The Connection

2015 "Marseille 1975. To stop a dangerous drug lord, you need a dangerous cop."
7.1| 2h15m| R| en
Details

Newly transferred to the bustling port city of Marseille to assist with a crackdown on organized crime, energetic young magistrate Pierre Michel is given a rapid-fire tutorial on the ins and outs of an out-of-control drug trade. Pierre's wildly ambitious mission is to take on the French Connection, a highly organized operation that controls the city's underground heroin economy and is overseen by the notorious —and reputedly untouchable— Gaetan Zampa. Fearless, determined and willing to go the distance, Pierre plunges into an underworld world of insane danger and ruthless criminals.

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Reviews

Steineded How sad is this?
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
kosmasp This really could have been made in the 70s. It does feel like it from beginning til the end. It's also the spiritual "brother" (or partner in crime if you forgive the pun) of the "French Connection". And while the first FC played in America and the second was based in France, this plays entirely in France and shows what the French were doing in the war against drugs.Jean Dujardin has proved, that he is more than just a comedic actor, he has the charisma to pull any role off, even this tough one. But he has some more than solid french talent to help him along the way. It's bleak, it's tension filled and it does not disappoint at all. Though I'm sure some will have issues with the ending, but you can't please everyone
writers_reign Another great policier from La Belle France where they continue to make films about PEOPLE and seemingly never heard of cgi, streets named Elm or Men in black. The two leads are both more or less playing against type; Dujardin starred in two COMICAL crime capers as an inept James Bond figure, Lellouche is more often on the receiving end of violence than generating it and they co-starred memorably in a comedy a couple of years back. Here, Dujardin in Eliot Ness mode fronts a unit to bring down not a beer but a drugs trafficker (Lellouche) and like Ness has a serious family life going for him. Aptly for a movie set in Marseilles one of the supporting players is Gerard Meylan, a regular member in Robert Guideguin's repertory company and like the entire cast he is more than up to snuff. There well may be those who will groan not ANOTHER Gallic gangster film and that of course is their right and they can't touch you for it but the rest of us will, I suspect, wallow in yet another great policier.
slootje12 In a way I was disappointed after seeing La French. The (real) story is gripping. I remember Marseille in the 70's was known as a dangerous place. You had to watch your steps. The French Connection was in the wrong way famous. And the murder on the judge was brutal. Only in the last 30 minutes La French will give you this feeling of drama. Before that the story is quite flat and cliché. It lacks the French grandeur and depth.Gilles Lellouche is a miscast as the main criminal. He is just too friendly in his looks and deeds (I agree with another reviewer). Jean Dujardin is good as always, but not brilliant. Celine Sallette is OK, but can do more. She has to play the terrible role of the wife, who leaves her husband because he is too busy with his work. But on the street after Jean Dujardin was shot, she is convincing. Also the atmosphere and the cinematography are very good. Real 70's. And the film is cut fast. So, there are a lot of good things, but they can't compensate the poor scenario and miscast of Gilles Lellouche. La French could and should have been better. I give it a 6/10, because of the importance of the real story behind it.
geoced The trailer got me really interested, especially because it seemed to promise a fierce duel between Dujardin & Lellouche, not unlike the memorable Al Pacino/De Niro duel in "Heat", which I still consider to be the absolute best gangster movie ever! Well, it didn't really deliver on those promises... Dujardin was great as a relentless judge, but unfortunately I thought that Lellouche lacked the kind of machismo and presence that would have made him a strong opponent to Dujardin. He wasn't convincing as a feared and respected drug kingpin. Without what should have been its strongest point, the film fails to keep us interested, mainly because of its uninspired plot and dialogs as well as its length. Because of all this, "La French" feels like a missed opportunity. Too bad, I really wanted to love this one! If you wanna watch a great french gangster movie, I recommend "L'immortel" or "Truands". 6/10