action and harrowing warfare is blended well. Overall, I think The Last Drop is worth a watch, if only just, as standard three star out of five film. It doesn't give itself any moral ground to get bogged down with as the protagonists are in it for the right to return the items anyway, and it refrains from targeting any specific groups or 'types' of people; the Nazis are evil, obviously, but the film finds room to incorporate brave minded and strong-willed women who are members of the Dutch resistance. If it sounds like what you're looking for, there are slight pleasures to be had out of it.

rixrex This is really something tough to follow, and it all is presented in a rather pointless manner to start with. There is some big treasure that a whole bunch of folks want to get their hands on, and it's all set in Holland during WW2, which makes for obvious good guy/bad guy models. The first half is just a conglomeration of who all is after this treasure without any real justification as to why. Mostly pretty convoluted and real hard going. Lots of nice scenery, Romania makes a great WW2 setting, as it's probably changed little since 1945. If you can tough out the first 2/3 of this, the finale is pretty interesting and well-done, with 5 different groups going after the treasure. Michael Madsen seems off the ball here. It really seems like he'd been drinking on the set and is buzzed in a couple of scenes, plus he has either a bad toupee or bad hair-dye job. He tries some kind of John Wayne-Patton combo army officer with not much success. Should have forgotten this paycheck. And someone should have told the writer and director that the audience wasn't in on the story sessions, so we can't assume story lines we don't know that aren't shown or well-told.