SpuffyWeb Sadly Over-hyped

CommentsXp Best movie ever!

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.

bkoganbing Harry Cohn must have ponied up big to Louis B. Mayer for the services of his number one comic star Red Skelton. But the results were definitely worthwhile with The Fuller Brush Man.Back in the 40s there were 3 things sold door to door by intrepid salesmen, encyclopedias, vacuum cleaners, and those brushes from Fuller. As sleazy Don McGuire points out to Red it takes personality which Red has, but not to sell anything but laughs.Red's previous job before Fuller was a sanitation worker, but he insults Sanitation Commissioner Nicholas Joy and later is present in the house when Joy is murdered. One of Red's brushes is the weapon, but how it was used I can't say. Red was in a houseful of suspects and he looks like just the patsy for good size frame.Columbia put three of its best female contract players with Red. Janet Blair plays the girl McGuire keeps trying to steal from him. Hillary Brooke and Adele Jergens were at the murder scene, a pair of femme fatales if I ever saw one.In fact there's more than one and one obviously clichéd murderer as well. The Fuller Brush Man has two good scenes. The first is in Red's apartment where he's trying to keep Blair, Brooke, Jergens and others apart from each other and the cops. Second is a madcap chase through a warehouse with everyone else chasing Red and Janet.I hope Louis B. Mayer got enough money to offset what Columbia took in for The Fuller Brush Man. A lot of laughs, a must for Skelton fans.

Robert J. Maxwell Red Skelton finds a job as a door-to-door salesman while courting Janis Paige. The story turns into a murder mystery. That's about it.The script was by Frank Tashlin, who went on to direct a couple of very amusing comedies, including "Will Success Spoil Rock Hunter." It's not clear who the intended audience is in this instance.I remember seeing it as a kid and laughing throughout, as I did at most of Red Skelton's movie -- and Abbot and Costello, for that matter. But I saw things then as through a glass redly, or rosily, and now that I am a man I have put away that particular child-like faculty along with my unbroken collection of Action Comics.It strikes me now as more silly than funny. Red Skelton marches down the sidewalk to appropriately pompous music, steps on a child's skate, and falls down. (The editor holds on the scene for several seconds, allowing the laughs in the audience die down.) Danny Kaye's comedies of the same period have held up much better. So have some of Red Skelton's. "A Southern Yankee" is still good for laughs.Withal, there's an endearing innocence about the production. Nobody's sense of humor was designed to exceed the age of fourteen. The gags we've seen a hundred times on television sit comes may have been relatively fresh. Skelton has a mobile face and does mime well. And the slapstick chase through a war surplus warehouse at the end is exciting enough to entertain almost everyone.It would be nice to check this out on an eleven-year-old child and see if he or she laughs or whether an abundance of sit coms and cartoons have made their sensibilities harden and their demands more challenging.

ccthemovieman-1 Wow, this movie wore me out. It was almost non-stop slapstick action....actually too much; it could have used some lulls. Still, there were tons of funny moments.Red Skeleton, in the starring role, provides most of the laughs with some corny-but-great lines and wonderful slapstick sight gags. Red, himself, must have been exhausted making this film.My favorite parts were in the beginning when he gives door-to-door selling a chance. His mentor and nemesis "Keenan" (Don McGuire), sets him up with the worst houses on the block and poor Red takes a verbal and physical beating, even from a little kid! It's actually painful to see such a nice guy, such an Innocent human being, get treated so poorly by everyone. He can't catch a break, including making points with his wannabe girlfriend "Ann" (Janet Blair). The break comes, of course, at the end and after a lot of chaos when Red inadvertently becomes involved in a murder and has to clear his name. You know Red, somehow, is going to pull through a ton of messy situations, even though it looks bad for him at least a hundred times!This film, and "The Fuller Brush Girl" with Lucille Ball and Eddie Albert, have never been put on DVDs and that's a shame. It would make a nice double-feature disc.By the way, when was the last time anyone saw a Fuller Brush man at their doorstep?

John T. Ryan With the making of THE FULLER BRUSH MAN, Edward Small/Columbia Pictures,(1948) the period of the global hostilities of World War II is officially put to rest by Hollywood.The situations, the humor, the settings are all pointing to the theme of making a living and getting on with the newly won PEACE. There are no references to hostilities,rationing, the draft, nor any 'New Deal' Federal programs.The only connection to the previous wartime situation is the plot line involving the war surplus industry and the crooked individuals (in the story) fraudulently manipulating it.This was probably thought to be a 'Small' picture in more ways than one by MGM, the big studio that lent out young star under contract, Red Skelton, for the lead;perhaps much in the same way that they had lent Clark Gable to Columbia & Frank Capra for 1934's IT HAPPENED ONE NIGHT. While it's true that Red did not come back to his home studio with the Oscar as did Gable (Best Actor),Capra(Best Director),Claudette Colbert (Best Actress), Robert Riskin (Best Writing Adaptation) and the Movie(Best Picture) did, but he did give a comic performance that, in this writer's opinion topped his previous outings at MGM.Mr.Skelton had starred in the 3 comedies, WHISTLING IN THE DARK, WHISTLING IN DIXIE and WHISTLING IN BROOKLYN, all with the same Director (S.Sylvan Simon), but was never used better or was not funnier on the screen.The film, like the previously mentioned Skelton vehicles, has no pretensions about it.It's there to make us laugh. And it succeeds in a most thorough manner,bringing in post war elements such as having to wait for automobiles and home appliances to be made, but placing orders first.The coming on the scene of Television is included. The highlight of the film is a cartoon-like chase toward the end of the picture.(As silly as it may be, my wife and myself were in stitches over it!) Otherwise the story is bright, cheerful,hopeful and looks toward much happier, more prosperous days following the great World War II.