Onlinewsma Absolutely Brilliant!

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

clesei In the film Willi Herold is shown as a man that was forced into his actions to save his own life, like everyone human would do and that thereby he even saved the lifes of others... and I think its important to be very carefull with this information.

robbemannaert You can compare this WWO2 movie with the style of Dunkirk. That means that the movie is not for everyone, but if you can appreciate this kind of movies, it's magnificent. The movie doesn't want to be a hollywood blazing brainless action movie, but wants to portrait the germans on an individual level. Like @barta-46978 says, the movie is about authority and gives yourself an insight in what it must have been at the time, and even how you would react in the given circumstances. The movie is explicit and kind of shocking. It really intrigued me, we need more movies like this.

highnemonkey Halfway through I was thinking about leaving the cinema, which I never do. The sheer brutality of the images is unbearable at times and I consider it reassuring to my mental condition that it is. But what was more unsettling is this feeling that the movie chose this serious setting simply to get away with disgusting violence. Of course this is not a new discussion, Inglorious Basterds, which I loved, comes to mind. But while IB did not pretend to be serious, this one seemingly does. It takes the absurdly-cruel parts of other great films (think of the jammed executioners gun in Schindlers List and others) and throws them together, making you think of these great movie-moments and forgiving that this one actually is not very good. The first act was great, threw us into the story right away, it catches the viewer. But then? It pretends to be a study on the brutality of men but is it? What we see are not men. These are monsters. Everything that would link their behaviour to that of normal people is gone. No backstory, no motivations explained. Anything that would make the viewer go "shit, that could be me!" is taken out in favour of evil monsters from planet Nazi in a galaxy far far away raging around. This depiction of fascism as a mere costume of evil has always bugged me. And while Inglorious Basterds or even the Indiana Jones movies with their Nazis do not try to be serious I could enjoy the stereotypical bad guys portrait in them. This movie on the other hand pretends it has something important to tell about human psyche. But it does not, there is better ones that actually tell you WHY people get brutal and don't just show images that make you go: "Wow. That was cruel". The images are moving but only in a way that "Saw" or "Hostel" are moving. If you make a movie set in Nazi-Germany be aware of the seriousness of the topic and dont let viewers get away with the sheer impression that the Nazis were unmotivated, alien monsters with just an inherent evilness.Surprisingly the credits rocked me. They made me perplexed, they made me laugh, they gave me a real feeling of absurdity but as they continued, they made me scared, they left me thinking. Everything I was lacking before - it was in the credits.

Horst in Translation (filmreviews@web.de) "Der Hauptmann" or "The Captain" is a new German 2-hour movie that premiered back in 2017, but was only released days ago to general audiences here in Germany. After making films in Hollywood for roughly 15 years and working with big names like Willis, Freeman, Malkovich and Bridges, this one is writer and director Robert Schwentke's (temporary?) return to Germany. The film with the exception of one shot is entirely in black-and-white and in my opinion, that was a good decision. The main character is played by Max Hubacher, an actor I was not too familiar until now, but he does a fine job given the fact thatg he is in basically every scene of the film. Fehling, Lau and Peschel are among Germany's most known at this point and they all play supporting characters. I must say though that the significance intended for Lau's and Peschel's characters was not really executed in a satisfying manner. Fehling does well with what he was given, even if it is not too much. This film plays during the final days of World War II and the consequence of this taking place in the battlefield and military, female characters are almost completely non-existent here. Not a problem though. The film shines through authenticity, shocking but realistic moments and eventually as a really good character study that goes way beyond the main character. The pair of Jewish entertainers in the last third of the film is another example of fine depictin and writing in terms of how differently their paths go. Guilt is a dominant subject here from start to finish and the question when evil is justified is a crucial one here all the time. Which of his actions are agreeable from the perspective that they saved his life or at least helped in saving his life? Which of his actions are just as despicable and undefendable as the ones by his tormentors? Everybody will have a different opinion on that I''m sure. i also liked the film's audio side. It was never in your face, but still elevated the material. The actors were almost all good and it is a successful return for Schwentke (the year he turns 50) without a doubt proving once more that the subject of WWII is still possible to produce quality movies even with the hundreds already existing about this darkest hour in European history of the 20th century. You just need to bring the talent creativity and approach. You could probably argue that what you see in here is not too realistic given the fact that it is all done by such a young man and how could they all be this stupid to fall for him. But then again, the one thing that destroys this argument is that it is based on real facts, a real character and to some extent all this really happened. And it is not as if he is depicted as the new messiah, that absolutely everybody falls for him: He has several antagonists in here who may believe his story, but still aren't ready to accept his authority. And that makes the watch even better, even more realistic. It was easy to care for the characters in here, to wonder what's going to happen to them next. At least for me and the longer the film went, the more curious I became if Herold would live or die. Well, it was something in-between then I guess. It is definitely impressive that this film never really dragged despite how long it is. I recommend the watch to everybody with an interest in this historic era. In my opinion this film is a success and I'm glad I saw it.