The Book of Life

1998 "2000 seen by... Hal Hartley."
6.5| 1h3m| en
Details

The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New Year's Eve takes on new meaning when the Devil, Jesus Christ, and Christ's assistant Magdelina discuss and debate the end of the world, the opening of the seven seals, and the essence of being human.

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Reviews

Solemplex To me, this movie is perfection.
BootDigest Such a frustrating disappointment
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Charles Herold (cherold) Hey, remember when Hal Hartley was brilliant? What a time that was. I'd say the Book of Life was when things really started going downhill, but I will say that at least he went uphill from this one. A movie that looks like it was filmed on someone's cell phone wouldn't have to be a bad thing if it was distinguished by an interesting story and dialog, but alas, those are missing, along with Hartley's spare, quirky dialog. In their place is tedious exposition on themes of Christian end of times and a trite story of a modern Jesus in a quandary, packaged in a trying-to-be-hip modern world where everyone looks like someone out of a Hal Hartley movie. While it picks up a little in its second half, it's never enjoyable, or especially sensible. What the hell happened to you, Hartley?
Framescourer It opens - and for half an hour, runs - like an educational programme on the Old Testament, although not without humour. The movie finally begins to grow wings when the biblical cant gets dropped. In a scene of mixed success Martin Donovan (Jesus) decides to renege on kicking off the Apocalypse and the final quarter of an hour is a sort of humanist 'what's all the fuss about?' play-out, gilded with optimistic conjecture against a (retrospectively, miserably ironic) long shot of the WTC twin towers.Apart from Donovan's authority, the acting is split. There's the thespian melodrama of the rest of the cast: this, though formally contrived for biblical presentation, is appropriate for the modern, paranoid comedy that Hartley's aiming at. But I was also pleasantly surprised at the contribution of PJ Harvey (credited thus, and in danger of existing within the film solely as the pop star entity she is, not least in a set piece scene in a record store and a perilously patchy soundtrack to which contributes). She remained cool - a sort of disingenuous lack of focus - in the manner of many pop icons who have taken to film (I'm thinking the Jagger of Performance here) but nonetheless maintained a convincing integration with both cast and project.Ultimately affirmative, but this bittersweet essay is a bit too much like one and relies more on the perseverance than the imagination of its audience. 4/10
meanmrugly This movie is one of a kind. All of the Hal elements are there. Dramatic pauses, unique camera work, off beat score, memorable one-liners (Satan: "Natural disasters...very profitable").Even Martin Donavon as the tortured J. Christ who suddenly realizes that revenge is not redemption. There is a humorous scene where Satan and Jesus meet at a bar, do a couple of shots, and discuss the future of the world. To some (Christians), this movie may seem a bit blasphemous. But that is because they are too busy putting Jesus on some pedestal while forgetting that the Bible says he was just as much a man as a god. And the Mormons love it, even though Jesus questions who they are in the film. Looking forward to Hal's next full length feature, No Such
Arcana13 Hal Hartley entry into a European film series is one of his two or three best efforts to date, and, lucklily, one of the few available on DVD. At only 63 minutes running time, my only quibble would be with Hartley I always leave wanting more, but never so much as this time. Martin Donovan is astonishing as Jesus. PJ Harvey is beautiful and interesting as Magdelena, but the high point for me was Thomas Jay Ryan (Henry Fool) as Satan. Hartley gives him excellent dialogue and a chance to use his resounding voice to full effect. Look for three scenes in which a microphone awaits him, as if a poetry slam is about to be won by the devil. I have read other comments on this film and had to add mine because there is not enough praise going around. If you like Henry Fool, Martin Donovan in anything (Opposite of Sex), and/or very clever comedies based on biblical ideas, get this as quickly as possible.

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