Vashirdfel Simply A Masterpiece

Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

Myriam Nys Moving and memorable psychological drama with outstanding performances. This seemingly simple tale tells us a lot about the way social class and background colour not just our habits and tastes, but our very being. And this influence is not always benign : often we become the owners of mindsets that blind us to the value, or the legitimate needs, of others.France is an apt setting for this kind of tale. On the one hand it is a country with a strict, a VERY strict, social hierarchy, on the other hand everybody is supposed to be free and equal (and, of course, very much in favour of freedom and equality). The resulting contradictions, compromises and tensions strew the landscape with snares for the vulnerable. Be warned : the movie is not a cheery one, it contains a deep tragedy. Dutch poet Werumeus Buning once wrote a poem about the life of roses being destroyed not through a storm, but through a soft, tender, delicate rainfall. The context of the poem is different but the image could very well apply to one of the lead characters, who meets good things - love, romance, emotional awakening, a bit of excitement - and, slowly but surely, gets damaged beyond recognition. All together : "The pleasure of love lasts but an instant, the grief caused by love can last a lifetime"...

FilmCriticLalitRao Class differences are extremely detrimental to human relationships especially to relationships which involve love between a man and a woman.However hard one may try,one cannot really get rid of class differences in daily lives.Swiss film 'The Lacemaker' is sincere in its depiction of a tender love affair which was bound to fail from its inception.Based on a Goncourt prize winning novel by Pascal Lainé, 'La Dentellière' reveals actress Isabelle Huppert in one of the most sensible roles of her acting career.It is with great confidence and ease that she plays the role of a shy woman who is not too enthusiastic about getting into relationships with men.However,a chance meeting with an intelligent boy changes her life for good.La Dentellière succeeds as it depicts how vulnerable some women can be.It is neither anti women nor pro men but it has something for intelligent viewers who would like to be impartial judges of male female relationships.Those who have deep knowledge of French cinema would not fail in recognizing young actress Sabine Azéma playing a minor role.

writers_reign To revisit this exquisite performance from Isabelle Huppert is to forgive her the sleaziness of some of her recent choices. Like the other posters I have just read here this film - or rather this performance - has remained vivid in my memory since I saw it first on television some years ago. I bought the DVD in Paris last March and have just got around to playing it. Unfortunately it is offered without subtitles but dubbed into several languages so that any non-French speakers who have yet to see it will almost certainly lose out. There's one semi major hurdle to get over but when and if that is accomplished this is a semi-masterpiece. The film was made in 1977 and there is nothing to say that it is not also set at that time yet we have a pretty 18 year old girl who admits to being a virgin and a courtship which would do credit to a repressed English couple of the 1930s/40s/50s rather than a FRENCH couple in the 1970s. There is an equal lack of Passion between Huppert and Yves Benyeton, in fact Kevin McCarthy lookalike Benyeton is SO wooden we can't help wondering if he is REALLY a pod who somehow strayed from the set of Invasion Of The Body Snatchers on to THIS set. Throughout the acting of Huppert is Magnificent and leaves everyone else for dead. Huppert is not only one of the most beautiful but also one of the most Intelligent actresses working today and the way in which she suppresses her natural intelligence to play a colorless, unambitious, low self-esteemed teenager is little short of incredible. Goretta has chosen to end with a shot of Huppert looking straight into camera with a completely expressionless gaze reminiscent of Garbo in the last shot of Queen Christina. Whether by accident or design it's a comparison that Huppert can more than justify. One of the all-time great film performances.

musiclovers11 What can I say about this movie? It reduced me to tears in 1977, and again in 2003. It doesn't stand up to over analysis, but it rings so absolutely true... which has given the film it's resonance down the years. Isabelle Huppert's performance is sublime, and the last scene one of the most heartbreaking in cinema.