Plantiana Yawn. Poorly Filmed Snooze Fest.

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

iluvshirley Everyone here is a tough crowd criticizing this movie. I remember seeing it as a young kid and it made quite an impact on me. Everything seemed so real in it. I watched it again today and looked up the illnesses that the young girl from an Asian island and the guy that was a mercy killing had. They were real diseases that might have occurred in 1962. The scene where the woman has her baby was the first time I saw something close to a real birth. I remembered her scene even as I had my own baby years ago. It seemed very well acted! I also appreciated the interracial aspect of this movie that had such a good mix of non lead characters. Pity, they weren't the leads but still, great progress for the time. It must have been a cutting edge movie at the time because it still is has interesting themes for us. It was very ahead of its time. I enjoyed it immensely!

blanche-2 1962's "The Interns" is sort of the "Valley of the Dolls" of the hospital set, with a lot of young actors starting their careers in movies: Michael Callan, Nick Adams, James MacArthur, Anne Helm, Stefanie Powers, and some veterans - Telly Savalas, Buddy Ebsen and Cliff Robertson. The gorgeous model Suzy Parker, who had been getting film roles since the '50s but wasn't much of an actress, plays Robertson's love interest. Since by 1962 there was no studio system to bring these actors along, most of them wound up having careers in television and were a big part of my growing up years.Very much a soap opera, "The Interns" today seems overdone and not particularly well acted. The plot deals with mercy killing, abortion, sexism and Dexedrine; it focuses on three doctors: Michael Callan, a user who is romancing two women, one with money (Anne Helm) and one so he can get a residency with her old boss; James MacArthur, a straight arrow who falls in love with a nurse with a yen for travel (Stefanie Powers); and Cliff Robertson, an older intern who tries to help his model girlfriend (Parker) terminate a pregnancy. Nick Adams plays a buffoon who falls in love with a terminally ill patient (Ellen Davalos).It's hard to give an opinion on this film in 2008, after such excellent TV shows as "Saint Elsewhere" and "ER" - in the beginning of the movie, a woman dies, and James MacArthur has to pry her hand from his arm. Anyone who's ever read or seen a mystery or watched a medical show knows rigor doesn't set in that fast. This makes me wonder if any of the blood pressure readings made sense, though the description and treatment for thalassemia seemed correct, since bone marrow transplantation was still in the experimental stages.All in all, pretty dated and routine when seen today.

Poseidon-3 Based on a novel concerning the trials and tribulations of a gaggle of medical interns at a large metropolitan hospital, this busy, multi-character soap opera entertains in fits and starts, ultimately winding up rather pat and not that memorable. Callan plays an eager beaver, juggling a rich and sexy girlfriend (Helm) with an older, spinsterish nurse (Bard) who he thinks can help further his career. Robertson is a self-assured, older intern who gets mired in the problems of a troubled model (Parker.) MacArthur plays an idealistic guy who longs to have his own clinic and who falls for perky nurse Powers. Adams is a party animal who is tamed by terminally ill patient Davalos. Finally, Harareet is the lone female intern, who faces prejudice from the male-heavy establishment, particularly Savalas. Ebson is on hand as well to help reign in the boisterous, overworked doctors in training, meaning that the interns are presided over by Kojak and Barnaby Jones. Other story threads include a paralyzed man (Brocco) who longs to die and a nurse (Stevens) who throws one dilly of a New Years Eve party. The film opens with what had to be some pretty frenetic editing for 1962. Glimpses of the interns at work flash rather quickly on the screen. Afterwards, the film settles down to a pretty standard level of drama, strife and mild comic relief. Highlights of the film include the crowded party sequence (with its exaggerated bits of faux debauchery), an almost surreal birthing sequence with MacArthur getting his hands wet for the first time and a hysterically over-the-top meltdown scene with Callan when something doesn't go his way. The film touches upon some very controversial topics along the way such as abortion, euthanasia and drug abuse, but the script is so scattershot and the acting so ham-handed by some of the participants that these don't end up having very much impact. There seem to be just a few too many characters and story lines present for any one of them to really hit home the way it should. Ironically, the one storyline that gets the shortest shrift (Harareet's) turns out to be one of the most affecting thanks to some sincere acting on her part and the able support from Savalas. As is to be expected from a glossy soap like this from 1962, there are a few unintentional laughs along the way. Adams gives Davalos a mechanized toy that is so unbelievably annoying and excruciating, one can only assume that it caused her to take a turn for the worst. Also, for a film dedicated to the medical profession and the saving of lives, it's unreal to watch the ungodly quantities of cigarettes consumed throughout. A perennially pregnant woman not only smokes, but drinks! It's an entertaining couple of hours, and inspired a sequel, but is unlikely to stay in the memory for too long after viewing.

moonspinner55 Group of medical interns (one woman and the rest men) and future nurses (all women) begin their duties at a large city hospital, cracking wise, planning parties, butting heads, and smoking pipes, cigars and cigarettes (Chesterfields, to be exact). Telly Savalas is the ego-driven chief surgeon who doesn't like women doctors ("You take up room in our hospitals until you fall in love with the wet diapers and the hot stove!"); Nick Adams is the resident goof-off (a cliché by now), however the worst offender in this medical casualty is director David Swift, lumping together more unimportant vignettes and crude slabs of 'comedy' than most TV soaps put together. The script, adapted from the bestseller by Richard Frede, hasn't an iota of natural conversation in it, and the look of the picture is flat and dull. Followed in 1964 by a sequel, "The NEW Interns", and in 1970 by a short-lived TV series. *1/2 from ****