The Crime Doctor's Gamble

1947 "A SPREE in GAY PAREE ends up in MURDER!"
5.8| 1h6m| NR| en
Details

While visiting France, a criminal psychologist tries to clear a disturbed young man of his father's murder.

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Reviews

Interesteg What makes it different from others?
Lumsdal Good , But It Is Overrated By Some
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
mark.waltz That's what the Crime Doctor must determine when the son-in-law of a knife thrower is sentenced for killing his father who disapproved of his marriage. This film also involves a painter of copies of classic paintings and culminates with an auction where Warner Baxter (in one of his last of this series) hopes to trap the guilty party who has already added several other corpses to the pile. As with other films in the series, this has many convoluted clues to prevent the audience from figuring out who the killer is. There are however, some interesting tidbits concerning the Parisan art world, including some ironic ways of figuring out if a painting is an original or a copy. Late in the series, it is definitely showing its age, especially when compared to the other detective stories of the time (now more film noir) rather than "series" films which were slowly disappearing from the bottom half of double bills.
Michael_Elliott Crime Doctor's Gamble (1947) ** 1/2 (out of 4) William Castle directs this ninth entry in the Columbia series. This time Dr. Ordway (Warner Baxter) is on vacation in Paris when a man is accused of killing his father. Once again, this is on par with the rest of the series, although I'd place this one near the top. Just like the previous film in the series, it's a nice break getting out of the city and the Paris streets make for some nice moments. Baxter has his act down and the supporting cast is also a step above normal.Pretty good considering this is the 9th film in the series.
MartinHafer Dr. Ordway, the Crime Doctor, is visiting a friend--a detective in Paris, France. While they say repeatedly that Ordway's visit is purely a vacation, the audience KNOWS that sooner or later a crime will occur and Ordway will be called in to solve it.This movie is a real shame, as early on the Crime Doctor series was one of the best detective series of the 1940s--maybe even the best. The film really lets down on several levels. First, the acting of everyone is poor. Warner Baxter (Dr. Ordway) looks rather tired but the real problem were the French-accented extras. Many of them simply weren't good actors and I think they were chosen for their accents and other talents seemed incidental. Plus, it was very odd that not a single French person spoke French during the film. Also, the film was very talky and the plot just wasn't all that involving.An added benefit of my watching the film (since I have significant training and experience with diagnosing mental illness) was that I knew that the psychological talk was mostly mumbo-jumbo. For example, at one point a man was accused of murder and Ordway said "(these are) actions of a typical Manic-Depressive"! Even by 1940s standards for psychiatry, this was a load of bull--Manic-Depression (Bipolar Disorder) is NOT related to murder nor did the man show symptoms of the disorder. I think they just pulled the diagnosis out of a hat! It's a shame, as in earlier Crime Doctor films, they seemed to try to get the psychiatric aspects of the film right.All in all, a rather limp and pedestrian effort. Not bad, but far from the brilliance of the first few films of the series.
Jim Tritten While visiting an old friend in Paris, the Prefect of Police, the Crime Doctor gets involved with the complex stabbing murder of an old man supposedly by his son. The suspect is described as a worthless idler who suffers from some war-induced psychological problems. But is he capable of murder? The beautiful Micheline Cheirel (in her last film role) plays the love interest – married and loyal to the suspect but also the daughter of a knife-thrower who is an old friend of the murdered man.The Crime Doctor always seems to know who is lying and telling the truth in the absence of any evidence to support his theories. The defendant's lawyer does not practice criminal law and the defendant does not appear to care whether he lives or dies. Is the only defense insanity? If he gets off the murder charge due to insanity, who inherits? What about a fourteen year-old contract between the murdered man and the knife-thrower? How many more murders? Intrigue in the art world leads the Crime Doctor to the solution.Interesting dance apache sequences. Directed by future horror-meister William Castle. Fair.