ozjeppe
Now-classic, absolutely phenomenal Danish/Swedish mini-series welds together outrageously hilarious satire, medical ethics and a truly spine-tingling (and heartbreaking) paranormal/ghost story - all inside the corridors of the Copenhagen Kingdom Hospital. This is my favorite Lars Von Trier (on par with "Breaking the waves"); you won't know "unique" until you see this! Hysterical pacing, full of unforgettable characters and scenes... and it's grainy, brownish look and feel is completely its own - and that ominous soundtrack still haunts me... For a swede like me, the Nordic countries' tongue-in-cheek rival connotations are even greater. Love the director's personal in-between episode narrations!9 out of 10 from Ozjeppe.
Suomi_perkele
"Danskjävlar!" An arrogant Swedish doctor Stig Helmer has a new job in a hospital in Copenhagen that they call "Riget" or in English "the Kingdom". It was build on an old swamp and a gate hell is opening slowly. Things creepy as hell are starting to happen and everything isn't right in "Riget". Once you jump into Riget's world - you'll can't stop loving it.Lars von Trier truly is a genius. Not many people can put so much stuff in one hour. The mystery, the horror, the drama and the comedy in Riget are really something completely different. Acting is great. The mood is fantastic. The "expressionless" comedy of von Trier's mastermind reminds me a lot of the Finnish comedy, except I've never liked Finnish stuff so much as Riget. Riget walks behind other master - David Lynch, but still stands by itself. Well I really can't but it into words - watch Riget and you'll see something you'll never see again. Well, I'm speechless. The greatest Nordic TV-show ever and one the greatest all over the world. I'm proud to be Nordic. Now - when will we Finnish have Riget in DVD? I could buy Danish import which has Finnish subtitles but it would be a real culture act to publish Riget in Finland. Then more people could watch this masterpiece.Extremely highly recommended.
TBJCSKCNRRQTreviews
Wow... 5 more hours of Riget. Lars continues the great combination of occult, dark horror and soap-opera drama. Picking up exactly where the last episode of the previous series left off(complete with the same high intensity and suspense, though that doesn't last; for better or worse), this installation in the franchise seems somewhat more bent on haste... in the last series, there seemed to pass a day or a week between each episode, whereas in this, it clearly is one long stretch... where one episode ends, the next begins. A lot can be said about Lars von Trier... but he is very diverse and pretty eccentric. Both qualities show in this. The plot continues its excellence, now giving a few regular characters that were minor players in the previous four episodes more attention. Basically every character from the first returns, at least as far as the main roles go. The pacing isn't as sharp as in the first part, and I found myself less gripped by this one. That is not in any kind of way to say that this didn't involve me, though... I still found myself constantly watching, and at several points reacting strongly, often out loud, to what was going on(extremely unusual behavior for me, as I am an incredibly silent person), as I also was during the first. Like the first, this also brings up some loaded ethical questions. Building on the foundation from the first, this brings the story further... and being a sequel, the scope is also bigger. Grander. More spirits, more bizarre occurrences, more subplots. The strong graphic material of the first also returns, and it's been kicked up a notch. The characters are developed further. The acting is amazing, as that of the first. Udo Kier solidifies his immense talent, to anyone who doubted it. Playing a very difficult character(anyone who has seen the first series can most likely figure out what I mean) *and* acting in a language he didn't speak(he was later dubbed)... and still handing in such a strong performance. The cinematography remains great, and is still very hand-held, with rapid zooms and the occasional long take. The editing is sharp, with a few direct cuts in sound(though these were more prominent in the first). Now, with all that said, I would really like to be able to rate this a perfect 10... or at least just under, like the first four episodes. I truly enjoyed watching, and I don't regret it in the least. But this does have shortcomings... the ones the first part had and more. As the first, the humor just takes up too much space... and this time around, it's even worse. There are several new regular characters that are there for no other reason than to provide comic relief... three of them, no less. Scenes are set up and executed for no other reason than to make the audience laugh. Fine for a comedy, but what is it doing in such a dark and unpleasant, yes, nothing short of sadistic at times, horror piece? Helmer's solitary secret hiding place of solitude is changed from the hospital roof... from which he could see his beloved Sweden... to a bathroom. With an angle from inside the bowl. No, you read that right. In general, the humor seems more low-brow... more sex and bodily function jokes, which, again, begs the question "Why?". Whilst most of the writing is excellent, some of it is downright dire. Several scenes are basically copied from the first mini-series(one would guess due to their popularity when it aired). At times, the drama seems a bit more bombastic than that of the first, and it jumps too much at times. Fortunately seldom, but still noticeably, plot points and items are explained away too easily(a certain character living in Denmark for no apparent reason, for example... anyone who's seen it knows who I'm speaking of). The two dishwashers, while still mysterious and insightful, become too much of a gimmick... too overexposed, in the end, I guess. Most of the scenes with them are still enjoyable, though. In addition to that, I want to reassure any reader of this that in spite of all the negative things I have just written that this is still mostly good... definitely enjoyable, compelling, powerful... and in my humble opinion, it should definitely be seen by anyone who liked the first(though if belong in that group; do not expect to feel that the story is finished after watching this any more than you did after the first). I recommend this to any fan of Lars von Trier and anyone who enjoyed the first Riget and wants more where that came from. I urge anyone who's even considering watching this to make sure you've seen all of the first before you do... I bought this before I bought the first, but I held out on watching until I had bought the first and watched that, and I can't tell you how glad I am that I did. Though this features a brief summary of the events in the first, there are an immense amount of details and aspects that you would miss out on if you didn't see it before watching this. Slightly lesser sequel, but definitely still one to watch if you liked the first. 8/10
