Sexylocher Masterful Movie

Crwthod A lot more amusing than I thought it would be.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

wes-connors Angels sing above the Temple Sinai in Philadelphia, while dashing Danny Thomas (as Jerry Golding) returns from service in the Korean War. Celebrating the Jewish New Year (Rosh Hashanah), Mr. Thomas' observant parents Eduard Franz and Mildred Dunnock (as David and Ruth) are proud of their son's honorable discharge. Father Franz retires as cantor at the Temple so that Thomas can take over the position. The family has served as cantor for six generations. However, Thomas has decided to break with tradition. He wants to pursue a secular career in show business. Mother Dunnock seems understanding, but father Franz is righteously indignant. Life is tough for Thomas, but having singing girlfriend Peggy Lee (as Judy Lane) around helps...In a part played by George Jessel on Broadway (1925-1926) and Al Jolson in the movies (1927), Thomas has big shoes to fill. Although he recorded his songs, some of Thomas' dubbing doesn't look authentic. Also, he has stand-up comic skills far superior to the flat routines you see here, which are evident in his long career. Other than that, Thomas is convincing in the role...While a little lax in the dramatic scenes, Ms. Lee is the film's main asset. Her voice is exquisite and, more importantly, she and director Michael Curtiz make each musical number feel like it belongs exactly where it appears in the script. Unfortunately, Lee's role has been revised to match the religion of Thomas' character. This weakens the story's central conflict (between Thomas and Franz). It looks spectacular in Technicolor, but we wonder why Thomas' parents live in a luxurious palace, where modestly-attired mother Dunnock stands out by refusing a fur coat and dressing like the help. A consistent best supporting actress, Dunnock and Mr. Curtiz make her mother role the most technically well-drawn, with her final scene wordlessly offering conflict resolution.****** The Jazz Singer (12/30/52) Michael Curtiz ~ Danny Thomas, Peggy Lee, Mildred Dunnock, Eduard Franz

jjnxn-1 Rich looking redo of the legendary Jolson film that revolutionized the film industry ushering sound in and silence out. The thing is that it was the technology that was the big deal about the film not the story which is pure hokum. However that seems to be something that the studio chose to ignore assuming the name recognition of the title would draw the crowds. The film did okay but it's a cornball exercise from start to finish. The main story was dated in '27 and is certainly no fresher in '52.Danny Thomas just didn't have the strength of personality to make it on the big screen. Watching him it becomes apparent why he made it on TV and not cinema. He has a nice, likable demeanor, the sort that worked so well for Perry Como and Dinah Shore when they likewise abandoned the big screen for the small, but he doesn't dominate his scenes the way a leading man has to. He does sing well although not nearly well enough to be the rage of New York he's supposed to be.That master of all genres Michael Curtiz moves the movie along well enough but it's too schmaltzy for him to be able to make it really memorable.Putting all that aside the best reason to catch the film is the presence of Peggy Lee in the cast. This was her acting debut and while she doesn't have the instantly easy relaxed acting style of Doris Day the role doesn't put big demands on her, she did much better a few years on in Pete Kelly's Blues. It doesn't matter though when she sings which fortunately is often. When she does that all the hokeyness melts away and the viewer is treated to a legend doing what she does best, sing. An extra bonus is that she performs one of her biggest hits, Lover, in an elegant club setting giving you an idea of what it was actually like to see her in person.Worth catching for Miss Lee but the story is sappy.

fwdixon Oy gevalt! What a disaster! Danny Thomas croons (badly), Danny Thomas tells jokes (badly) that are so corny and ancient Al Jolson would have been embarrassed to crack them, Danny Thomas emotes (badly, almost laughably). Opening scene had me wondering what all those goyim were doing in the temple! Peggy Lee was entertaining and a standout in this otherwise dreary film. The supporting cast were more-or-less adequate, with the mother and father characters well cast. Look for character actor William Schallert in a bit part, along with some other familiar faces. The Technicolor photography was superb. Watch all the scenes taking place in clubs across the nation and you'll notice that Danny and Peggy are using the exact same microphone in each one! My advice - stick with Jolie's groundbreaking original.

didi-5 This is the second version of the much-filmed tale of the Jewish boy who wants to sing modern music, rather than becoming a cantor in the synagogue. This time, the character is called Jerry Golding and is played by Danny Thomas, a second-string singer and comedian of the fifties, perhaps best known for his TV series.The story itself is sparse, but Thomas gets a chance to put across some swing numbers (one or two in the company of his lady friend Judy Lane, played by the sparky Peggy Lee, in a role originally planned for Doris Day). As Golding's parents, Eduard Franz and Mildred Dunnock give good value as they struggle to understand the culture clash which has seen their son look for fame as a popular crooner.A minor film, and one not helped by the humorous approach (perhaps to accommodate Thomas's particular style). But, this version of 'The Jazz Singer' is as good a way as any to spend a Sunday afternoon.