Platicsco Good story, Not enough for a whole film

MoPoshy Absolutely brilliant

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Andy Van Scoyoc I picked up this film at a flea market, for a dollar and figured, for that price, I didn't have anything to lose. I wouldn't have paid "real" money to see it, but honestly...Not bad.Believe me...There's much worse out there and unfortunately, I think I've seen most of them. Just like any zombie film, some of it is stupid, some situations you'd look at and go, "what the.....? No one would do that..."But, all in all, not bad. David Frampton's performance was touching and helped bring a human element to some of the stupider and badly acted parts.Worth a watch...Could have ended better...Much better, but all in all...Pretty well done!

Paul Magne Haakonsen First of all I will start out by saying that the cover for this movie has absolutely nothing to do with the contents of the actual movie. Two words: false advertising. I bought the movie because it is a zombie movie and because of the cover, so I was sorely disappointed with a slap to the face.This is a compilation of three tales that are interwoven. That being said, I will have to stress that the stories weren't particularly entertaining, neither alone nor in their tied in connections, nor did the overall feel of the movie come off as anywhere near captivating. And come daybreak of the next day you will have forgotten about this movie already, trust me.There were a bit too many wrong Things with the zombies, such as they could remember their Family members, some were quite fast and agile, and of course the typical poor zombie make-up in low budget zombie movies - where they paint the face a horribly bad gray color and forget about the rest of the body, with the neck and hands standing out like sore thumbs.As an avid zombie aficionado I devour, pardon the pun, anything even remotely zombie. This movie, however, falls into the lower aspect of the zombie genre, and I can't recommend it to anyone because it is boring and bad on the level that only low budget zombie movies manage to reach.

Harriet Denton It is easy to be cynical about the state of play of the filmmaking industry in Britain with the recent closing of the UK Film Council and the cuts made to arts funding by the government. Low-budget independent productions such as The Eschatrilogy blow these doubts out of the water, however, as they prove that money isn't everything. What is really important is the creative collective drive of passionate filmmakers determined to make something special and passion is something this film has by the bucket load.The film opens with a montage of sole survivor Matthew (Tim Mcgill Grieveson) biding his time in a desolate forest hut. In between transporting zombie roadkill to the forest in a wheelbarrow he attempts to send out radio signals for other potential survivors. This sequence is beautifully shot, edited and acted, giving an indication of the fantastic cinematography right from the get-go. Although it is a lengthy scene to begin the film, we really get a sense of Matthew's loneliness and depravity in a bleak situation and this sets the tone for the three 'nightmare' segments that follow: 'Dead Inside', 'The Dying Breed' and 'A Father For The Dead'.Now I won't spoil either of the stories - it is really something you have to see to believe how well the three sections are tied together by the survivor plot - but I can tell you that you won't have seen anything like this before. Clearly Romero's zombie series was a huge inspiration for The Eschatrilogy; however never once did you witness Romero's zombies show emotion and remorse for the beasts they had become. The overriding theme here is family and, like Romero, director/writer/actor Damian Morter weaves what can be interpreted as a social commentary of the present day. Cal (Morter) travels the land whilst documenting tales of horror in his book to act as a warning for others to support one another no matter what the circumstances. It goes to show that in the midst of economic crisis and war faith can be restored in humanity by supporting family and friends through difficult times.In short: watch this film if you are even marginally interested in British horror. I can assure you that you won't believe it is such a low-budget production with all the talent on display. Safehouse Pictures UK is certainly an independent company to watch out for in the future.

Paul Sutton I love horror films. Not the gorefests, or the ones that exist only to make you jump out of your seat every two seconds. No, I like CLEVER horror films - ones that make you think, keep you guessing and twist your perceptions of what you think you know. The Eschatrilogy is such a film.When a stranger walks into the refuge of a lone young man following what looks like the end of civilization, and then faints at his feet, the man finds a book telling of 3 stories involving 3 different protagonists. This is the true genius of Damian Morter's storytelling, as you are treated to 3 sub-stories all interwoven together to slowly help the man (and the audience) put together the pieces of how things came to pass. Each story is wonderfully shot and told, and the actors (especially the children) are superb in showing everyday people faced with extraordinary choices.Without giving any spoilers, let's just say characters from each story turn up in the other tales to varying degrees, helping to give a sense of continuity to events rather than it being 3 random stories. So what happens once he's read the book and the stranger wakes up? Well, that's a story in itself, and one that brings the film to a logical, yet fiendishly clever conclusion.Look out for cameo appearances from Sarah Jane Honeywell (of CBeebies fame) and several other reasonably well known actors, all of whom lend a sense of credibility to an inexperienced but talented cast who will no doubt go on to great success following this work. If there's one small criticism, the opening 10 minutes could probably be trimmed but make no mistake - this is one of the best films of the year. Filmed on peanuts, with a cast of over 300 volunteers and with excellent cinematography, sound and a chilling score, catch this one on the horror convention circuit or eagerly await the DVD release in 2013. Clever, thoughtful and in places heart-tugging, this is no ordinary chiller!