Platicsco
Good story, Not enough for a whole film
Listonixio
Fresh and Exciting
Siflutter
It's easily one of the freshest, sharpest and most enjoyable films of this year.
Turfseer
'The Interrupters' is an excellent documentary about a group called CeaseFire, which primarily employs streetwise, ex-cons as 'Violence Interrupters' on the tough streets of inner city Chicago. The 'Interrupters' are reformed criminals who know the lingo of the street and go around trying to defuse potential confrontations from occurring, cooling down members of their community, who often become enraged due to minor sleights which are misinterpreted as major signs of disrespect.The group is led by Tio Hardiman, an ex-petty street criminal who later earned a Master's Degree and now heads a "Mission Impossible" team who are 'on call' to nip any potential violent incident in the bud. Remarkably, during a staff meeting shown at the beginning of the documentary, a fight develops right outside where the Interrupters are discussing strategy, and they rush out to quell the violence which involves one youth threatening another with a knife.'The Interrupters' focuses on the lives of three members: Ameena Matthews, an ex-Gang enforcer, now a spiritual Muslim, who has communication skills as good as any highly-trained social worker; Cobe Williams, who served 12 years for Drug Trafficking and Attempted Murder, now a gentle family man, and Eddie Bocanegra, who was incarcerated 14 years for murder, now a talented artist.We follow these 'Interrupters' as they work on various 'assignments', troubled individuals (a good number of them young people), who are prone to acting out behavior. Matthews acts as a grief counselor for a family whose son was murdered, a case which was widely publicized on Youtube and received national attention. She speaks at the funeral and we see the devastating effect the murder had on the victim's family members. Matthews also counsels a teenager named Caprysha, who ends up back at a youth facility at film's end. She concedes that not all their interventions will be successful. In the case of Caprysha, she appears to vacillate between good conduct and bad (although I read on google that she eventually earned her high school diploma).Cobe Williams works with two brothers who can't seem to stop fighting with one another and later gets good results with a neighborhood hothead, 'Flamo', who wants to take revenge on some thugs who beat up one of his relatives. Williams manages to calm him down and in the last segment, we see 'Flamo' has obtained a job as a security guard and is wearing the uniform, ready to head off for work.Eddie Bocanegra not only teaches art to elementary school students but also works with a young parolee, who was sent away three years for armed robbery. There's an emotional scene where he returns to the scene of his crime, a beauty salon, and apologizes to the victims. One victim accepts his apology but still makes it clear that his actions had a devastating effect on her life. The young man eventually obtains a job as a gardener at a school and is proud that he has put his violent past behind him. Eddie would like to apologize to the family of the victim he murdered, but indicates the family is perhaps not ready to forgive him.While 'The Interrupters' do valiant work, one wonders how effective they are at what they're doing. One Interrupter concedes that their work is only a 'band aid' and the violence simply continues unabated, all over this country. The Interrupters admit that you can't work with someone who ultimately doesn't want to change.Steve James, known for the award-winning documentary 'Hoop Dreams', has done an excellent job showcasing the noble aims of this group. Sometimes I felt that 'The Interrupters' could have been a tad bit shorter, especially toward the end. But all in all, it's a fascinating look at how one group attempts to deal with the plague of violence, in their own community.
proterozoic
Chicago, Baltimore, Oakland, Detroit – synonyms for American crime, places where young men kill one another in the streets. Bleak background noise in the national news, with dim flares of outrage at especially gruesome killings.On the subject of solutions, our imaginations are dismally poor and usually limited to applying money or violence in some form. More police, more arrests, longer sentences, talk of the National Guard on the streets.The Interrupters seem to have a better gimmick. The violence prevention group CeaseFire recruited a group of tattooed ex-gang-members in Chicago, most of whom turned away from crime after cooling off in hospitals or prisons. They know the locals, and they have credibility where cops, teachers and politicians don't.The film follows several of them: a tough gang heiress turned devout Muslim, an imposing man with several prison terms for drugs and violence, and a soft-spoken Latino out after serving 14 years for murder. Interrupters are, in effect, roaming street counselors; unlike the armchair type, they usually find themselves between two or more people who are about to begin stabbing one another. They are to ordinary counselors what BASE jumpers are to people who feel proud of taking stairs.The rare and valuable insight of the film is how, over the course of a year, the counselors manage to talk down people who're about to do horrible things, and how these people arrive at such a place to begin with. None of them are remorseless sociopaths, and none of them appear to want or relish violence. They want the best for themselves, they value their families, and yet some have come to the verge of actual fratricide. Why? Hopelessness, poor impulse control, lack of role models, a gang tribalism that feeds on vacuum and anarchy.It's amazing how many fights and murders aren't motivated by gain. They're essentially the result of undereducated boys applying the Cheney Doctrine every day on street level – "get them before they get you." On these streets, nobody trusts each other, everybody is armed and nobody is willing to back down from a fight. Tempers can flare instantly, and the killers are often as baffled by their own crimes as anybody else.Somehow, the Interrupters pull young people out of this mindset. It takes a heroic amount of trust and patience. It doesn't work all the time. But it works way more often than one imagines it should.There is a large and influential contingent in our country which holds that the only solution to inner-city violence is to tighten the screws even further. To their Klingon eyes, the CeaseFire approach probably looks like so much liberal mollycoddling of people who just ought to have their heads busted on the pavement more often. One of the thicker ironies of "The Interrupters" is that this Old Testament law enforcement mentality comes from precisely the same place as the bloody retaliations and preemptive violence by South Side gang-bangers.I listened to the young ruffians, and heard the words of steely-eyed Giulianis: not backing down, not showing weakness, getting tough, getting serious, showing them who's boss. Once you realize that "tough on crime" politicians count on the same tactics to intimidate gangs that gangs use to intimidate one another, you may recognize the same lustful rage in yourself as well, and subside to embarrassed head-scratching.The Interrupters talk about the legal trickery of being involved in potential crimes, and sometimes the organization has no choice but to get law enforcement on the case. However, their strength is not in meting out punishment, but understanding – and it's astonishing to see violent young toughs respond and open up. Even with all the money, cops and technology that America can scratch together, maybe the best way to solve social problems is still through one person talking to another.
bob the moo
This film takes a year-long look at the work of a group of volunteers trying to reduce murders and violence in inner-city areas of Chicago. They do this by intervening wherever possible, trying to mediate on the streets between those reading to kill over as little as $5 or a perceived slight, cool the anger before it spills over into bloodshed. The majority of the volunteers have a background in the gangs themselves, have served jail time but were able to get out while they still have their lives. The film follows three of the volunteers during a year where the profile of the Chicago murder rate is raised to the national level.From the director of Hoop Dreams, this film gets right down onto the streets of Chicago and, while the volunteers are dealing with people ready to kill, the camera is right there too – getting good access and surprisingly natural footage from everyone involved. For the most part it is the capturing of this world that makes the film engaging because while many people (particularly on the internet!) would like to pretend they live in tough situations and are ready to turn to violence over nothing, the majority in the western world are not and certainly for me, I appreciated an insight into the world of those who are ready to pick up a knife and stab someone because of a slight on their family. The camera captures a real natural air when situations are at their most flammable and also in the one-on-one chats, but it doesn't quite manage it when there is a group. Sometimes when break-throughs are being made with groups, it does feel a little uncomfortable and I got the sense that the camera was becoming a little bit of an intrusion.Likewise, although it isn't overdone, the film also uses sentimental music a bit too often over the top of insights or breakthroughs – and it did annoy me a little bit because none of it actually needed this music. None of these things are bad though, just a little negative in terms of impact. This is covered by how good the chosen subjects are – in particular Ameena and Cobe. To my external ears they occasionally sound uncomfortable or odd or even a bit too much like they are saying platitudes and hyperbole, but yet they work and generally their words and attitudes make an impact – even if they don't always make a lasting impact on a person's life (although the goal is always to get through the immediate threat of violence). James makes good use of them and in Ameena he finds someone likable, charming, intelligent and empathetic – she doesn't just "say" what she is doing and feeling, she lives it and it comes out in every word; wisely she is the heart of the film.Overall The Interrupters is not a perfect film because it does occasionally overdo the sentimentality and gives the subject a sense of worthiness that they may deserve but that the film doesn't benefit from. It also doesn't have much of a sharp investigatory edge, a little of which it could have done with a little bit of, but otherwise the film is engaging and moving thanks to the ground-level access and the force of the personality and bravery of the volunteers focused on.
kajtek
Very interesting topic and well executed but way too long. I am sure they recorded many more stories as interesting as these that are included but the filmmaker did not include them because the film should not be too long. In my view editing should go further and cut more scenes to make it 80-90 min movie. It would make this film much stronger keeping the essence and prevent viewers from checking their watches. What we get is diluted story and sometimes boring as some scenes are redundant in their message or information. Better editing making this film much shorter would make it much more interesting without scarifying the importance of the story. Overall it is important and interesting documentary.
