The Caller

1987 "A strange visitor. A mysterious woman. A surprise ending..."
6.1| 1h37m| R| en
Details

One night, an unusual stranger in need (Malcolm McDowell) asks a woman living alone in a house in the woods if he can use her phone. It soon becomes clear that they're playing a strange mind game and that there's something very wrong about the woods.

Director

Producted By

Empire Pictures

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Reviews

Ceticultsot Beautiful, moving film.
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
lost-in-limbo An undeservedly forgotten little feature by Empire Pictures. Where has this one been hiding? Instead of relying heavily on special effects, 'The Caller' sticks to an audaciously thought-provoking screenplay and confidently notable performances by its only two, but spellbinding cast members Malcolm McDowell and Madolyn Smith-Osborne.A young lady living in the woods waiting for her guest to arrive for dinner is being unknowingly watched. There's suddenly a knock at the door, but it's a mysterious man who wants to use her phone as his had a car accident. But what follows on from that leads to the two questioning each other's motives and the true meaning of their encounter.It would be an understatement if I called it strangely unconventional, as nothing seems quite what it is and due to that nature it's plain gripping. Watching the battle of wills and wits between McDowell and Smith is brought across with pure intensity, bold authenticity and a touch of sinisterness. As one thinks they have the upper hand, soon it comes crashing down, but the mind games still flow. The true intentions is mystifying on what's going on with these fabrications, up until the unhinged climax (where I can see why it could be a turn off or disappointment of some sort) that really does throw you of course and lands you back at square one. There's no-way any one can find this calculative fodder predictable. Michael Sloane's enduring story is cerebrally crafted as while it's talky, the twisty nature is well observed in its details of the plot and character's progression. The verbal confrontations rally up the unbearable tension and emotional drive. How it plays out is like something out of a stage show and Arthur Allan Seidelman's tautly measured direction lends to that magnifying atmosphere. You truly get the sense that there's on one else about, other then these two (nameless) characters. McDowell's quietly edgy turn is hypnotic and Smith's neurotically vulnerable persona is creditably delivered. Watching these two steadfast performances and their chemistry together was fantastic. The remote woodland setting adds to the isolated and uneasy style of the feature. Richard Band's score is minimal, but titillatingly subtle and eerie.An oddly disorientating and elaborate, if simulating addition to Empire Pictures.
lindquistuk In amongst all the gremlin knock-offs/killer toy crap Charles Band has churned out over the last 20 years, a few surprises have sneaked through - usually to an indifferent audience. No wonder Band sticks to what he knows.....'The Caller' can be counted amongst Band's more valient efforts ('Dark Angel', 'Trancers', 'Shrunken Heads', 'Re-animator', 'Freeway 2', 'From Beyond', 'Ghost Town', 'Prison', 'Crawlspace') - a film that makes an honest effort to transcend the usual DTV crap that dominates the modern movie market. Like the aforementioned efforts, it all comes down to an above average script. And, unusually for a genre film, the two leads seem to be taking all this hokum seriously, which convinces the audience to do the same. MGM (who have owned Empire Pictures' back catalogue for the past 10 years) would be doing genre fans a service were they to re-release true originals like this, rather than garbage like Tim Kincaid's 'Breeders'...
hippiedj A woman alone in a cabin in the woods. A mysterious man knocks on her door. The game begins...This is the perfect film for fans of mystery and intrigue. Like a two-person play, the characters toy with each other, making the viewer sense these two know more than they are letting on. So, we have to try to listen more carefully to what they say and play along. Malcolm McDowell and Madolyn Smith handle their situation effectively and play against each other with ease. Sure, the outcome may seem far-fetched to many viewers, but that's the beauty of this film--you never in a million years would have guessed that THAT was what was going on! Any other solution would have made this a standard "TV mystery", but this one gives you a swift kick and makes sure you are very surprised. It's too bad little gems like these don't get better coverage, even in the magazines that deal with obscure films. Don't try to analyze it too much, but it sure is fun having a brain-teaser for a film as well as be entertained. For such an obscure film, this one is amazingly smart and deserves a more attention. I'm quite confident word of mouth would secure its success this time around over 20 years later.Update August 2011: A DVD-R is now available as part of MGM's Limited Edition Collection. In 2010 Intrada released Richard Band's soundtrack score on CD, but in a limited edition of 1,000 copies.
WritnGuy-2 I debated on getting this one for a while, but finally, just gave in and got it. And I thought it was a really cool movie, though the ending was sort of tough to swallow.Madolyn Smith plays a young woman staying at a cabin in the woods, and one night, a man comes to her door asking to use the phone. Yet, you know he has been watching her for quite some time, so the scenes between them are tense from then on.Each day after that, she sees him, and they have these very interesting confrontations. Their interaction--which I am giving nothing away about--is gripping, and sometimes, you wonder which one is really crazy.When the climax of the movie came, the movie got extremely tense, but then it took this weird twist that, though it was a scary idea, came across sort of dumb. Or at least at first. Once it fleshes out a little more, you will either be sort of lost on what kind of movie this is supposed to be, or you will be quite interested. By the end, I thought the idea was very inventive, though not very fleshed out. But when first revealed, I was ready to forget the 90% of truly scary film. I say, see this movie. It will keep you guessing on what's going on until the end, and I guarantee you'll never suspect it. Overall, a good movie.