Matialth Good concept, poorly executed.

ShangLuda Admirable film.

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.

Bezenby So, what were Italian crime movies like before they realised that they had to put Maurizio Merli in there, with the funky music and the slapping about of the dames and the violence and what not? Like this I guess, which starts of like the most boring film in the world and then actually manages to turn things around and be entertaining. Honestly. First time I tried to watch this I switched it off after the first half hour. Second time I fell asleep. Third times a charm! In Naples, some guy from the treasuary is sent to Capri to find out whose smuggling drugs in the area. Is it the sexy night club singer? Or that guy who keeps following him about? How about Boris Karloff? Probably, right? After rather a lot of talking, things pick up when the agent's daughter gets kidnapped by Karloff. Why you would bring your family on an assignment is beyond me, but that's what happened.Also, this guy was undercover but could be seen at any time boarding a ship full of armed cops but then they didn't realise that was him later when he turned up claiming to be from a gang in Genoa? I'm guessing the drug runners were sampling their product a bit too often.Things pick up further when a dog outsmarts Boris and finds the kid, some double crosses are thrown in for good measure and there's even a very slow car chase. Not bad for an ancient Euro crime film, could have done with a funky soundtrack and Massimo Vanni though.Capri doesn't appear to have changed in the slightest in the time between this film being made and me visiting there in 2001. Even Boris Karloff was still there!

TheLittleSongbird Three things do bring The Island Monster up a few notches, the title sequence music, the very well-trained dog and the picturesque locations. And The Island Monster while one of Boris Karloff's worst films is at least better than the Mexican films he made towards the end of his career, then again pretty much anything is better than those. But sadly even Karloff can't save it, he does try to bring some menace and dignity to his role but the film pretty much wastes him, he's not very well used and he doesn't even use his own distinctive voice. The rest of the acting is not much better, there is a lack of involvement and it is an acting style that belongs to another type of film really. The dubbing is atrocious, just as bad as the dubbing for films riffed on MST3K, it is true that the kidnapped girl sounds much older than she is and it's jarring. The photography is not particularly fluid and never does anything interesting. While the titles sequence music is great, the music is far too sparsely used and ponderous to make an impression generally. The dialogue is terrible throughout, made even less believable by how it's delivered, while the horror elements are very diluted(to the extent actually that there's hardly any), making the story incredibly plodding and non-eventful most of the time. Nothing suspenseful or exciting to be seen here. The characters are underwritten, poorly explored and unimaginative. So overall, a mostly dire film, there are a few redeeming elements but it is one rare occurrence where Karloff is not one of them but through no fault of his own. 3/10 Bethany Cox

HEFILM I'm sure there were cheap crime movies made by the dozens in Italy, the only reason this one got dubbed-by an impersonator, is Karloff's role in it. True this is not a horror film though the title is mentioned in the film. The title sequence looks like something from a 1930's B movie serial, though these are the English language titles so can't blame the Italians for that part of it.Boris appears early on then vanishes for quite a while. It's this non Boris section that makes the least sense as it takes forever for them to actually kidnap the child which is then the focus of the rest of the plot. A good amount of real locations help the film rise above rock bottom production values. The post sound job is really awful with missing sounds and music cutting in and out.There are a few flashes of style but when Karloff is around it's rather shocking, given the overall poor quality, to see him running around, clubbing a guy in the head, shooting guns and carrying a kid up and down hills, rowing a boat in the open sea, and seemingly quite spry. The impersonator at least tries to sound like Boris which is better than the Italian versions of the otherwise--to say the least--much superior Italian versions of Karloff's Bava-directed films. And unlike several Christopher Lee American dubs of Spanish and Italian and German films where the dubber doesn't sound at all like Lee or ever try to which is totally distracting. So though the dubbing is terrible here at least it sort of sounds like Boris and lets his performance be a little less distracting.So once the kidnapping plot starts and Boris appears regularly the film gets better and though it doesn't exactly build in excitement it at least ends better than it started. So leaves a better taste in your mouth.A dog has a significant role which is fun, though odd. Better, or at least professional, post sound work and a more active music score would have helped. Probably the only reason most will see this is for Karloff and though this shows a gutter period before his 1960's work, he's at least got a part to play and a very active role when he's on screen unlike the total rip off scant appearances in those terrible Mexican films.Reasons to see it? Boris non horror completest and The Dog. The dog's dubbing is the best in the film. Oh, PD version I saw was watchable, not good but OK for what it is. Overall the whole movie and presentation is a few significant--if small-- notches above bottom of the barrel.

wes-connors "An undercover government agent arrives on an Italian island in order to investigate a drug-smuggling ring. The agent quickly establishes some contacts on the island and appears to be well along in the case when a complication arrives. His wife and daughter visit him, thus destroying his cover, and the head of the ring, a kind older man with a dark secret, kidnaps his daughter," according to the DVD sleeve's synopsis."The Island Monster" has a drug-smuggling Boris Karloff (as Don Gaetano) and his gang kidnapping the daughter of leading man Renato Vicario (as Mario Andreani). Franca Marzi (as Gloria D'Auro) provides ample feminine distraction, which Mr. Vicario has promised his wife he'll avoid, romantically. The film's horrendously dubbed-in-English version is, at least, outstanding in that respect.* Il mostro dell'isola (1954) Roberto Bianchi Montero ~ Renato Vicario, Franca Marzi, Boris Karloff