Tashan

2008
3.8| 2h28m| en
Details

Jeetendra Kumar Makwana is employed full-time at a Call Center and works part-time teaching English. He is recruited by an attractive young woman, Pooja, to teach her Hinglish-speaking boss, Bhaiyaji, English. Jeetendra agrees to do so, falls in love with Pooja, and joins forces with her to steal a bag containing 25 Crore Rupees in cash. He will soon find out that Bhaiyaji is a hoodlum and extortionist known to the Police as Lakhan Singh.

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Reviews

SnoReptilePlenty Memorable, crazy movie
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Janis One of the most extraordinary films you will see this year. Take that as you want.
sumanbarthakursmailbox The sight of Kareena Kapoor in a two-piece bikini is about the only thing that wakes you up from your sleep while watching Tashan — the mega-disappointing, mind-numbing new film at the cinemas this weekend. Bad films are bad films and we see some every week, but Tashan is not just a bad film, it's a terrible film. Terrible because it takes its audience for granted, terrible also because the filmmakers expect to get away without a plot or any common sense only because they've got big movie stars onboard.Written and directed by Vijay Krishna Acharya, Tashan is what you'd describe as a road movie, but one that's going in all the wrong directions. Saif Ali Khan stars as Jimmy Cliff, a call-centre executive who's hired to teach English to Bhaiyyaji - that's Anil Kapoor playing an ambitious UP gangster, desperate to go cool. Jimmy's got his eye on Pooja, the gangster's pretty young assistant (played by Kareena Kapoor), who uses Jimmy to swindle her boss of 25 crore rupees. Determined to recover his money and also to punish both Jimmy and Pooja, Bhaiyyaji recruits his most trusted henchman to do the job. So you have Akshay Kumar as Bachchan Pandey, the gangster's faithful aide from Kanpur, who tracks down the culprits and recovers the stolen money that's hidden across the length and breadth of the country.Much like those bad eighties potboilers, Tashan too is held together by a threadbare script centred on a vendetta plot. But the treatment's so over-the-top, so indulgent that it fails to establish any connect. Instead of a coherent screenplay or a traditional three-act structure, you get a handful of set pieces around which most of the scenes are loosely constructed. That garish item song in the desert, the bullet-dodging action scene at a Rajasthani fort, Kareeena's bikini moment, even that ridiculous climatic action scene complete with shaolin monks, a water scooter zipping through a dirty naala, and believe it or not, even a Dhanno-style horse-driven tonga. In all fairness, not all these set pieces are badly done - the item song in the desert is quite neat actually - but very little of it makes any sense in the larger picture, because you're just going from one piece to another without any help from the script really. Little do you expect in a seemingly fast-paced road movie, to find a sickeningly sentimental flashback track about childhood sweethearts.You see the problem with Tashan is nobody associated with this film knew what film they were making. What's more, I don't think they cared either - the film reeks of arrogance. Arbitrarily packing in elements of every genre without actually bothering to stop and see if the mix does work, Tashan is like an overcooked stew.There are films that kill you softly, and then there's Tashan, a film that kills you with excess. Packaged snazzily with glossy-finish camera-work, exotic locations and fancy costumes, every frame of the film probably cost lakhs to put together, but it still feels like a hollow piece in the end because the story doesn't hold. Borrowing narrative from Tarantino and style from Stephen Chow doesn't help either because they don't blend with the film's wafer-thin plot. One may have complained a little less if the characters were more engaging, but Anil Kapoor's grating Hinglish dialogue makes you want to slit your wrists, and Saif Ali Khan fumbles through the film foolishly, unable to find his feet. Kareena Kapoor, meanwhile, queen of over-the-top delivery, does a decent job. But of course, if Tashan is salvaged to some extent, it's thanks to Akshay Kumar's irresistible presence and his spontaneous approach to the character. You cringe when he's cupping his crotch repeatedly, and you scowl when he delivers those double-meaning dialogues, but not for a moment can you take your eyes off the screen when he's up there.Despite some good music from Vishal-Shekhar, the songs seem like they're only prolonging your misery. Well that's because Tashan is a test of your patience. In case you didn't know, Tashan means style. I'm sorry to say, this film has none.
arundathi I was very displeased with this move. Everything was terrible from the start. The comedy was unhumorous, the action overdone, the songs unmelodious. Even the storyline was weightless. From a writer who has written successful scripts like Guru and Dhoom, I had high expectations. The actors worked way too hard and did not help the film at all. Of course, Kareena rocked the screen in a bikini but for two seconds. I think Hindi stunt directors should research how action movies are done. They tend to exaggerate way too much and it looks unbelievable. Overall this movie fails to impress despite a powerful cast.
Avinash Patalay The quality of YRF sinks with each passing movie. Aditya Chopra trying to helm using "one-man-show" technique is apparently leading to drastic fall in the quality. While the contemporary production houses (Adlabs, UTV etc) are slowing garnering hits into their kitties, YRF is pocketing flops. The entire team should be re-vamped IMO and more importantly do away with the old tried and tested formula, which worked once upon a time. Times have change, so please change! Chak De is a classic example out of your portfolio.The movie bears a lot of North Indian touch, language, accent, location, songs and dance perhaps trying to replicate Bunty N Babli? Well falls flat! Songs and dance:: Pathetic would be the nearest word perhaps? Anil Kapoor:: Leaves a mark with his performance.Akshay/Saif/Kareena:: Average. A note on Akshay/Saif - every time they shared screen, why were they reprising characters from "Main Khiladi Tu Anari".Story: Emphasis is more on style and action (and the twists and turns) owing to which doesn't leave an impact. The narrative carries Tarantino-style, but was it warranted? Bollywood is coming of age:: The expletives of Saif to Kareena & Akshay's signature stroke. Finally, over the top tributes to Big B and Yash Raj movies (blowing your own trumpet eh?).
the_vishal Sometime I fail to understand what do the directors think when they make a movie... I had had a trauma after watching Welcome (2007) and thought that they wont do it again. But after loads of amazing promos, Tashan finally ended as heart attack.Such amazing 3 songs in promo - Dil Haara, Chhaliya and Tashan Mein..... and what u get in the movie? Zero story, predictable plot, plenty of Akshay Kumar stunts and nothing interesting apart from watching Kareena after her major weight loss...!!!Music-wise another major disaster... in the music album, they have spent time on giving pathetic small dialogs of these 4 jokers and they haven't thought of giving the background song of the scenes when Akshay Kumar is doing stunts...! that song is such nice, quite comparable to Tashan Mein and that is not taken in the music album!!! :-( If you plan to watch this movie, i would say, watch it to listen to that background song which goes something like ...'Bachchan Bachchan Pandey...'Overall very disappointed even with the way Bhaiyyaji has made attempt to speak bad English!Go away man, i need to puke!

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