Sólo con tu pareja

2006
6.8| 1h34m| en
Details

Tomás Tomás is a young yuppie playboy with a string of discarded girlfriends. But when Silvia, the victim of one of his adventures, tries to get revenge by typing "positive" on his AIDS test, Tomás experiences for the first time the realities of love and death.

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Also starring Luis de Icaza

Reviews

GamerTab That was an excellent one.
Vashirdfel Simply A Masterpiece
Unlimitedia Sick Product of a Sick System
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
alxbarra Solo Con Tu Pareja, one of the most original films ever made in Mexican cinema (along with Cronos). This might not be the best Mexican movie but al least is my favorite one, It's such a fun movie to watch. Lubenski's photography (as always) is great, the art direction is interesting and the actings are good. I admit this is not a perfect movie the climax is kind of dumb, but what can i say, there is something about this film that i just love. Maybe is the old stereotype that we mexicans do about ourselves.Solo con tu pareja is a pornographic comedy that involves drunk Asian people, microwave suicide dogs, homemade jalapeños' slogan, little paper cones, suicide, and sex. Those little details are what i love about this movie, like Tomas running for the newspaper completely naked every morning.
trentonjones A slow, unsettlingly voyeuristic opening shot isn't the only thing that this film shares with it's younger brother Y Tu Mama Tambien. Both films use sexuality to explore the psyche of the protagonists, and tread the line between sex comedy and revelatory drama.Do not walk into this film anticipating some sort of deep thinking, however. Tenoch and Julio were completely broken down individuals, we saw what made them tick, etc...That multi-layering isn't existent within Tomas. He's a womanizer intent on attaining the most beautiful woman he's seen, nothing more. It's a much more straight forward goal and development, seemingly lacking the dimensions that Cuaron's future characters are comprised of.Tomas Tomas is an enthusiastic playboy adamant about not using condoms. When a scorned fling is put in a situation perfect for payback, she falsely marks his AIDS test positive, setting him off on a darkly comic quest to kill himself, but not before the love of his life finds out her husband is cheating on her and decides to end her own life as well. Tomas takes this opportunity to take her with him into death, as the one woman in his life, as far as we know, that he has a shred of respect for. This is revealed as he makes a list of the women he's slept with, laughing as he remembers their nick names, not necessarily even their real ones.Visually, this film marks a point before Cuaron adopted his now staple handicam cinematography. The shots are graceful and smooth, the editing the same. It was gorgeous, with more than one shot inserted solely for the composition (off the top of my head, the vial of Tomas' blood filling up in front of a black background, though the room was white) At more than one time I felt like pausing the film just to take in the images.While it marks a step toward what he will become, Solo Con Tu Pareja is a much more accessible and enjoyable film than the challenging ones that Cuaron eventually becomes known for. As a ribald comedy it succeeds, and it may be due to it's not trying to be. I'm not saying it's trying to be popcorn, but it also doesn't strive to change lives.
jzappa Solo Con Tu Pareja is a buried treasure. It's a bombastic screwball comedy by Alfonso Cuaron, who has since masterfully crafted Y Tu Mama Tambien and Children of Men with stunning individuality and creativity, both of which are within the consistent, crisply paced spirit of slapstick and farce that flourishes throughout this enormously entertaining movie about Tomás Tomás, a yuppie playboy, and a young publicist. Silvia Silva, the frustrated dupe of one of his sexual misadventures, tries to get back at him by typing "positive" on his AIDS test. Tomás, wanting to end his life, meets Clarissa, a flight attendant, who is also trying to end her own after finding out that her boyfriend is having an affair.It seems tasteless to make humor out of AIDS, but if it's funny, what's the problem? There isn't one then, is there? And one can't dispute that it's admirable for a film, not to mention a comedy, to break the myth that AIDS is a seclusively homosexual disease, a myth built by masculine ego, which this film parodies by its womanizing protagonist, played by an admittedly less than charming actor though it is a role that would not be far from ideal for Cary Grant.Really, what makes the film so funny is how insensitive everyone is. So many characters laugh at someone's tragic misfortune, are cavalier with life-or-death situations, are indifferent towards farcical situations which tie themselves in knots and Clarissa, the flight attendant, winds up quite accidentally with Tomas's stool rather than the lunch she has packed. Cuaron, along with his brother Carlos with whom he collaborated on the zany screenplay, loosens us up with affronting insensitivity splashed all over his broad comedy.Aside from some explosively hilarious moments, a lot of one's enjoyment derives from the time and place in which this obscure gem was made. It has the feel of a high-production- value 1990s movie and conceives an expressionistic treatment of Mexico City as a personality, as a character in this film. Everything in this movie is alive, so how can one be offended by the film's seeming tactlessness? The filmmakers clearly have enormous strength of mind. They merely show us that life is life and fate is fate.
Brian Ellis Hilarious Mexican version of 70's and 80's sex comedies but with a contemporary theme. Some may find this film veers a little too close to bad taste but it is done with such enthusiasm only a really repressed individual would complain. Shot in cinemascope, the film takes advantage of this to show a cosmopolitan and modern Mexico City that is rarely shown in film. A film that never lets up with the humor until the end credits.

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