The Great Man's Lady

1942 "She's his secret woman!"
6.6| 1h30m| NR| en
Details

In Hoyt City, a statue of founder Ethan Hoyt is dedicated, and 100 year old Hannah Sempler Hoyt (who lives in the last residence among skyscrapers) is at last persuaded to tell her story to a 'girl biographer'. Flashback: in 1848, teenage Hannah meets and flirts with pioneer Ethan; on a sudden impulse, they elope. We follow their struggle to found a city in the wilderness, hampered by the Gold Rush, star-crossed love, peril, and heartbreak. The star "ages" 80 years.

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Reviews

Mjeteconer Just perfect...
Phonearl Good start, but then it gets ruined
Moustroll Good movie but grossly overrated
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
JohnHowardReid The scenes actually directed by producer William A. Wellman (a runaway marriage in a storm, news of the silver strike, the flood, Donlevy bringing the news of Hannah's death) are among his best work. Unfortunately, most of the rest of the movie is directed with only superficial competence by Joseph C. Youngerman. However, William C. Mellor's beautiful photography of silhouettes and bleak landscapes, plus the breathtaking sets created by Hans Dreier and Earl Hedrick are really so outstanding, they make the film worth seeing just on their own account. And let's not forget Barbara Stanwyck's faultless make-up. Stanwyck herself gives a most convincing performance. The screenplay too has its memorable moments but is inclined to undo some of its persuasive work and get all wishy-washy in the last quarter hour.
SHAWFAN Such undeserved condescension on the part of most of your reviewers! I thought it was an absorbing romantic drama in which Stanwyck was at her very best. As she turned from youthful sparkly-eyed amused flirt in her first scenes with McCrea into the mature more gray-haired woman seriously urging him to do his political best for those whom he represented, her virtuosity as an actress of transformations came greatly to the fore. It was a pleasure to respond to her in her various moods of youthful love, a stunned mother's loss of her two babies, her vigorous denunciation of her father in his unconscionable request of her, and finally the resignation of old age in which she at last destroys the long-lived marriage certificate she's been carrying around through most of the story.McCrea was also very good, especially in the scene in which he confesses himself guilty of the same kind of corruption so rife in the American West at that railroad-building time.The story seemed to echo the true events of The Ballad of Baby Doe (opera) in its background of silver mining and marital troubles; and it certainly resembled Edna Ferber-Abby Mann's Cimarron in retelling the story of a marriage in which the husband spends years on the road away from his wife.The 19th-century flooding in Sacramento was certainly up to date given the similar events happening in that city in our own times as well.A great movie. Pay no attention to those detractors.
bkoganbing Joel McCrea and Barbara Stanwyck made six films together, the most they did respectively with other leads. The Great Man's Lady while not the best example of their joint work is certainly one interesting if somewhat incredible film.I can certainly see what attracted Stanwyck to a role that was part Maytime and part any number of Edna Ferber like tales of empire builders. Stanwyck is certainly a better actress than Jeanette MacDonald and she really does carry off the part of the 107 year old pioneer woman who is telling a young reporter about her most interesting life.Like in Cimarron, McCrea and Stanwyck start out for the west in the 1840s in search of opportunity and like in Cimarron the woman is being taken from a life of ease and comfort to become a pioneer. The film shows how very useful she was to him.Albeit even with her conservative politics in real life, Stanwyck was a feminist icon and in the 19th century without even the right to vote, women held a far different position than they do legally now. What help she renders to McCrea is on the unofficial side. But as the story unfolds she contributes mightily to his rise to fame and power and sacrifices EVERYTHING for him.I'd like to give the film a higher rating, but the thing that totally throws me is the part her father plays in her ultimate decision. Thurston Hall is Stanwyck's father and he's a typical robber baron of the era. But I can't see any father asking his daughter to do what she did for business reasons. It makes the whole story quite bizarre.McCrea and Stanwyck liked each other personally and professionally. In Tony Thomas's book about Joel McCrea based on interviews he did with him in the Eighties, McCrea said that Barbara Stanwyck was his favorite leading lady. She was thoroughly professional and helpful to every other cast member in any film she was in. He had no qualms in saying that The Great Man's Lady is her film all the way.It's far from her best film, but for Barbara Stanwyck fans it's one of her best performances.
amazinggracezb ~~~Since I was only 12 when I saw this years ago, I was very impressed with everything about the movie-----the stars, the storyline, the costumes, the historical flavor, and the emphasis on the noble character of the leading stars----Barbara Stanwyck and Joel McCrea who were always great in everything in which they ever appeared. It was the only movie I ever returned to see the second time before I started seeing numerous repeats on the TV Movie Channels. The movie starts and ends with Barbara Stanwyck portraying an elderly lady who tells the story of her relationship to Joel McCrea from youth through maturity. Through a series of flashbacks, Stanwyck tells her story to a pretty, young, blonde reporter who is interviewing her in the hope of getting a hot story on the day an imposing statue of McCrea is dedicated.