The Fat Man

1951 "DANGER UNDER THE BIG TOP!"
6.2| 1h18m| NR| en
Details

A innocent dentist is murdered and the only apparent motive seems to be to steal a set of dental x-rays. To the police it looks like an accident, but private eye Brad Runyan thinks there's more to it.

Director

Producted By

Universal International Pictures

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Trailers & Clips

Also starring J. Scott Smart

Reviews

Spidersecu Don't Believe the Hype
Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Robert J. Maxwell J. Scott Smart is pretty hefty without being morbidly obese. Some jokes are made about his girth and his love of good food because this was back in the day when jokes could still be made about people who were different from the stereotypical American. As a motion picture actor, he has the charisma of a damp rag.It's a routine B movie, a screen adaptation of the radio show popular at the time. Not much effort has gone into it. A nice dentist has been coshed and his body thrown out a window. It looks like suicide to the police but the dentist's assistant, Jane Meadows (looking fine), suspects there was more to it. The dental records and X rays of a certain Roy Clark (Rock Hudson, as good as he'd ever been) are missing. So what's up? The investigation takes Smart from New York to Los Angeles where he runs into varied characters, as is usual in these stories, except for two Jewish truck driver who have sharp, witty dialog and deliver it well but are directed a lento. The major characters like Julie London (yum) have flashbacks. ("I remember the first time I met Roy...") There's nothing notable about any of them. The attempts are humor are pedestrian.The clotted plot leads to a shoot out at the end, with the killer trapped inside a circus big tent at night. It looks like curtains for the clown. But no! He uses one of the prop cannons to turn himself into a human cannonball, launches himself through the air, and lands on a blue and yellow plastic blow-up raft in the form of a grinning horse, just a few yards off the beach at the resort town of Cancún, Mexico, where waiters immediately rush out and ply him with piña coladas and seviche. He adopts a NeutraSlim diet, loses one tonne, and finds himself surrounded with tan and radiantly healthy bikini-clad blonds. He forgets all about the Fat Man, and maybe you should too.Anyway, it all ends properly.
MartinHafer "The Fat Man" was a radio program that was eventually brought to the big screen. However, only two movies were made--this first one starring J. Scott Smart and another made at the end of the decade by another actor. Apparently, the radio success couldn't be translated to the silver screen.When the show begins, Jane Adams (Jayne Meadows) approached Brad Runyan ('the Fat Man') and begged him to look into the death of her boss, a dentist. The death was ruled an accident or a suicide but she knows it was murder. The trail then leads to a guy named Roy (Rock Hudson) as well as a clown and along the way, other folks meet the same fate as the dentist.The biggest reason to see the film is to see a couple actors before they were stars--Rock Hudson and Jayne Meadows. Julie London, Emmett Kelly (not surprisingly, as a clown) and John Russell also appear in the film--giving it a few more quality actors than you'd expect in such a movie. Aside from that, it was a decent enough mystery but also one that had some stupid clichés. The worst was when Jane called Runyan and said "I need to see you right away...I know who killed Dr. Bromley"....and you KNOW what's going to happen to her very, very soon!! Why didn't she just tell Runyon OVER THE PHONE who the killer was?!?! Duh!! It also was rather low energy and not exactly exciting compared to other films in the genre. Worth seeing if you love these detective films, otherwise very skippable.By the way, the film like MANY Bs was directed by William Castle-- before he became inextricably associated with horror films.
bkoganbing I guess we're fortunate to have this visualization of the radio series, The Fat Man made just as it was going off the air. The character was a creation of Dashiell Hammett who was blacklisted in Hollywood. Star J. Scott Smart was as beefy on the screen as his radio character was purported to be.The mystery borrows a bit from Ernest Hemingway's The Killers as the missing person that Smart is seeking as it turns out is dead. At that point it becomes a quest for justice for the missing Rock Hudson as we see Hudson in flashback from the various character's points of view.Smart is originally hired by Jayne Meadows who is a dental assistant as her boss is thrown out his office window. The police call it suicide, but she's convinced it's murder. But who would want to kill a dentist?It all ties in with a heist and a circus. Such other various and sundry folk Smart meets during his investigation are John Russell, Harry Lewis, and Julie London who married Hudson. And we get to see famed circus clown Emmett Kelly with and without makeup giving a good dramatic performance.Rock Hudson gives a good account of himself in an early role as the luckless hoodlum. No doubt he was going to be a big star.Also Clinton Sundberg as Smart's assistant and Teddy Hart as a tipster they use have some very good lines.Sad that this could have been an interesting series had Universal chosen to do more films of The Fat Man.
skallisjr When I was growing up, pre-television, we used to listen to many radio shows. One of these was The Fat Man, starring J. Scott Smart. This, as with some other radio shows, was made into a movie. The casting of Smart in the title role was good, since he looked the part and the sound was identical to the radio program.In virtually every radio show, Bradford Runyan is hired to solve a crime; the film carries on the tradition. However, the radio program lasted for only a half hour, and even though there was a "time compression" effect, there was time to do significantly more in the film. As an example, Runyan asks a lady to dance, and when she accepts, he acquits himself well. That could never have worked on the radio program, to be sure.For those of us who remember the program, there's a lot of nostalgia in the film. For those who never heard the show (such as my wife), it's still okay, but probably not as valued.