Straw Dogs

2011 "Everyone Has A Breaking Point"
5.8| 1h50m| R| en
Details

L.A. screenwriter David Sumner relocates with his wife, Amy, to her hometown in the deep South. There, while tensions build between them, a brewing conflict with locals becomes a threat to them both.

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Reviews

AniInterview Sorry, this movie sucks
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
mariesms Unlike many, I found this movie to be very entertaining. James Marsden (David) and Alexander Skarsgård (Charlie) particularly excel in their roles.The film's basic plot revolves around a married couple, David and Amy (Kate Bosworth) moving back to her childhood home and community,and hiring her ex-boyfriend Charlie, and his friends, to fix the roof of their barn. But of course, trouble ensues.There are many different "dark" themes present explored throughout, from the stiff Southern American culture, one's place in nature, violence,desire.Masculinity is a another theme present. This film's dark moments have been known to give many people the chills.Having the story set in Mississippi, Southern America instead of England I think was a better move and made it more interesting.You could go and watch the more highly acclaimed Straw Dogs 1971 movie if you wish, but I think this modern remake is perfectly fine on its own.
Theo Robertson !!!!! SUGGESTIVE SPOILERS !!!!! The original movie has the dubious label of being a "Classic Movie" . To be honest much of its reputation is down to a notorious rape scene . That said Peckinpah was a genuine auteur who grabbed Hollywood by the throat , stuck a gun in its mouth and blew its head off . Hollywood was never the same again and it's interesting seeing some of his style recreated to a degree via Scorsese , Verhoeven , DePalma and Tarantino , directors who don't do things by half when a scene calls for literal bloody violence . Regardless of that STRAW DOGS isn't a great movie , having a rather confused story where a middle class non violent man and his slutty wife have to make a stand when their lives are threatened . If you liked the Peckinpah style you would have no doubt liked STRAW DOGS flaws and all but it seems totally pointless continuing the recent Hollywood trend and remaking horror films from the 1970S and 80s especially when absolutely nothing new is brought to the table and I had this down as yet another production line number with the setting moved from Cornwall England to the American Deep South . Add to this looking through his resume on this site remake director Rod Laurie is obviously a journeyman type of film maker and nothing he's directed ring any bells with me I really must do the lottery sometime because everything I predicated was indeed correct and almost everything wrong with the original is recreated here with added dog poo . The couple of Amy and David was highly unlikely in the 1971 due to the casting but here it's even more unconvincing . David is a Hollywood screenwriter and one of the things that's always appealed to me on an abstract level is that Beverly Hills must be a great place to meet really hot chicks . Is trailer trash Amy really the best David could pull ? I know a lot of men have a fetish for plain faced , sexually easy , peroxide blonds but there's a large difference between having sex with one and getting married to one .There's also a very mall detail in that his screen writing project lacks credibility . Hollywood is doing a big budget war film featuring Stalingrad as the backdrop ! Yeah sure they are . When something does ring true like the Deep South having more than its fair share of bible bashing rednecks everything is so over done as to lapse in to parody . It also begs the question why would anyone want to return there if they can live in Beverly Hills ? "Okay Theo is there anything about this remake that improves on the original" Yes it gives an explanation why the film is called STRAW DOGS and the anal rape scene is slightly less distasteful than what we got in the original . Oh what a short paragraph I've just written
Tss5078 For the 30th anniversary of Dustin Hoffman's classic film, Straw Dogs, the studio decided instead of re-releasing a special edition, that they would do a modern re-make of the film. For those unfamiliar with the story, it features a local girl, from a small Mississippi town, who has returned home with her new husband, after making it big in Hollywood. Once back in town, the new couple needs some work on the old farm that she inherited and hire an old friend of hers to do the job. The team is the most qualified in town, but right from the start you can see the tension starting to build. Straw Dogs is far from being a unique story, but what I really enjoyed about it was how methodical it was. The jealousy and tension are obvious from the start, but they build it slowly, through a serious of events, which lends credibility to both sides of the argument. Things continue to build right up until the end of the film when all hell breaks loose, thanks to an incident that really shouldn't involve either the workers or the couple. James Marsden and Kate Bosworth star and are both very good, but the star that shines the brightest is Alexander Skarsgard. I've never seen him in anything before and had no expectations about the kind of job he'd do and I was blown away. He really had to play two different roles in this film and it leads to some shocking and unexpected moments. Comparing the 2011 re-make to the original film, the stories are very similar, whoever I found in parts where the original was a little slow, the re-make turns up the intensity, and that's the way things should be. A lot of re-makes don't even compare to the original and are seldom better, but in this case it was. The producers looked back at the old film and enhanced the parts of the original that were too slow or didn't make a whole lot of sense, before modernizing the whole thing. There are some people who will never admit to liking a re-make, but I think with Straw Dogs, the producers took a good film and turned it into a great one.
Coventry For the first time ever, I was completely unbiased to watch a remake! Usually Hollywood always has the god-awful and annoying habit of remaking personal favorite horror/cult movies of mine that are already impeccable and not really suitable for improvement, but regarding "Straw Dogs" I felt a lot less concerned since I never was a die-hard admirer of Sam Peckinpah's original from 1971. Surely I acknowledge its importance and influence for the genre, but still mainly consider it to be a deeply unpleasant movie that all too enthusiastically glorifies senseless violence and somehow spreads the message that every man needs to undergo a couple of rape and violence rituals in order to become a real man. "Straw Dogs" 2011 also isn't just any random remake from an aspiring young director who desperately needed an obvious jumping board to success, but by the intelligent writer/director Rod Lurie. He inserted a couple of relevant changes (like the geographical transfer from redneck Southern England to redneck Southern United States) and efficiently put the emphasis on in-depth character development. There's still a fair portion of harsh violence and misogynic brutality in this version, mind you, but at least it's depicted in a lot less gratuitous and joyous way. The infamous rape sequence, for example, still evokes debates regarding provocation but at least the script doesn't all too obviously endorse the so-called 'rape-myth' that all women secretly desire to be physically dominated. The rest of the plot remains the same as well (also because it's a book adaption, of course) and thus focuses on a successful couple temporarily moving to the girl's hometown in Southern Mississippi. The (re-)integration in this traditional and underdeveloped community leads to embarrassing situations for the husband and humiliating confrontations for the wife, as her former boyfriend Charlie and his gang of tough huntsmen penetrate themselves into their lives. Things come to a bloody climax when David and Amy want to prevent the locals from executing private justice. "Straw Dogs" effectively bathes in grim and unsettling atmosphere and hugely benefices from the performances. James Marsden and Kate Bosworth are excellent, but particularly the local hillbillies are portrayed in a disturbingly realistic matter. Amongst them also the always reliable James Woods as a hellish football coach. Also, respecting the rules of cinema, there's some fuzz about a bear claw rather early in the film, so you just know this particularly gruesome and inventive murder instrument will be back in the finale as well.PS: lovely soundtrack with, amongst others, the wondrous ballad "Summer Wine" by Nancy Sinatra and Lee Hazlewood. I hadn't heard that song in years, but I now instantly added it to my play lists again.