GamerTab That was an excellent one.

Solidrariol Am I Missing Something?

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

slymusic Directed by Tex Avery, "The Heckling Hare" is a wildly funny Bugs Bunny cartoon featuring some terrific animation. The term "wascawwy wabbit" doesn't even begin to describe Bugs as he takes advantage of a dopey canine who tries to track him down.My favorite moments from "The Heckling Hare" include the following (DON'T read any further if you have not yet seen this cartoon). The best and most memorable sequence in this film is the lengthy, hilarious fall off the cliff (which, by the way, was the cause of some seriously bad blood between producer Leon Schlesinger and Tex Avery, who decided to part ways with Warner Bros. and move on to the cartoon studio at MGM). Bugs does his nonchalant "Strollin' Thru the Park One Day" walk with a carrot jutting from his mouth, after which he and the dog exchange a myriad of funny faces, ending with Bugs applying a baseball bat to the dog's head. And when the dog chases Bugs underwater, Bugs' ears incongruously circle around a tree stump! "The Heckling Hare" is one of those Bugs Bunny cartoons you just gotta see! Catch it on the Looney Tunes Golden Collection Volume 2 Disc 1.

phantom_tollbooth Tex Avery's 'The Heckling Hare' is classic Bugs Bunny all over. Bugs' fifth ever appearance, it was also the cartoon that lead to Avery being fired from Warner Bros. Pitting Bugs against a dim-witted dog (voiced by Avery himself and modeled on Lenny from 'Of Mice and Men'), 'The Heckling Hare' further cemented the character of Bugs which Avery had been instrumental in creating. There's very little plot in this woodland chase but that is irrelevant when you take into account the many brilliant and inventive gags and how beautifully animated they are. Just look at the scene where Bugs puts on his swimming cap, carefully tucking his ears in each side. Check out not one but two fantastic gags involving just Bugs' ears and nothing else! The dopey dog is so little threat to Bugs that he actually takes a moment in the middle of the cartoon to wonder aloud "Now what can I do to this guy now?" This lack of any real threat allows Bugs to turn on his heckling full blast (as the title would suggest) and, in doing so, he invents several classic bits including the "Silly, Isn't He?" routine.'The Heckling Hare' is utter brilliance itself but it builds up to a climax that trumps everything that went before it. Bugs and the dog take the most extended, hysterical nosedive from a cliff you'll ever see in a cartoon. Far from simply waving at the camera and accepting their fate a la Wile E. Coyote, they scream blood-curdling, pleading wails of pure terror all the way down. It's surely one of the funniest scenes in the entire Warner archive and it's only a shame that Avery's boss Leon Schlesinger waded in and messed with his intended ending, which would have seen Bugs and the dog fall off another cliff. Schlesinger ordered that the ending be cut on the flimsy pretext that Bugs' line "Hold onto your hats folks, here we go again" was the punch line to a well-known dirty joke at the time! Schlesinger's cut version is the only one that exists today, meaning that the classic cliff-falling sequence is followed by a ludicrously abrupt ending. It's not enough to spoil such a wonderful short but you can't help but feel Avery and 'The Heckling Hare' deserved considerably more respect. Instead, Avery was fired and went to work for MGM. Although we may wonder what great cartoons he may have made had he stayed at Warners, had he not gone to MGM we wouldn't have the likes of 'Bad Luck Blacky', 'King Size Canary' or 'Red Hot Riding Hood'. For the existence of those cartoons, I guess we can thank the uncompromising brilliance of 'The Heckling Hare' and the audacious ignorance of the interfering Schlesinger!

ackstasis Bugs Bunny sure was a mischievous rascal, particularly in his early years. A smug, conceited and pitiless little fiend, Bugs often appeared to take a near-sadistic pleasure in tormenting his enemies. Of course, that he is the "prey" works considerably in his favour, and audiences will always continue to cheer him on, as nobody likes to see a cute little wabbit become a hunter's next meal. But the most interesting aspect of these cartoons is how the writers cunningly invert the usual scenario, with Bugs, in effect, becoming the hunter of the story, though we instinctively continue to celebrate his successes. Willoughby the hunting dog may be an exceedingly dim-witted canine, perhaps even bordering on mental retardation, but the audience considers him fair game for Bugs' farcical style of bullying. Just why is Bugs the hero in this cartoon, and, indeed, in most of his cartoons? A worthwhile counterpoint to this trend is in Tex Avery's 1941 short 'Hare Beats Rabbit,' starring Bugs and Cecil B. Turtle, in which the bigheaded rabbit is decisively beaten in a foot-race by the quietly-deceitful reptile.These tantalising questions aside, Tex Avery's 'The Heckling Hare (1941)' provides some solid entertainment, which is the real reason why we're watching it. After Willoughby (voiced by Avery) catches Bugs' scent at the entrance of a rabbit-hole, he goes into digging-overdrive, and is so focused on the task at hand that he fails to notice the rabbit (Mel Blanc, as always) idling above him with a carrot between his teeth. Numerous outrageous chase sequences ensue, one ending in the depths of a river and another in a thousands-of-metres plummet from a ridiculously-high cliff. There is some very convincing personality animation in the sequence where Willoughby believes himself to have crushed Bugs to death with his own hands, and he touchingly collapses into tears as he lays a bouquet of flowers at the entrance to the rabbit-hole. Bugs, displaying that uniquely-compassionless streak of his, thinks nothing of this emotion and merely exploits it for some further humiliation.'The Heckling Hare' moves at a brisk pace for seven minutes, and continues at this pace until the closing seconds, when it forgets to add an ending. In actual fact, the cartoon's conclusion was severely truncated by producer Leon Schlesinger, who allegedly felt that the final punchline ("Hold on to your hats, folks. Here we go again!" as the pair fall off another cliff) would somehow be perceived by audiences as having undesirable connotations. This lack of resolution blemishes the film to an extent; I liked the idea of the unusually-protracted freefall, but I was waiting for another good idea to bookend the gag, and it never came (perhaps the instantaneous brakes were a spoof of traditional cartoon physics, abused so frequently for comedic effect). In any case, Avery was aghast at the changes made to his cartoon, and he stormed out of the studio. He eventually wound up with the fortunate folks at MGM, with whom he worked until 1953.

Robert Reynolds This short led directly to the exit of Tex Avery from Warner Brothers. Some sources say he was fired, others that he quit, but Leon Schlesinger's mistake was Avery's, animation's and MGM's gain. Avery did some fantastic work at MGM, animation gained from his influence on another studio and MGM gained by having the competition between Avery and Hanna and Barbera, which improved both teams. Avery's influence can be seen on the Tom and Jerry series in the mid to late 1940s and it's open to question whether Droopy or Screwball Squirrel would have developed at a crowded Warner Brothers. Who knows what would have developed (or not developed) at Warner Brothers had Avery NOT gone to MGM. Excellent short. Most highly recommended.