Moustroll Good movie but grossly overrated

Executscan Expected more

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

dbdumonteil Costa -Gavras 's body of work does not lack in unity.Except for his two fist movies,which were thrillers , a romantic tale ("Clair de Femme" ) and a comedy that does not count ("Conseil de Famille' ) all that he has made display social and political concerns.From his early French classics ("Z "(He is alive) "L'Aveu" ,"Etat de Siège") to his American period ("Missing" "Betrayed" "Music Box" ) to his French comeback ("Amen" ) there is a cohesion which even André Cayatte ,his closest contender in the field,did not reach.And then "Le Couperet" .Don't be mistaken.It's not that much different from CG's previous efforts.Based on a Donald Westlake novel-a writer whose black humour was fierce- ,it contains lines Henri Jeanson or Michel Audiard would not have disowned.Comedy walks a fine line ,but it walks hand in hand with tragedy .You must watch it seriously to realize what heavy things CG is saying.While making his film verge on parody,he is also putting the French society in a less exalted light than we have been used to seeing it in.Suddenly our world seems frightening (the gas station man who hides a gun in his cash register,the icily impersonal female headhunter -I wish I had had my gun!-)It is really the society of the leave-you-behind and perhaps -I hope not - an omen of things to come in the future.I do not speak of the murders obviously.There are other ways of destroying a human being."When I saw them enter the restaurant ,the German ex-engineer says,I knew that I didn't stand the slightest chance ".The last picture has (and will be) widely talked about.Actually it reminds me of the ending of Mankiewicz's "All about Eve " when Phoebe tries Eve's crown .When you get to the top,there is nowhere to go but down.A film noir,a farce,a psychological drama ,a social satire and a movie where CG talks politics.One of his most accessible and one of his strongest works.At seventy plus,CG is as young as the reporter who bothered the fascists in "Z".He is abetted by Jose Garcia on top of his game.Like this?Try these....."Extension du domaine de la lutte" Philippe Harel 1998"L'adversaire" Nicole Garcia 2002 "Working girl" Mike Nichols 1988

andrabem Costa Gavras is a master of the political film. Political films in general are not my cup of tea. They try to convey some kind of message to the public, and they do it by portraying the persons in a stylized way, losing in depth in the process. People are portrayed realistically but their conflicts are simplified because the political film intends to portray society and its problems - unemployment, hunger, class exploitation and so on - in other words, they talk about the big (lack of bread, for instance) and forget the small (emotions like loneliness and sadness, for instance).Many political films concerned about their objectivity are quite emotionless, or else their emotions are one-sided - bad and ugly live here, beauty and love live there, or the other way around.FEW POLITICAL FILMS are able to bridge this gap: to talk about society and at the same time not forget the individual man and his/her very complex universe and contradictions. SOME OF THESE FILMS ARE the masterpieces of neorealism: "Ladri di Bicicletta" and "Umberto D" by Vittorio de Sica, "Los Olvidados" by Buñuel and many others.Costa Gavras doesn't reach this goal. His films are efficient and convey their message to the public, but they lack warmth."Le Couperet" is nonetheless an interesting film - a man that works as a chemist loses his job and after 2 years of unemployment decides to kill whoever stands in his way to get another job - so he places an ad of an imaginary enterprise in the newspaper offering a chemist job (his professional area) and rents a post box to read the answers he gets. He reads all the résumés and proceeds to kill all the people that are equal or more qualified than him - so that in the end he'll get the job because he will be the only remaining choice. All the while he will go on living normally with his family. He will suffer emotional crises, his marriage will become strained but no one will suspect anything at all of his alternative activities.The film, after all, is very entertaining and gives a sad picture of France (and Western Europe I would say), suffering economic crisis and rising doubts. Is it possible with the globalization to maintain a very expensive Social Welfare and have to face a growing economic erosion? In USA (as far as I know), for instance, some unemployed people live on the streets or under the bridges. In France and Western Europe, unemployed people are still taken care of. Till when? Many enterprises are closing or cutting expenses (that means firing people).Costas Gavras films are good because they make questions about the world in which we live, they make us think, but his films don't really touch me - I would say they provide food for thought but not food for the heart.

Carlos Maybe the best 'noir' movie I've seen in the last years, and definitively the best Donald Westlake adaptation so far, "Arcadia" is the story of a man obsessed with a job, who thinks that the only way to get it is killing every candidate who can be better than him, and must cope with his many mistakes and family problems. It sounds like a tragedy, or a drama, but it is the best piece of black (or not so black) humor combined with noir I remember, which is surprising: I didn't know that Costa-Gavras had so much sense of humor. There are many symbols, allegories, but above it all, it mentions every controversial and denounce topic in existence for just one, two or three minutes, just to mention it. The result is, incredibly and amazingly, funny, intellectually engaging, extremely suspenseful (the results of every situation and, at last, the end of the movie are unpredictable) and a master class of narrative progression, at least until the last 20 minutes, where the movie drags. But until then it is a flawless masterpiece, and it deserves to be watched over and over again. José García is another surprise, a very good comedian.

writers_reign I haven't read the novel by Donald E. Westlake on which this movie is based but I have read several of his works and til now I never had him pegged as a plagiarist but here he's at it twice over; firstly he lifts a title, Ax, already used by Ed McBain in one of his 87th Precinct novels and then the plot itself is pure Richard The Third, or - and new readers start here - the one about the guy who kills everybody standing between him and the throne. In this case the throne is just a middle management job at Arcadia, a paper manufacturer and it was a job that Jose Garcia HAD til he was laid off. Like a lot of people in similar circumstances - he is after all a chemist as opposed to a common or garden administrator - he figures it's only a matter of time til he lucks into another job but after three years of no money, a wife, Karin Viard, and two kids to support and a house to keep up he figures the only way through the wood is, to paraphrase Richard Crookback, 'hack my way out with a bloody axe. This is where Costa-Gavros lost me; it may be he was aiming at comedy and/or satire but if he was he missed by a mile. I mean this guy kills his rivals in broad daylight; he uses his own car which SOMEBODY must have seen, his own gun, time after time even on one occasion accidentally killing a neighbour who had already seen him on a previous abortive attempt on the guy in question and now accosted him. Don't they watch CSI Miami in France? I mean have they ever heard of forensic evidence? This guy just kills and kills and walks, or rather drives away. There's even a weird sequence when he breaks into the home of the head honcho of Arcadia (Olivier Gourmet) who braces him. Gourmet is slightly drunk however and winds up entertaining Garcia before passing out. Garcia's idea of fun is to turn on the gas and leave the comatose Gourmet to inhale it; as luck would have it Gourmet comes to, fails to notice the gas and lights a cigarette, end of one head honcho. Garcia I can take or leave and his performance does nothing to change my mind but I am partial to Karin Viard who is wasted here yet does what she can to salvage a bad joke. 3 stars.