Evengyny Thanks for the memories!

Supelice Dreadfully Boring

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Nooshin Navidi I gave this documentary high marks only because of its chilling story and message and not necessarily for its production value (though it was still engaging.) In the tradition of other films in the genre like Erin Brokovich, Silkwood, Norma Rae, etc., this is another disturbing account of innocent lives destroyed by corporate greed and corrupt motives. Only in this case, art, education and the First Amendment are on trial along with the victim. Respected science teacher and artist, Steve Kurtz, wakes up one morning to find his wife, (dramatization played by the great Tilda Swinton) dead next to him in bed, with the cause of death quickly determined to be heart failure. The paramedics who arrive on the scene notice the art-show-related chemicals and science-lab paraphernalia and alert the FBI which leads to Kurtz being arrested for "bio-terrorism". It's a surreal nightmare for Kurtz who never even gets a chance to properly grieve the sudden loss of his wife. But things don't end once the "terrorist" charge is cleared due to insufficient evidence. Since his art show was conceived as an exposé to educate/inform the public about genetically-modified food, the powers that be (industry/companies) must make it go away. Helped by an ambitious prosecutor in search of career advancement and fame, the charge is swiftly changed to something that would stick: Mail fraud. Absurd? Not when powerful industry is involved and would stop at nothing to protect their interests.Tilda Swinton is wonderful here in the few dramatization scenes she's in. This is a film that was missed by many, but should be seen by all.

James Horak The Amazing Application of the Docudrama Genre in, Strange Culture (2007) (or, government exploitation of event to circumvent expectation of human rights in the fulfillment of social contract.)The making of, Strange Culture, establishes a genre form within a genre, so elegantly does it apply both a storyline and it's backing with factual event but incorporates the "director's cut" inside to the making at the same time. Although a feat not for the faint of heart, the production carries its flow in a highly clarifying manner and with the very warmth of both actors and those they portray, seemingly caught up in a labor of love. Even more astounding when the viewer begins to realize the concerns at hand are wrought upon the innocent by a monstrosity that has come to be made in and by the aftermath of America's single greatest outrage, 9/11, exploited to mindlessly move this society closer to a police state. The government's case against one man becomes solely a pursuit against both the academic world, the world of art and the rights of all to know from whence and by what manner their very food source comes; even the pseudo science employed in tampering with it genetically. A wake-up call we all need that touches upon every right we increasingly only presume to have. That a group of learned professionals, utilizing their own artistic talents, scholarly knowledge base and friendship as colleagues could put together such a talented art exhibition so incredibly poignant to the social and health concerns of their audience would obviously draw the concerns of the powers that be, the kind of elite that own Monsanto. In the end we do not know the designs of this most dubious actionable effort of government against its people was early-on instrumented. We do not know this, but we come to suspect it. The laudable performance of the talented and hauntingly beautiful Tilda Swinton, the superb choice of casting Thomas Jay Ryan in the lead role, and the participation and obvious concern of Peter Coyote are wonderful extra attractions. Writer/director, Lynn Hershman-Leeson, has done far more than a successful job. To attest to this is the placement of a scene in which a group of grad students in a class are asked, "does anyone know about the McCarthy Era?" When no one replies, we immediately know the utter importance of this film.JCH

Nooshin Navidi I recommend this documentary because of its chilling story & message and not necessarily for its production value (though it was still engaging.) In the tradition of other films in the genre like Erin Brokovich, Silkwood, Norma Rae, etc., this is another disturbing account of innocent lives destroyed by corporate greed & corrupt motives. Only in this case, art, education and the First Amendment are on trial along with the victim. Respected science teacher & artist, Steve Kurtz, wakes up one morning to find his wife, (dramatization played by the great Tilda Swinton) dead next to him in bed, with the cause of death quickly determined to be heart failure. The paramedics who arrive on the scene notice the art-show-related chemicals & science-lab paraphernalia and alert the FBI which leads to Kurtz being arrested for "bio-terrorism". It's a surreal nightmare for Kurtz who never even gets a chance to properly grieve the sudden loss of his wife.But things don't end once the "terrorist" charge is cleared due to insufficient evidence. Since his art show was conceived as an exposé to educate/inform the public about genetically-modified food, the powers that be (industry/companies) must make it go away.Helped by an ambitious prosecutor in search of career advancement & fame, the charge is swiftly changed to something that would stick: Mail fraud. Absurd? Not when powerful industry is involved & would stop at nothing to protect their interests.Tilda Swinton is wonderful here in the few dramatization scenes she's in. This is a film that will be missed by many, but should be seen by all.~NN

siderite It all starts with a real event, the arrest and then continuous harassment of Steve Kurtz from 2004 until 2008 for the sole reason that he used biological material as a kind of art form. The story, truly incredible, yet totally real, needs to be heard. It shows how, under the right motivation, the FBI can do almost anything to someone for no reason at all.The film, however, is made almost like a conspiracy theory flick, one of those artsy, liberal, intellectual in your face things that don't gather the normal crowd of people because they are simply weird for a common person. You see a long haired university professor that works with bacteria as an art form in order to promote awareness of genetically modification in the foods marketed in the US. He is ridiculous! However, what happens to him (and his friends) is completely real.Now, I think this story could have been told a lot better and it should have been because it is one of those tales that show how close a proud democracy can turn overnight into a dictatorship or a police state. There is one line in the film where Steve Kurtz says that if the legal precedent would have succeeded, the power of the Department of Justice would have doubled overnight, by simply allowing them to turn any civil misdemeanor into a criminal issue.Bottom line: whether you will watch this film or not, Steve Kurtz is a man you should at least read about, get your facts straight, see how it could all have gone wrong for all of us if he (and perhaps a lot of people in his situation) would have caved in to the pressure.