T.R. Baskin

1971 "Dear Mom & Dad, Have gone to Chicago to seek fame and fortune. Don't wait up. - Love, T.R."
6.4| 1h30m| PG| en
Details

Enthusiastic young woman runs away to Chicago to start a new life. She is soon confronted with the emotional coldness of the big city and has to search for her place in the scheme of things.

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Reviews

Cebalord Very best movie i ever watch
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.
avenuesf I finally got a chance to see a (poor) print of this film today after wanting to see it for years. I could appreciate its originality and sophistication for the time that it was made, but I was left wondering just what the film was really trying to say. It worked more as a character study than a film. The theme of the cruel and impersonal big city seemed to be a recurrent one in the 1970's (much like "Midnight Cowboy"), and seemed to be a symbol for the lost individual trying to find meaning in life. I've never been able to believe Candice Bergen in any role I've ever seen her play, and this film is a good example. She's stiff and virtually emotionless in most of this, except for two scenes where her acting became so exaggerated that it was almost embarrassing; once where she laughs uncontrollably (more like shouts) when she is conversing with Peter Boyle and another at the end where she cries after a telephone conversation with her parents. They both sounded exactly the same, and were frankly kind of startling, leaving me wondering why the director allowed her to go so far and didn't ask for another take where she toned it down a little.The "plot" never really goes anywhere. T.R. seems vacant, zombie-like and sarcastic, and the flashbacks gave me the impression they were being intentionally inserted to make a point when the film would come to an end. They didn't. The scenes in the film could have been played in real time as they happened and it wouldn't have made any difference at all.There's some dialogue between Bergen and Caan in which she tells him that he "talks like a typewriter." I felt like this described a lot of the film; people don't talk or act this way, and I'm sure it looked great on paper. I can appreciate that this film portrayed a character and her experiences in a very different way for its time, but it didn't really seem to make a conclusion about anything.
tm-737-640750 I saw this film when it first came out and was deeply moved because I identified with T.R. - I lived her story when I first left home, including making big mistakes about recognizing when I was merely being used by men I thought really liked me, and the awful places you end up living because you make barely a living wage, and the loneliness - all of it. Every thematic scene in this film could be my own life, with only the details changed. I've never seen another film that comes even close to capturing this experience.Today when I was trying to find this film, I was shocked to discover how badly it was rated by critics at the time. I'm glad to see that people here respect the film and that most rate it very highly.I'm going off now to see if I can get somewhere. A classic.
JasparLamarCrabb A wonderful, albeit very melancholy, movie starring Candice Bergen as a recent transplant to Chicago who finds the big city beyond daunting. THAT GIRL this isn't. From her cryptic name (T.R., but mistaken as P.R., D.R., etc) and creepy dates to her absurdly dirty apartment, Bergen gets hit with all that urban America has to offer. Bergen executes herself nicely in her most substantial film role (up to this time). She was fine in her small role in CARNAL KNOWLEDGE, but here carries a film for the first time. Director Herbert Ross wisely surrounds her with a first-rate supporting cast including Peter Boyle, Marcia Rodd (excellent as Bergen's acerbic co-worker and friend) and, in a very strange role, James Caan. Perhaps not as ironic as planned,Peter Hyams wrote the witty script and hasn't produced anything as good since (either as writer or director). Somehow this movie's been buried for years.
kim-miller I caught this movie one Sunday afternoon on TV at least 15 years ago and never forgot it (and have not been able to find it). I have searched for it on e-bay, amazon, here -- and can't find it. Candace Bergen gives an amazing performance as a young woman starting her life alone. I would love to see it again ... as I recall, the scenes are very 70s and may look dated, but the story is timeless.As I recall, it had shades of "Looking for Mr. Goodbar," but not as dark. I would say the movie has a sardonic feeling. Candace Bergen's character, T.R. Baskin, is smart, cynical and searching for her place in the world.