Marketic It's no definitive masterpiece but it's damn close.

Spoonatects Am i the only one who thinks........Average?

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

skillswordfish Although I truly love watching this entire cast in other movies, I recorded this on my DVR for one reason only: Hiroyuki Sanada. And I'm so glad I did. A long time fan of Ivory/Merchant films, I expected a story to unfold beautifully and it definitely does here. It's soft, subtle, realistic, and warm. It's like spending an evening in front of a cozy fire with good company. Nothing is over acted, there's no fancy effects or crazy cinematography, just good, solid storytelling with an absolutely perfect cast. These are the films Hollywood should aspire to. I've had enough of 3D action and fantasy films for awhile. So please, watch this and remember why we fell in love with film.

gradyharp James Cameron's elegant, wistful novel THE CITY OF YOUR FINAL DESTINATION has been well transitioned to the screen by Ruth Prawer Jhabvala and director James Ivory: in so many ways this film brings a host of fond memories of all of the films made by the members of Merchant Ivory films. It has the same sense of grace of transporting one culture into another, of examining interpersonal relationships as they are tied to etiquette and tradition and family, and the chances we take in the name of self-fulfillment and love. It is a mood piece and a delectable offering for the brain. Omar Razaghi (Omar Metwally) is a postgraduate student and instructor at a Colorado College, living in a tenuous relationship with Deirdre (Alexandra Maria Lara), and delaying his desire to write his PhD thesis -a proposed biography of deceased novelist Jules Gund. He is unhappy with his life, frustrated that his thesis committee will not approve of his dissertation unless he has the family of Jules Gund's permission to write the biography. After a little nudge from a colleague he decides to travel to Uruguay - without Deirdre - to gain permission from the Gund family to proceed. Deirdre, hurt because Omar wants to go without her, insists that Omar travel to Uruguay: this may his only chance to step out of the life whose rut he is in and move on to higher means. Omar journeys to Uruguay where he meets the Gund 'family' - Gund's gay brother, Adam (Anthony Hopkins) and his lover of 25 years Pete (Hiroyuki Sanada); former wife Caroline (Laura Linney); and Arden (Charlotte Gainsbourg), Gund's mistress and mother of Gund's daughter, Portia. Though greeted with hospitality it is clear that the family, as executors of Gund's estate, refuse to give Omar permission. Omar is invited to live with the Gund's until he can make arrangements to return to the US, but the visit is extended, allowing for changes to insert in the family unity as each one slowly agrees to allow Omar to write the biography. Omar has a fall, is recovered by Arden (Deirdre flies to Uruguay for support but senses the change in Omar's feelings with Arden), and during his recovery Omar awakens to what he really wants in life - love, beauty, and the freedom to express himself in all matters. In the manner of fine story telling, there are excellent moments of passion, and comedy, and a fine dissection of family life in all its permutations. The cast is uniformly excellent, composed of such a stellar group of actors. This is a quiet adagio of a film, filled with charm, elegant cinematography by Javier Aguirresarobe, and fine music - both from the classics and from contemporary writing by Jorge Drexler. This film retains the 'Merchant Ivory': and that says enough! Grady Harp, August 10

FilmRap For more than 40 years director James Ivory and producer Ismail Merchant have been bringing forth signature films with screenplays written and adapted by Ruth Prawer Jhabvala. Two years after the death of Merchant, the remaining team has created a film worthy of the genre, which took three more years to be released. Every frame is a masterpiece color photograph with period and location magnificently depicted. The story here is about Omar (Omar Metwally) a mid-western university doctoral student who has a grant to write a biography of a Latin American writer who had committed suicide. He takes temporary leave of Deidre (Alexandra Maria Lara), his controlling girl friend to travel to the beautiful Uruguay countryside in order to try to convince the executers of the writer's estate to authorize the biography. He finds the deceased writer's widow (Laura Linnley), the writer's girl friend Arden (Charlotte Gainsbourg) and the 8 year old daughter she had with him, the gay brother of the writer (Anthony Hopkins ) along with his lover (Hiroyuki Sanada ) who has been with him since he adopted him at age 15, all living together on a magnificent ranch estate miles from nowhere. The movie becomes a study of the personalities of this group and the dynamics between them. It also follows and explores the emotions of the would be biographer as he rather quickly develops feelings for Adrenia which leaves him with some important choices to make. A very effective ending allows you to come away from the movie realizing that everyone has decisions to make, which may make life better in ways never thought possible.

Conrad Johnson I recently saw this film at a festival in a nearby town. I was very disappointed to find that it was not a sequel to the ever lasting "Final Destination" series, because at least then I would have no expectations for the film. I stepped into the theater and as the film began to roll it showed beautiful scenery but as the film went on my hopes slowly fell by the minute. After watching for an hour I wanted to walk out of the theater and not look back, but out of respect for any members of the cast or film crew I sat in my seat hoping each minute would conclude the film. The acting was bland and showed the least emotion in a role I have seen since the Bill O' Riley show. I hope that says enough, because the actors might as well have been reading off a teleprompter. The only amusing part of the film was Anthony Hopkins wit and flamboyant humor. But not even the Oscar winning actor could save this sinking ship movie, the titanic has a better chance of floating again then this movie does of being seen by me twice.