FeistyUpper If you don't like this, we can't be friends.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

RyanCShowers Being a fan of Gwyneth Paltrow and Penelope Cruz, seeing the neat looking poster, and having an interest in the exploration of dreams in films, I decided to give The Good Night a try. Little did I know the nightmare that would become the next hour of my life. The Good Night has an inadequate exposition; it's a poorly introduced and explained film that flatlines for the first hour. If The Good Night would've supplied the theaters showing it with sleeping masks like 3D movies handing out glasses, it would've been a more enjoyable night out.I love watching films about our dreams. When filmmakers make us think about our subconscious when we rest and the truths we realize about ourselves are extremely interesting to me. The only truth Martin Freeman learns about his dreams until the third act is how much he wants to have sex with Penelope Cruz. The storyline of the film doesn't warrant the film's existence. The Good Night tries to comment on a mid-life crisis, but inaccurately musters up a conventional, musty representation of one. The simple thoughts the filmmakers built the film on could've been the starting point of intriguing ideas, but instead feel like they were tomatoes, cut in half, placed on hot pavement, under the sun on the hottest day of the year. Every idea is dried up and are roasted by the lack of effort. The first hour contains some really awful dialogue on top of the lack of development behind the plot. The person who designed Gwyneth Paltrow's character's look should've been fired, her unflattering hair is the thing I focused on most of her screen time due to lack of interest in The Good Night's third-rate production.A thought that I literally squealed out of my mouth during The Good Night was "How did this script and director attract this cast?" The cast is not as ghastly as the rest of the film. Gwyneth Paltrow actually delivers a few great scenes throughout and the film finally begins to wake up when Penelope Cruz's character is not just a figment of the imagination anymore, Cruz is much to thank for the film's kick in the ass to at least shift out of reverse. The one upside of the script is the occasional sincere quotes about life. The Good Night does begin to look up in the last half hour. It finally starts to dig deeper into the Paltrow-Freeman relationship, I began to feel this trip wasn't completely waste of my time. When I was watching The Good Night I had no clue who the director was that I was throwing insults at in my head. After finishing, I was informed it was none other than Gwyneth Paltrow's brother, Jake Paltrow. When the talent was being divvied up in the family, it's clear Jake wasn't given the fair amount. The Good Night is poorly made and dreadfully thought up, though the film's last act begins to rectify the harm of the first hour, there's no salvaging the departed film. The bottom line is, The Good Night shouldn't have been telling us how to have a mid-life crisis, it should've been living one. It's unmistakably obvious The Good Night isn't even as deep as the paper in which its script has been typed on.Rating: 4Grade: C-

Chrysanthepop Jake Paltrow's 'The Good Night' tells an interesting story revolving around dreams. I liked the creativity that was used in this movie and the concept behind the story. What if life has become so dull and sad that one prefers living in their dream through lucid dreaming? The storytelling is pretty tricky as it hints and suggests without exactly revealing until the very end. In between the main story, the film jumps into interview scenes with Gary's friend, ex-girlfriend and ex-bandmember talk about him. The dream sequences are very well executed. I liked how Penelope Cruz's voice was modified to suit Ana (who is a figment of Gary's dream). The screenplay is solid. Martin Freeman does a superb job. Simon Pegg is first rate. Penelope Cruz is wonderfully sensual. Gwyneth Paltrow does a fine job and Danny De Vito is terrific. Music is an important component of the film and 'The Good Night' is provided a brilliant score. This is a unique little film that had me engaged throughout its running time and I may pay a revisit sometime later.

bobcolganrac I see that this movie isn't well-received. . .? . . . ---I loved it!I like dark humor, and subtlety, and a script that trusts the viewer enough to simply suggest what's happening, and this movie satisfies all of that. Written and directed by Jake Paltrow, starring a mostly British cast of Martin Freeman, sister Gwyneth, Penelope Cruz, Simon Pegg, and Danny DeVito in a strange ensemble none of whom seem to really know one another. There's a sense that this movie isn't really happening, that the characters aren't sure who or what they are to one another, that the action may or may not be delusional: dream? not-dream? the boundary edges of reality have been softened or erased to the point of ambiguity. I believe this is what the director was striving for, and he got it perfectly. I am still reeling by the few comments I saw that disliked this movie--- --were we watching the same flick? Jake has captured the ennui and uncertainty of intimate relationships, especially when artistic personalities are involved. Wishes are faded, hopes for success, mega- or otherwise, are withering or stunted, and the concept of "dreaming" becomes itself part of the uncertainty of the storyline---an uncertainty purposefully part of the script. We live our dreams, we get caught up in our dreams, yet our dreams exist often aside from how we live. And who's to say what's real? Is night consciousness less or more than daytime consciousness? Nothing is 100% real.I don't want to give anything away. I hate spoilers if I haven't seen a movie, and don't want to even accidentally mention something that would detract from another's enjoyment of discovery. Freeman's character is going through a minor meltdown, his life increasingly one on the outside looking in. He's "married," but the love and desire has diminished for both of them. He seeks help from a most unlikely (and most unprofessional) pseudotherapist, DeVito, and the reality of his life begins to unravel as he struggles the more to make sense of it all. It is a brilliant study of a mentally ill and conflicted world with pervasive fears and worries. The cast is excellent. Couldn't be better.I love this movie. I love its dark humor, and its subtlety. Well done, Jake!

kingofi88 The movie is amazing on most levels. It's actually a vision into a manic depressed soul who sees a light at the end of the tunnel. The light is in the form of the dream girl Anna (Penelope Cruz, who is absolutely stunning once again in this flick).He has a girlfriend that he has burned every bridge but they still have a deep love blanketed with layers of strife and arguments. Instead of working things through the ventures deep into his mind and tastes something in his dreams that he can get enough of. The dreams start taking control and start getting in the way, The entire time he feels that Anna can save him from his own routine depressed life.The movie starts getting a little weird when Anna walks into his life in human form.In my opinion this is a great movie for peering into the mind of a semi psychotic depressed soul. Exactly what a film should do, make you think on different levels.