The Adderall Diaries

2016 "The truth is a motherf_cker."
5.2| 1h27m| R| en
Details

Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history, and a murder trial that reminds him more than a little of his own story. Based on the memoir of the same name.

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Artivels Undescribable Perfection
TinsHeadline Touches You
Buffronioc One of the wrost movies I have ever seen
Winifred The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
Michael Ledo Steven Elliot (James Franco) is a successful author writing about his messed up life caused by his father, who is now deceased. He has a contract for another book, but has writer's block. The murder trial of Hans Reiser (Christian Slater) accused of killing his wife (no body found) catches Steve's attention. Here he meets NYT reporter Lana (Amber Heard) who is an enabler in his pharmaceutical drugged filled life style complete with a desire for pain as foreplay. Things quickly change when dad (Ed Harris) appears at one of his book talks and throws the BS flag. Steven must re-examine his life."True Deception" and "The Adderall Diaries" are the same film. It is about selective or edited memories that we all have and when faced with the truth....well things sometimes change. The acting and drama was good, but the film lacked action or memorable scenes. The idea that things aren't the way they seem and the juxtaposition of Steven's life to that of Hans Reiser needed better clarification. I am sure the book did a better job. The film needed to be edited.Guide: F-word, sex, nudity.
Aristides-2 Some thoughts on this dog of a movie: Cary Grant and George Clooney, both of whom could act charmingly on screen never attempted to carry a film just with that quality. Mr Franco, you don't have the restraint, judgment or charm of Grant or Clooney. Give acting via characterization a try. Poor Ms. Heard, seemingly a naif, is to be believed to be a crime reporter for the NY Times? More likely that she is a children's book reviewer limited to books for ages 3 and under. Also highly laughable was the amount of free time she had while on the Times' nickel. Cynthia Nixon had what can be described as a thankless role; that of a slavishly loyal agent who still 'believes' in Franco's cosmic talent even after he's caught publicly in a massive lie. And we're to believe that a major publisher would still back this liar after such a damaging disclosure? The straw that broke the dromedary's back for me re screenplay however was when the barely-in-control father (Ed Harris), looking like a bum, was somehow able to find out the address of a N.Y. Times reporter and tape a post-it to 'her door'. Enough. I surrender. I turn off the player and go watch a real movie, "Chicken With Plums" in this instance.
wildsparrow16 This movie is journey about coming to terms with who you are and how you became that person. The enigmatic Franco plays a deeply troubled writer who is trying to come to terms with his traumatic past and the heartbreakingly tumultuous relationship he had with his father. Along the way, he meets the beautiful Amber Heard. This is why I did not give the movie more stars. If it was the writers intent to portray her as damaged as he was, it was an epic fail. She came across as strong and self-assured -almost cocky at times - not what you would expect from someone reeling from childhood trauma. It was no fault of Heard's - her character was just badly written. Ed Harris rocks the screen, as usual, as the domineering father who haunts his dreams and creates the clouds of his past that he can't see through.The mind is amazing - we can do all sorts of things to protect ourselves. The ability to alter our memories is only one tool of many. This one is worth your time.
dinterpreting I can usually tell if I'll like a film in the first 5 minutes. This film had me at minute 1. All the actors are excellent. The themes are thought provoking, something I think just about everyone can relate to. We all have different memories of our childhood. One sister or brother remembers it one way, you another, and the parents yet another. I have found that over time I want to strengthen my memories, or at least have them be justified and validated. Perhaps we each begin justifying and validating our memories to fit a certain story. How often do our memories paint us in a better light and someone else in a less admirable position. Can we be unbiased in our memories?