CheerupSilver Very Cool!!!

MoPoshy Absolutely brilliant

Comwayon A Disappointing Continuation

Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kerryokie I just saw this movie tonight at the OKC Museum of Art for the first time in 30 years. It was even more fun than when I first saw it which may be because of the crowd I watched it with. The audience was comprised of a diverse mix of people ranging in age from teens to the 70s or 80s. The crowd had a blast throughout the film and cheered and applauded after each song with audience participation increasing as the film progressed. It felt like being at a live concert, so I can imagine what it must have been like to be at one of their live concerts in 1984. I found I was smiling throughout the film. A blast from the past and a blast all around. From David Byrne's surreal, quirky, fun antics on stage to Tina Weymouth dancing as she played guitar and the camera shots of the Jonathan Demme film, the band and film crew get everything right to provide us with a perfect concert film that is not to be missed. See it on the biggest screen you can with surround sound if possible. I have long thought the soundtrack CD was one of the best ever produced, the concert film holds up just as well. "O-o-oh what a day that was!"

Siebert_Tenseven I always liked the band Talking Heads. A lot. In my 20's I was in Providence RI and saw them perform at the RISD auditorium, and later at CBGBs. After that I sort of followed their music. I thought all of it was fantastic and with a strange quirkiness you didn't hear anywhere else. In the mid-80's I had a nervous breakdown and lost touch with the band along with a lot of other stuff. As it turned out, they had broken up while I was falling apart.Yesterday I finally saw this film and truly enjoyed it. As it turned out, I knew every song and every lyric, but had never seen this film. The music brought me back to a time in my life when I was a bit insane and enjoying myself relentlessly. The band's music has a drive that encourages outrageousness, and this film certainly demonstrates that aspect. But beyond all of that, this is cinema, not just a film of a concert. In a way, you have to see it to understand. I would like to encourage you to see this film even if you know nothing about the band. It's that good.

camillusdsl I watched this wonderful musical experience on DVD recently. I hadn't seen it for at least ten years and was delighted to see how well it's stood the test of time. Memories came flooding back of going to see it several times in the cinema with my then girlfriend (now my wife of twenty three years). Every time we went we met the same group of friends, smuggled in some beer, then danced all the way through the movie. Anyone too young to remember Talking Heads in their prime should watch Stop Making Sense and see how a group of talented musicians can put on a stunning show without the need for any flashy pyrotechnics. The originality and quality of the music and the clever use of simple lighting combine to make this a must see movie. Just be sure to move back the furniture so you have room to dance!

paulefortini It's a good thing that the Talking Heads broke up when they did. I mean, could you imagine them slogging it out today, playing the state fair circuit, or worse, the street fair circuit? No, watch this film. See a band at its creative and energetic peak. Remember them as they were over the two or three days in which it was filmed. Of course, you must watch David Byrne. He would make his entire body a performance art. He would contort, jog, dance, leap, and even make his clothes a prop.But, watch Tina Weymouth...Tina is a very visual performer too. She says almost nothing, letting her bass guitar speak for her. And while David goes over the top often, Tina is subtle and sublime. With her body moves as she dances in place. With her facial expressions, her smiles, occasional raised eyebrows, and glances. Then when the action shifts to the Tom Tom Club (in order to give David a break and allow him to change into his big suit), her big moment is for one song only--"Genius of Love" but man does she seize the moment and make it all her own! Rounding out the Talking Heads of course are drummer Chris Frantz (Tina Weymouth's husband for over 30 years now) and guitarist/keyboardist Jerry Harrison. When Chris takes the stage, he bounds up onto the riser, bows, and with a big smile, gets drumming. He is clearly enjoying himself during this and at the end of the show, he jubilantly throws his sticks into the audience. Jerry is a little harder to get a bead on. At times he's clearly enjoying himself, particularly on BURNING DOWN THE HOUSE. Other times he seems a little detached.Rounding out the touring band are Alex Weir on lead guitar, Bernie Worrel on keyboards, Edna Holt and Lynn Marbry on back-up vocals, and Steve Scales on percussion. None are treated as sidemen, rather as an integral part of the show.It has been commented that some "sweetening" of the sound was done. But I believe that it was to achieve sound consistency. I have heard several concert films with terrible audio (RUST NEVER SLEEPS comes to mind). Seeing this movie is what made me a Talking Heads fan back in 1985. Finding a copy at the used book store in 2006 is what helped me re-discover them.It would be easy to dismiss the Talking Heads as all visual as all David Byrne. Such is not the case. The songwriting and musicianship was solid throughout the band's career. The band remained together for several more years, scoring several additional hits including AND SHE WAS, LADY DON'T MIND, & WILD WILD LIFE. They called it quits as a band in 1991, although all four members have remained active in music.