AniInterview Sorry, this movie sucks

SunnyHello Nice effects though.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

TBJCSKCNRRQTreviews This documentary explores poverty as it exists today, and takes us through a historical account of how it came to be, as it is today(it does not go into the larger discussion of there having been different status levels and each having specific benefits(or limitations) as long as there have been even barely organized communities - this would require its own feature-length piece), across the world, not only in the US. It does so with personal interviews with economists with the perspective and who've studied the subject, and the individual workers and their families, who are living with the consequences of the irresponsible and callous actions of corporate leaders, banks and politicians. This engages with a healthy mix of facts and accounts(to keep it from getting dry or letting it become too theoretical, we have to remember that there are actual people suffering, and many of them, no less), and it keeps a nice pace throughout. It's well-edited. This really gets you wanting to solve the problem, and few will keep holding on to the opposing opinion after watching this. There is disturbing content in this. I recommend this to everyone. 7/10

Andrew This is one of those documentary films you simply must see. Instead of trying to shock you or force you to do a specific action, it leaves the viewer to make the decision. It is not about poverty as a whole, and it doesn't try to solve the problem entirely. Instead it is about poverty in Third World Countries. The film uses nothing but facts and logic to make clear that it is caused by Europe and the US, who first took the lives of many, then took the resources, then used religion and forced economy ("fair" trade & such) to make sure those countries will never recover and forever be in debt. It is very good that something makes you realize what our (well, at least recent) leaders had been doing without us knowing. Maybe we are just stupid, letting this happen, I don't know.

Mathew Shafeek I saw this film at the African Diaspora Film Festival a few weeks ago. I consider myself fairly well read, and abreast on world news, but "The End of Poverty?" was a real eye-opener for me. I would highly recommend it to anyone who has any interest in the state of the world at large.The film pinpoints the origins of the modern separation between the rich and the poor, and goes in depth explaining the barriers that are in place to only keep this gap growing larger over time. Citing many examples in countries all over the world, we're given a global tour of the state of poverty over the past three centuries.It seems there have been complaints that not enough solutions to the question posed by the film have been offered up. I think the reason for this is fairly simple - there are no easy answers. There's no magic switch to be flipped to solve the problem, and even though theoretical answers are technically offered up by some of the experts interview throughout the documentary, I think the movie's intention was more to inform and start a dialogue than it was to propose a singular solution. Just my two cents.

freeds Phillipe Diaz's "The End of Poverty?" pretends to take up the cause of the world's oppressed. According to the short plot summary (written by producer Beth Portello) which appears on the main IMDb page for this film, it was "Inspired by the works of 19th century economist Henry George, who examined the causes of industrial depressions." The fact that the film methodically ignores the contributions of the far more influential and widely celebrated 19th century investigator of industrial depressions and poverty, Karl Marx, is but one indication of this film's intellectually shoddy and ultimately dishonest character."The End of Poverty?" is structured as a series of three intermixed components, which goes on for nearly all of a seemingly endless 106 minutes: (1) interviews with impoverished people in the "Third World," which, here, is synonymous with the "South"; (2) interviews with historians, economists and political thinkers (mostly from the "First World") who sketch out some of the history of European colonialism and its effects on the colonized peoples and (3) full-screen, white-on-black statistical statements like "X percent of the world's people consume Y percent of the world's energy" etc. Along the way, some of the commentators point out that the rise of capitalism was based on — and a large share of its profits continues to be based on — the ruthless exploitation of the colonial world. Although the talking heads often use the circumspect word "system," references to "capitalism" appear more frequently as the film progresses. Thus, the viewer might reasonably expect the film to culminate with a call for the end (overthrow?) of the system which causes all this misery: capitalism. Don't hold your breath!The film's portrait of the world's wretched is peculiarly skewed. Most of the interviews with poor people and footage of pitiful living conditions are from South America, notably Bolivia. The time allotted to Africa is a distant second and focuses on Kenya, with a much smaller Tanzanian component. There is precious little footage from — or mention of — Asia. Most of the interviewed poor are or were connected to the land in some way. Industrial workers are essentially ignored. Causes of poverty such as war and ethnic victimization are similarly overlooked. "Does poverty exist even within the over-consuming 'North' as well?" one might ask. As far as "The End of Poverty?" is concerned, the latter is invisible. Other viewers might be forgiven for wondering about the effects on poverty of the overthrow of capitalism in the Soviet Union, China and Cuba (the "Second World"?). Again, silence reigns. Thus, as a study of the world's misery, the film is impressively inadequate.As the film enters its final stage, there is a half-hearted invocation of the long-forgotten U.S. economic philosopher, Henry George. In his 1879 "Progress and Poverty," George proposed that poverty could be eliminated(!) by the abolition of ground rent and of all taxes save one: a tax on land. Not only was this panacea unoriginal (it had been advocated for more than 50 years by the followers of classical British economist David Ricardo), it was wacky. Karl Marx thought that George's theory was "the more unpardonable in him because he ought to have put the question to himself in just the opposite way: How did it happen that in the United States, where . . . in comparison with civilised Europe, the land was accessible to the great mass of the people, . . . capitalist economy and the corresponding enslavement of the working class have developed more rapidly and shamelessly than in any other country!" For Marx, adherents of George's view ". . . try to bamboozle . . . the world into believing that if ground rent were transformed into a state tax, all the evils of capitalist production would disappear of themselves. The whole thing is therefore simply an attempt . . . to save capitalist domination and indeed to establish it afresh on an even wider basis than its present one." (See Marx's letter to F. A. Sorge, June 20, 1881.) The film does not make so bold as to try to resurrect George's single-tax panacea. Instead, it offers an updated version: the "Commons" paradigm. Supporters of this liberal nostrum believe that the solution for the world's poor is to remove all of the land from private ownership and to hold it in common. Unsurprisingly, they do not explain how to achieve this little miracle.In the film's last few minutes, some of the commentators raise the specter of the supposed limitations (as judged by what standard — present-day capitalist production?) of the world's resources and the excessive and unequal consumption of those resources by the "North." The real aim of Diaz & Co. here is to guilt-trip gullible people in the industrialized countries into adopting moralistic "use less energy" schemes, as if conscience-stricken lowering of consumption in the "First World" will magically increase consumption in the "Third." The accelerating global descent into depression, triggered by the unprecedentedly massive "mortgage securities" fraud perpetrated by the U.S.'s financial sector, will, no doubt, achieve Diaz's aim of lowering consumption in the "North." Does he actually believe this will benefit the world's poor?For Diaz & Co., the "North" is an undifferentiated entity. Its working class, whose exploitation remains necessary for the survival of the capitalist system and which regularly loses some of its ranks into the maelstrom of poverty, does not figure in their calculations. And this is the most pernicious omission of their retreaded Malthusian ideology. For it is ONLY the working class of the developed countries — once it becomes conscious of its historic class interests — which has the SOCIAL POWER to reorganize production on a rationally-planned, world-wide, for-need basis, in order to lift itself AND the colonial masses out of the chain of misery. Because "The End of Poverty?" conceals this vital knowledge from anyone who is interested in ending poverty, it is, finally, an obstacle to achieving that goal.Barry Freed