The Citadel

1938 "Secrets of a doctor as told by a doctor!"
7| 1h50m| NR| en
Details

Andrew Manson, a young, idealistic, newly qualified Scottish doctor arrives in Wales takes his first job in a mining town, and begins to wonder at the persistent cough many of the miners have. When his attempts to prove its cause are thwarted, he moves to London. His new practice does badly. But when a friend shows him how to make a lucrative practice from rich hypochondriacs, it will take a great shock to show him what the truth of being a doctor really is.

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Reviews

Pacionsbo Absolutely Fantastic
Intcatinfo A Masterpiece!
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Mandeep Tyson The acting in this movie is really good.
whpratt1 Dr. Andrew Manson, (Robert Donat) is a new doctor who comes to a mining town for his new position and has a hard time starting out, but he soon becomes accepted by the mine union and he obtains a foot hold in the town. However, the union wanted a doctor who is married, because they are also furnishing a large home. Dr. Andrew had met a young lady who was a teacher and all of a sudden, he asks Christine, (Rosalind Russell) if she will marry him, even though he does not even know her name or anything else about her. Dr. Andrew becomes very interested in the problems that the miner's are having with their lungs and starts to make studies with animals and is even able to write a medical journal on the breathing conditions in the mine. This is a very interesting story and Dr. Andrew has many ups and downs to go though before the end of this film.
sol- Quite a strong film towards the end, it has some bravura sequences, including a segment where the protagonist wanders through the streets, the film is however rather tame by standards today, and for the most part, it is not all that brilliant. The fable structure works out for the better by the end, but it is conventional film-making in the along the way. The romantic love interest is quite obvious and the film lacks excitement. It is nevertheless very well acted by Robert Donat throughout, even though his accent - which tends to vary - provides an awkward distraction from the plot. It is certainly okay stuff to watch overall, even with an unnecessary final scene that pushes the messages too far.
Jugu Abraham I found the performances of Donat and Russel fascinating so many years after the film was made. A J Cronyn's story is relevant even today and that makes the film entertaining. King Vidor needs to be complimented on getting such wonderful performances out of the leading pair as well as Rex Harrison and Ralph Richardson. Mary Clare as Mrs Orlando was also an interesting though brief performance. Harry Stradling's camerawork is impressive, if taken in perspective of the film's vintage.What is a shame is that Rosalind Russel was not picked up by good directors for meaty serious roles, after this noteworthy performance.
doc-55 A look at the medical profession today will convince anyone that this narrative of the conflict a sensitive young physician experiences: whether to serve the not-especially-appreciative poor or the hypocond- riac and over-appreciative wealthy, if he caters to their whims. (At the end one wonders how great a difference there is between these two constituencies.) How many medical school graduates today choose to into small-town or rural general practice, as opposed to pursuing lucrative specialist careers? Robert Donat's effective performance is, as usual, understated; while Rosalind Russell easily matches him in a portrayal that makes one regret that she later became typed in comic roles as a result of superb performances in that genre. A supporting cast that includes the youthful Rex Harrison, Emlyn Williams and Ralph Richardson, all early in their careers and all with perfectly formed characteriza- tions, gives the film depth that one might not have anticipated. This is one of those films that makes one regret the loss of the old studio system, which enabled MGM, with its guaranteed bookings, to make a prestige film on a serious social issue with relatively few melodramatic excesses; and to offset probable box office losses by the studio's many box office bonanza romantic, comic or musical star vehicles. And today??