The Great Yokai War

2006
6.4| 2h4m| PG-13| en
Details

A young boy with a troubled home life becomes "chosen," and he stumbles into the middle of a great war of yōkai (a class of mythological creatures), where he meets a group of friendly yōkai who become his companions through his journey. Now he must fight to protect his friends and free the world of the yōkai from oppression. The yōkai originate in Japanese folklore and range from the cute and silly to the disturbing.

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Reviews

GamerTab That was an excellent one.
Evengyny Thanks for the memories!
Konterr Brilliant and touching
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Film Chaser Takashi Miike is one of my favorite directors and I was worried about him doing a kids film, because I would hate to see him depart from his films I came to love: Visitor Q, Gozu, Izo, Ichi the killer and Black Socioty Trilogy. Lately he seems to be exploring new territory and I think he's succeeding. Still this was the first of his films I'd seen him take that direction, so I was nervous. Of coarse I bought it without seeing it and was glad I did.Great Yokai War is a perfect kids film and adults should like it too. The whole film reminded me so much of the movies I loved as a child: Neverending story, Labyrinth, Return to Oz, etc. I enjoyed those films because they didn't treat kids like they're stupid and this one doesn't either. The dark underlying morals are there, but, it's also as silly as any kids film should be. I personally wasn't bothered by the CGI and prosthetics. I feel like they fit well and don't think kids will notice.If you are a die hard Takashi Miike fan, you may not like this one. But, I suggest giving it a shot. It proves that Miike is as diverse and talented as I suspected he is. He also continues to make his signature Miike films outside of these ones, which is very reassuring.To those people that are new to Takashi Miike and want something light hearted or dramatic like this one, I suggest these other Miike films: 'Zebraman' 'The Happiness of the Katakuris' 'Sabu' and 'The Bird People in China.' Good job Takashi Miike! 8/10 stars.
siderite This is a movie that has a lot of things that only Japanese people can understand. Even well translated, there are some things that are obviously private jokes or regional symbolism. My guess is that it tried to send a message of some sort, but that just got wasted on me.What I felt that is basically this is a mediocre movie with nice special effects. Some kid becomes "The one" and in the end has almost no relevance to a yokai war that makes no sense whatsoever anyway. It would have been nice to understand what the hell they were talking about, but between the Azumi bean washing yokai and the one that looks like a big tongued umbrella (Rihanna eat your heart out!) I couldn't really discern the plot.Bottom line: nice visuals, the kid screams a lot, the river princess is terrible cute and the rest is crap.
zetes Miike makes a children's adventure film, not unlike The Neverending Story. It's actually one of my least favorite of the director's films. Even the worst Miike is better than a good many films, though, and The Great Yokai War has a lot in it that's worth recommending. It's at least as loud and obnoxious as most American kiddie flicks. I might think kids themselves would find a lot to like in it (the DVD includes an English dub), but, like all of Miike's films, it can tend to move very slowly. That means you've got kind of a weird unevenness, where sometimes there's a loud action sequence and the next scene will drag on forever as characters converse. The story itself isn't very good, either, and Miike's perpetual flaw of incoherency rears its ugly head. Most of what I liked came from the technical side of things. This has to be Miike's most expensive movie, and it looks fantastic. "Yokai" are Japanese spirits, and they come in all different, fantastical forms, and the costume designers, special effects crew, and everyone else involved in the designs just did an outstanding job. I've seen the 1968 film this one is supposedly based on (Yokai Monsters: Spook Warfare), and the cheesy rubber-suit monsters you can find there have been transformed into more believable entities using state-of-the-art makeup and special effects. I especially liked the look of one of the bad guys (or girls, in this case), Agi, who sports dark eye shadow, a tight, white outfit, a white beehive hairdo and a whip. She's played, incidentally, by Chiaki Kuriyama, whom you might remember as Lucy Liu's teenage henchgirl in Kill Bill: Vol. 1. The hero of the film is played by Ryunosuke Kamiki, who provided voices for Miyazaki's Spirited Away and Howl's Moving Castle.
dbborroughs Where was this film when I was a kid? After his parents split up Tadashi moves with his mom to live his his grandfather. Tadashi's sister stays with their dad and they talk frequently on the phone. Grandfather is only "here" every third day. Moms never really home. The kids always are picking on the poor kid. During a village festival Tadashi is chosen the "kirin rider" or spiritual champion of the peace and justice. Little does he suspect that soon he will have to actually step into role of hero as the forces of darkness join up with the rage of things discarded in a plot to destroy mankind and the spiritual world.Okay that was the easy part. Now comes the hard part, trying to explain the film.This is a great kids film. No this is a great film,flawed, (very flawed?) but a great film none the less. It unfolds like all of those great books you loved as a kid and is just as dense at times as Tadashi struggles to find the strength to become a hero. Watching it I felt I was reading a great book, and thought how huge this would have been if it was a book. I loved that the film does not follow a normal path. Things often happen out of happenstance or through miscommunication, one character gets sucked into events simply because his foot falls asleep. There are twists and turns and moments that seem like non sequiters and are all the more charming for it (which is typical Miike) Certainly its a Takashi Miike film. That Japanese master of film is clearly in charge of a film that often touching, scary and funny all at the same time. No one except Miike seems to understand that you can have many emotions at the same time, or that you can suddenly have twists as things get dark one second and then funny the next. I admire the fact that Miike has made a film that is bleak and hopeful, that doesn't shy away from being scary, I mean really scary, especially for kids. This is the same dark territory that should be in the Harry Potter movies but rarely is. This a dark Grimms tale with humor. My first reaction upon seeing the opening image was that I couldn't believe anyone would begin a kids film with a picture of the end of the world, then I realized who was making the movie. Hats off to Miike for making a movie that knows kids can handle the frightening images.Its also operating on more than one level. The mechanical monsters that the bad guys make are forged from mankind's discarded junk. Its the rage of being thrown away that fuels the monsters.One of the Yokai (spirits) talks about the rage sneakers thrown away because they are dirty or too small feels when they are tossed. You also have one of the good guys refusing to join the bad guys because that would be the human thing to do. Its a wild concept, but like other things floating around its what lifts this movie to another level. (there are a good many riffs and references to other movies,TV shows and novels that make me wonder who this film is for since kids may not understand them, though many parents will) And of course there are the monsters. They run the gamut from cheesy to spectacular with stops everywhere in between. Frankly you have to forgive the unevenness of their creation simply because they are has to be hundreds if not thousands of monsters on screen. Its way cool and it works. One of the main characters is a Yokai which I think is best described as a hamster in a tunic and is often played by a stuffed animal, it looks dumb and yet you will be cheering the little bugger and loving every moment he rides on Tadashi's head. (Acceptance is also easier if you've ever seen the old woodcuts of the weird Japanese monsters) I mentioned flaws, and there are a few. The effects are uneven, some of the sudden turns are a bit odd (even if understandable) and a few other minor things which are fading now some two hours after watching the film.. None of them truly hurt the film over all, however most kind of keep you from being completely happy with the movie.I really loved this movie. I'm pretty sure that if I saw this as a kid it would have been my favorite film of all time. (where's the English dub?).See this movie. Its a great trip. (Besides its a good introduction to the films of Miike minus the blood and graphic sex)