JinRoz For all the hype it got I was expecting a lot more!

Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

HotToastyRag When State of the Union started, I was at the edge of my seat. Angela Lansbury, newspaper tycoon, has handpicked the next Republican candidate for president, and she sells the idea to Adolphe Menjou, a top political adviser, and Van Johnson, a campaign manager. The man she wants has no political background. He's a successful businessman and a millionaire, and he connects with the common man because he's not a typical politician. Sound familiar? Here's the even better part: It turns out Angela is having an affair with the candidate, and when his wife shows up to squelch infidelity rumors and promote a good family image, Angela sneaks into their bedroom and places her reading glasses on the nightstand, knowing the wife will find and question them. Exciting, isn't it? Well, that's as exciting as it gets. The rest of the film tries to show the dirtiness of politics, but to anyone who's ever paid attention to the political realm, it doesn't even scratch the surface. Spencer Tracy is cast as the likable, honest politician, but he comes across as neither. He seems angry and stupid, even though that's not how his character is written. Fredric March would have been a better casting choice, in my opinion. He pontificates and gets in his own way—and on the audience's nerves—while his wife, Katharine Hepburn pretends to argue but really always goes along with whatever the politicians tell her to do. Normally, she's a fantastic actress, but in this film, she rushes her lines and says them without much feeling. It felt like a rehearsal the actors didn't know was being filmed. She does say one funny line, though: "No woman could ever run for President. She'd have to admit to being over thirty-five!" Boring and corny to the very end, this is a movie to skip unless you're a die-hard Tracy-Hepburn fan. As for me, whenever I see them on screen together, I can't help but remember how mistreated Kate was. I don't think they're movie-magic, and I don't see sparks flying off the screen. I see an angry, arrogant man and his abused partner.DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, there's a scene in this movie that will not be your friend. When Spencer Tracy pilots his airplane, the camera swirls excessively and it will make you sick. In other words, "Don't Look, Mom!"

dazfiddy State of the Union is one of the best Hollywood films about American politics, especially the behind the scenes dealings during a presidential election.Spencer Tracy plays Grant Matthews a successful businessman who builds aeroplanes. He is touted as the potential Republican nominee for President. Katherine Hepburn is his wife Mary,who believes in him and his ideals.Her problem is that his mistress,Kay Thorndyke (an icy Angela Lansbury)is a powerful newspaper mogul who also is one of his supporters. She believes that she can make him President and be the power behind the throne. Which woman will gain control of his heart and his political soul? The film shows how Matthews gradually loses his way as compromises have to be made with various interests from unions to farmers. Ambition leads to expediency.Mary watches as the man she loves becomes a shell of his former self as he gives in to special interests. His lofty speeches become standard stump speeches just like any other politician.Adolph Menjou is great as Jim Conover, the fixer who loves the back room dealing and horse trading.His character is so cynical about the process,you wonder if he believes in anything apart from process.Angela Lansbury is a revelation, as this role is a million miles away from cosy Jessica Fletcher in Murder, she wrote. Kay can only be described as ruthlessly ambitious. She can stand her ground in a room full of men and is not afraid to tell them who is boss. If she can't run for President herself, she can at least make one. Only Mary stands in her way. The personal and political become intertwined. I love the scene when the two meet near the end of the film and eye each other up.Special mention has to go to Van Johnson, as Spike Macmanus the campaign manager who provides relentless comic relief.I noticed a couple of things in this film, which shows how chaste Hollywood was in the late 1940s. You never see the Matthews in bed together. Grant and Kay's affair is referred to, but very rarely are they seen together. How times have changed! This film is the perfect companion to The Candidate(1972) starring Robert Redford. There are lots of comparisons.Both films made over twenty years apart, ask the same questions: Can a politician remain idealistic once the process gets hold of him or her ?Is compromise inevitable?

vincentlynch-moonoi The plot is slick: Newspaper magnate Angela Lansbury wants to push her lover -- aircraft tycoon Spencer Tracy -- into running for President on the Republican ticket, thus making her the power behind the throne. But there are some sticky problems -- the affair, the real wife (Katharine Hepburn), and Tracy's own reticence to run. And, Lansbury wants to use Hepburn's disdain of the affair as a way to lead her to support Tracy's candidacy. The climax comes when a nationwide fireside chat is planned from the Matthews' home, and both Lansbury and Hepburn are present.Spencer Tracy: In this film, Tracy continues a very rapid transition from middle-aged to beginning to look old. Appropriate for a presidential candidate, but Tracy was aging rather quickly, considering that in his films of the mid-40s, he still looked mid-40ish himself. Then in films of the late 40s ("The Sea Of Grass" and "Cass Timberlane") the transformation came quickly. And here, in 1948 he is looking very distinguished. Tracy is at his best, particularly at the climax of the film.Katharine Hepburn: I consider this one of her best performances, particularly her soliloquy near the end of the film. And the chemistry between Spencer and Katharine...remarkable...and it certainly shines through here.Van Johnson: As I was watching, I was thinking about how much better Van Johnson's smart-aleck reporter went across in this Tracy film, than did Gene Kelly's in "Inherit The Wind". Here Johnson's character attempted to show the negative side of politics, and succeeded, and it's remarkable how many lines still ring true 60 years later! Adolphe Menjou: Not one of my favorites, but brilliant here as the stereotypical smoke-filled-room era politician, and interested to note that the conservative Menjou and the liberal Hepburn were apparently at each other to the point of not speaking during the shoot (according to the new Tracy biography).Angela Lansbury: Remarkably, Lansbury was only 23 years old when this film was made, and I think you may see parallels between her role/performance here and in "The Manchurian Candidate".Lewis Stone: Has a small, but critical role at the beginning of the film as Lansbury's father...a powerful but spurned politician that commits suicide while suffering from intestinal cancer...and the scenes between Lansbury and Stone are critical to understanding what makes Lansbury's character do what she does.This is a wonderful film, and one of the better examples of the Hepburn-Tracy relationship. Each shines here. And, of course, this is one of the later films by director Frank Capra, and although it is not held in as high esteem as some of his earlier films, I personally think it is one of his best. A great addition to your DVD shelf. My rating -- a very strong "7".

blanche-2 It never ceases to amaze me how one can see a film about politics made in the '30s, '40s, '50s - doesn't matter when it was made, it always seems like it was made yesterday. "State of the Union," a 1941 Frank Capra film, is another political film that comes off as very fresh. A plain speaking, likable man, Grant Matthews (Spencer Tracy) is convinced to run for President by the publisher of a newspaper, Kay Thorndyke (Angela Lansbury) who is also his mistress, and before he knows it, his words and intentions are no longer his own. Because he wants to win, he compromises and lies down with the dogs. When he stands up, he's got fleas.Katharine Hepburn costars as Grant's wife Mary in a role intended for Claudette Colbert, and she's excellent. She got the part by sheer happenstance - she was with Tracy when Capra called to say that Colbert was out. Colbert wanted to be filmed from the left only and didn't want to work after 5. Because the studio wanted the film out before the actual 1948 Presidential election, there wasn't the time or budget to accommodate her.All the performances in this film are marvelous. Van Johnson is very funny and charming as a newspaperman who becomes Grant's campaign manager. Adolphe Menjou is perfect as Kaye's mouthpiece who wants to go after the money people and court big business and the union heads. Lansbury is fantastic as the ambitious, cutthroat Kaye, who took over the paper from her father and knows how to use and abuse power.By today's standards, "State of the Union" is probably too talky - Capra often has big monologues in his films, but they're always delivered powerfully. Here is no exception. A rousing film about the breakdown of idealism before political realities.