The Craving

2008
3.5| 1h38m| NR| en
Details

A group of college students embarking on a cross country road trip to the Burning Man Festival find themselves stranded in desert. Come nightfall a vicious predatory monster comes out searching for a meal. Will anyone survive the nocturnal attacks from this ferocious beast?

Director

Producted By

Brain Damage Films

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Reviews

Plantiana Yawn. Poorly Filmed Snooze Fest.
Dotsthavesp I wanted to but couldn't!
Dotbankey A lot of fun.
Portia Hilton Blistering performances.
Wuchak Released in 2008 and directed by Sean Dillon, "The Craving" is a low-budget horror flick about five youths who get stuck in the desert after a crazy hermit disables their van with a shotgun. The hermit is the least of their problems, however, as an unknown creature of the night preys upon them.I've been watching a lot of barely-a-budget independent horror flicks lately, many with the identical plot as this one (e.g. "Delirium" & "Feeding Grounds"), and "The Craving" is noticeably professional by comparison. Despite a couple cases of dubious photography, the filmmaking is adept enough to pass for a theatrical release, at least a drive-in release—the cinematography, cast, acting, script, editing, gore effects, creature effects, etc. No-budget horror flicks usually have sub-par women and actors in general, but the first act showcases Lesley Paterson as Jeannie and she's Prime A all the way (I'm not referring to the dark-haired girl, Diane, who has a top-nude sequence right out of the gate and who's decidedly average by comparison).The low-ratings for "The Craving" are inexplicable because it delivers the goods for what it is in all the requisite areas noted above.The movie runs 99 minutes and was shot in Desert Center, California.GRADE: B
DigitalRevenantX7 A group of friends heading to the "Burning Man" festival in Mexico take a wrong turn & end up stranded in the desert. Driving around they reach a dilapidated hut where a mysterious man disables their van with a shotgun. In defending themselves, they accidentally kill the man. With nowhere to go the group set up tents near the hut to spend the night there. But once night falls they are suddenly attacked by a mysterious creature that emits an intoxicating stench.A while ago I reviewed a film called Trespassers, which concerned a group of friends who head to a remote location for fun but are attacked by crazed cannibals once night falls. It seems that somebody out there saw Trespassers & decided to try their own hand at making a similar film. Enter The Craving.The Craving is an interesting film in some aspects, despite its cheapness. Of course it's nothing especially good but does have its moments. The cast only number about seven or eight, not including those who are just passing through the film; the location is restricted to a remote run-down shack in the middle of the desert & the creature is only seen in shadow or extreme close-up shots. I thought that not revealing too much about the creature, aside from its carnivorous appetite & that the powerful stench it emits can make a person high was a smart move to make the possibility of sequels more likely, although it would be hard to make a follow-up picture without messing with the atmosphere of the film. The film takes its time in setting the scenario but once the action starts it attains a modest intensity. The actors give decent performances & the gore, while cheap, looks reasonably realistic.
dwpollar 1st watched 8/24/2011 --(Dir-Sean Dillon): Mediocre horror flick that was obviously made on a very low budget, but does keep you interested for a lot of the movie. The movie is basically about a monster that comes out at night and feeds, but also has a scent that makes those around it high and wanting it to be there despite the evil and death that it brings. This is definitely an interesting twist on the typical eat-em-up and kill'em flick, but there isn't enough consistency in the direction of the film to make it tight. There is your typical sex happening at the silliest times(and too often), like when the couples are afraid for their lives, and occasional bad dialogue – especially when one character is told to "be strong" too many times by too many characters. These things definitely give you the feeling that the director needed more help than he was given money for. Despite this, the movie has good camera work, sounds and effects surrounding the monster and he does a good job of not revealing it's looks 'til the very end of the movie. There is definitely hope for the director, Sean Dillon, and I will be keeping an eye out for what he does next. A watchable film, with unfortunately too many faults but maybe a promising director's early work.
Woodyanders A group of college students find themselves stranded in the desert while embarking on a cross country road trip to the Burning Man Festival. Come nightfall a vicious predatory monster comes out searching for a meal. Director Sean Dillon, working from a tight and compelling script by Curtis Krick, relates the gripping story at a steady pace, builds a substantial amount of suspense, makes excellent use of the arid and remote harsh location, and adroitly creates and sustains a grimly serious tone that becomes more increasingly bleak and hopeless as the narrative unfolds towards a surprising downbeat conclusion. Moreover, Dillon further spices things up with a few bits of ghastly gore, a nice smattering of bare female skin, and even a dab of sizzling soft-core sex. The startling moments of bloody'n'brutal violence pack a pretty potent punch. The sound acting from the able non-star cast rates as another major asset, with praiseworthy contributions by Grayson Berry as the decent, likable Brian, Jesse C. Boyd as easygoing druggie Scotty, Anselm Clinard as the surly, hot-tempered Troy, Wallis Herst as the sassy Diane, Lesley Paterson as the gutsy, sensible Jeannie, and Jason Kehler as a folksy ranger. Krick's crisp widescreen cinematography gives the picture a pleasing polished look while his shuddery score hits the shivery spot. A worthwhile low-budget indie fright film.

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